 |
|
|
|
|
|
 |
| 177 |
|
James Abbott McNeill Whistler (American, 1834-1903), "Lindsey House" and "Spaste Shore", pair of etchings, both with graphite notations along the bottom margins, 9-1/2" x 12-1/2". Both glazed and framed.
Estimate: 250 - 400 |
|
 |
|
|
|
| 178 |
|
Mary Cassatt (American, 1844-1926), "Sara Smiling" (B. 195), drypoint etching on thin cream wove paper, ca. 1904, unsigned, sheet 12" x 9". Glazed and framed.
Estimate: 800 - 1200 |
|
 |
|
|
|
| 188 |
|
George Overbury "Pop" Hart (American, 1868-1933), "Boardwalk, Atlantic City", watercolor on paper, 1916, signed lower right "Hart", verso with "Margaret & Raymond Horowitz Collection" and "Zabriskie Gallery" labels, sight 8" x 12-1/2". Glazed, matted and framed. Provenance: Private collection, New Orleans, Louisiana. Along with John Marin and Charles Burchfield, "Pop" Hart was considered, in his time, a leading figure in American Watercolor. He was largely self-taught, although he spent three years studying at the Art Institute of Chicago and briefly at the Academie Julian in Paris. He traveled extensively in Europe, South America and the West Indies, using his favorite medium, watercolor, to capture the sights en plein air. Like his contemporary, Maurice Prendergast, whose influence is seen in some of Hart's work, he often painted people walking along beaches and enjoying the simple pleasures of everyday life. "Boardwalk, Atlantic City" exemplifies this type of work. Mrs. Abby Aldrich Rockefeller was a collector of his work and in 1928 organized an exhibition for Hart. A bust of Hart by Reuben Nakian is in the collection of the Museum of Modern Art in New York, donated by Mrs. Abby Aldrich Rockefeller.
Estimate: 1000 - 1500 |
|
 |
|
|
|
| 199 |
|
After John James Audubon (American, 1785-1851), "Slender-billed Guillemot", hand-colored engraving by Robert Havell, 1838, plate CCCCXXX from Birds of America, sight 16" x 23-3/4". Glazed, matted and framed.
Estimate: 900 - 1200 |
|
 |
|
|
|
| 203 |
|
John P. O'Neill (American/Louisiana, b. 1942), "Various Bird Studies", watercolor on paper, signed and dated lower left "John P. O'Neill, 1990", sight 29" x 21". Glazed, attractively matted and framed.
Estimate: 800 - 1200 |
|
 |
|
|
|
| 204 |
|
John P. O'Neill (American/Louisiana, b. 1942), "Two Bluebirds on a Branch", watercolor on paper, signed and dated lower right "John P. O'Neill, 1991", sight 23" x 19". Glazed, matted and framed.
Estimate: 700 - 1000 |
|
 |
|
|
|
| 223 |
|
Man Ray (American, 1890-1976), "L'Origine de L'Espace", color lithograph, 1971, signed in pencil lower right "Man Ray", numbered lower left "7/180", sight 13-1/2" x 18". Glazed, handsomely matted and framed.
Estimate: 2000 - 4000 |
|
 |
|
|
|
| 224 |
|
Robert Rauschenberg (American, 1925-2008), "Marsh", from the "Stoned Moon Series", color lithograph, signed, numbered and dated lower left "Rauschenberg 47/60, 69", with the blind stamp of the publisher "Gemini G.E.L., verso with a Christie's October 31, 2006 sale label, 35" x 24-3/4". Glazed and framed.
Estimate: 1500 - 2500 |
|
 |
|
|
|
| 225 |
|
Joan Mitchell (American, 1925-1992), "Tree II", color lithograph on wove paper, signed and numbered lower right "Joan Mitchell 56/100", with the blind stamp of the publisher, Tyler Graphics Ltd., verso with a Sotheby's sale label, 24" x 20". Glazed and framed.
Estimate: 800 - 1200 |
|
 |
|
|
|
| 226 |
|
Patrick Archer (American/Contemporary), "Untitled", collage on board, 1995, signed and dated lower right, a "Timothy Foley Gallery/American Art/New Orleans, LA" label en verso, 25" x 20". Framed.
Estimate: 8000 - 12000 |
|
 |
|
|
|
| 227 |
|
Ciel Olsen Bergman (nee Cheryl Bowers, American, b. 1938), "True or Not True", 1978, watercolor and gouache on paper, signed and dated lower right, 30" x 36". Glazed, matted and framed. Provenance: Ivory/Kimpton Gallery, San Francisco, California.
Estimate: 800 - 1200 |
|
 |
|
|
|
| 228 |
|
Ginger Mongiello (American/Taos, New Mexico, 20th Century), "Untitled", 1982, pencil, crayon and ink on paper, signed and dated lower right, sight 30" x 44". Glazed, mounted and framed.
Estimate: 700 - 1000 |
|
 |
|
|
|
| 229 |
|
Gene and Rebecca Tobey (American/New Mexico, Contemporary), "Bachelor Threat", watercolor on textured and embossed paper, signed lower right, 17-1/2" x 30-1/2". Attractively glazed, matted and framed. Provenance: Contemporary Southwest Galleries, Santa Fe, New Mexico.
Estimate: 500 - 800 |
|
 |
|
|
|
| 230 |
|
Gene and Rebecca Tobey (American/New Mexico, Contemporary), "Northern Ghost", watercolor on textured and embossed paper, signed lower right, 19-1/2" x 25-1/2". Attractively glazed, matted and framed. Provenance: Contemporary Southwest Galleries, Santa Fe, New Mexico.
Estimate: 400 - 700 |
|
 |
|
|
|
| 231 |
|
Jose Luis Cuevas (Mexican, b. 1934), "Coloso", 1988, color lithograph, signed in pencil lower right, marked "HC" lower left, 35" x 27". Framed.
Estimate: 500 - 800 |
|
 |
|
|
|
| 232 |
|
Lucio Pozzi (American/Italian, b. 1935), "Onflow", color monoprint, signed and dated lower right "Pozzi 88", titled lower left, 36" x 28". Unframed.
Estimate: 600 - 900 |
|
 |
|
|
|
| 233 |
|
Lucio Pozzi (American/Italian, b. 1935), "Kuna", color monoprint, signed and dated lower right "Pozzi 1987", titled lower left, 33" x 29-1/4". Unframed.
Estimate: 600 - 900 |
|
 |
|
|
|
| 235 |
|
David Salle (American, b. 1952), "Untitled", from "Raphael Suite", etching with aquatint in black and gray, signed and dated lower right "David Salle 1986", 24-1/2" x 30". Glazed and framed.
Estimate: 400 - 700 |
|
 |
|
|
|
| 236 |
|
Peter Max (American, b. 1937), "Sage with Umbrella and Sailboat III", St. John Series, ink on paper, signed lower right "Max", 6" x 7-1/4". Glazed, matted and framed.
Estimate: 700 - 1000 |
|
 |
|
|
|
| 237 |
|
Thomas Hart Benton (American, 1889-1975), "Wreck of the Old '97", 1944, lithograph, signed in plate lower right, signed in pencil lower right, AAA Publisher, sight 11" x 15-1/2". Glazed, matted and framed.
Estimate: 3000 - 5000 |
|
 |
|
|
|
| 238 |
|
Frantisek Simon-Tavik (Czech, 1877-1942), "New York", 1927, etching and aquatint, signed in pencil "T. F. Simon" lower right, artist's mark lower left, sight 15" x 17-1/2". Matted and framed.
Estimate: 1500 - 2500 |
|
 |
|
|
|
| 239 |
|
James E. Allen (American, 1894-1964), "Brazilian Builders/Manhattan", 1933, etching, signed in pencil lower right, sight 17-3/4" x 9-1/4". Matted and framed. One of the most acclaimed printmakers of the 30's and 40's, Allen was admired for his precisely detailed depictions of workers and laborers. His dramatically arranged compositions emphasized the dignity of the common man, without artifice or sentimentality. The image presented here was the cover illustration for Herald Tribune Magazine: Fine Prints of the Year, 1934; it was awarded the prize for best print of the year by the Philadelphia Print Club, 1934.
Estimate: 1500 - 2500 |
|
 |
|
|
|
| 240 |
|
John Steuart Curry (American, 1897-1946), "The Fugitive", 1935, lithograph, signed and dated in pencil lower right, titled and numbered 25 (out of an edition of 25) in pencil lower left, sight 13-3/4" x 10-1/4". Matted and framed.
Estimate: 800 - 1200 |
|
 |
|
|
|
| 265 |
|
Lee White (American/Atlanta, 20th Century), "Untitled", mixed media on paper, signed lower right, sheet 30-1/4" x 22". Float mounted.
Estimate: 800 - 1200 |
|
 |
|
|
|
| 551 |
|
American School (First Quarter 20th Century), "Moonlight", oil on canvas, unsigned, 83" x 42". Presented in a fine, period carved, gessoed and giltwood frame surmounted by ribbons and floral swags.
Estimate: 20000 - 40000 |
|
 |
|
|
|
| 772 |
|
After Philip van Dijk (Dutch, 1680-1753), "Abraham Banishing Hagar and Ishmael", oil on board, 19th century, unsigned, 20" x 15-3/4". Framed.
Estimate: 600 - 900 |
|
 |
|
|
|
| 774 |
|
South American School (17th Century), "Crucifixion", oil on canvas, 25" x 21". Unframed.
Estimate: 400 - 700 |
|
 |
|
|
|
| 866 |
|
Charles J. Bridgman (American/New Orleans, 1841-1895), "La Nouvelle Mariee", 1872, oil on canvas, signed, titled and dated en verso of canvas, 45-1/2" x 37-1/2". Presented in a handsome, contemporary frame.
Estimate: 3000 - 5000 |
|
 |
|
|
|
| 944 |
|
American School (First Quarter 20th Century), "Market Day, Dinan, Brittany", oil on canvas, unsigned, verso stretcher with a partially legible label, 33-1/2" x 48-1/2". Framed.
Estimate: 700 - 1000 |
|
 |
|
|
|
| 985 |
|
Louis Aston Knight (American/French, 1873-1948), "Cottage Garden at Sunset", oil on canvas, signed lower left, 31-1/2" x 25". Presented in a giltwood frame with artist plaque.
Estimate: 3000 - 5000 |
|
 |
|
|
|
| 1200 |
|
American School (Second Quarter 19th Century), "Portrait of a Gentleman", oil on canvas, unsigned, 30-1/2" x 25". Presented in a cove-molded giltwood frame.
Estimate: 1000 - 1500 |
|
 |
|
|
|
| 1202 |
|
American School (Second Quarter 19th Century), "Portrait of Two Young Women, One Playing a Lute", oil on canvas, unsigned, 27" x 27". Presented in a giltwood and gesso frame with a circular window.
Estimate: 15000 - 25000 |
|
 |
|
|
|
| 1213 |
|
American School (Third Quarter 19th Century), "Brigantine" oil on beveled wood panel, unsigned, 20" x 30-1/4". Framed.
Estimate: 1000 - 1500 |
|
 |
|
|
|
| 1215 |
|
Ronald Cavalla (American, b. 1940), "Bringing in the Haul" and "Return to Shore", pair of oils on board, each signed, 2-3/4" x 3-3/4". Presented in matching faux burl wood frames.
Estimate: 500 - 800 |
|
 |
|
|
|
| 1216 |
|
Ronald Cavalla (American, b. 1940), "Moonlight Over the Harbor" and "Sailor's Delight", pair of oils on board, each signed, 5-1/4" x 7-1/4". Presented in matching faux burl wood frames.
Estimate: 500 - 800 |
|
 |
|
|
|
| 1217 |
|
Ronald Cavalla (American, b. 1940), "Choppy Waters" and "West Wind", pair of oils on board, each signed, 3-3/4" x 4-3/4". Presented in matching faux burl wood frames.
Estimate: 500 - 800 |
|
 |
|
|
|
| 1218 |
|
Ronald Cavalla (American, b. 1940), "Stormy Skies" and "Storm Clouds", pair of oils on board, each signed, 4-3/4" x 3-3/4". Presented in matching faux burl wood frames.
Estimate: 500 - 800 |
|
 |
|
|
|
| 1219 |
|
Ronald Cavalla (American, b. 1940), "Stormy Seas" and "Darkening Skies", pair of oils on board, each signed, 9-1/2" x 11-3/4". Presented in matching faux burl wood frames.
Estimate: 700 - 1000 |
|
 |
|
|
|
| 1220 |
|
Ronald Cavalla (American, b. 1940), "Moonlight" and "Darkening Skies", pair of oils on copper, 10-3/4" x 5", and "Stormy Seas", 13-3/4" x 17-3/4". Presented in matching faux burl wood frames.
Estimate: 700 - 1000 |
|
 |
|
|
|
| 1242 |
|
American School (Fourth Quarter 19th Century), "Portrait of a Lady With a Lace Collar", oval oil on canvas, unsigned, 28" x 23-1/2". Presented in an antique giltwood frame.
Estimate: 1500 - 2500 |
|
 |
|
|
|
| 1243 |
|
American School (Third Quarter 19th Century), "Portrait of a Learned Lady", oval oil on canvas laid on board, unsigned, 30-3/4" x 24-1/2". Presented in an attractive period carved, gessoed and giltwood frame.
Estimate: 500 - 800 |
|
 |
|
|
|
| 1270 |
|
Ronald Cavalla (American, b. 1940), "Duck Pond" and "Reedy Shore", each 9-1/2" x 7-1/4", and "Cathedral", 7-1/4" x 9-1/2", group of three oils on board, each signed. Presented in matching faux burl wood frames.
Estimate: 500 - 800 |
|
 |
|
|
|
| 1275 |
|
American School (20th Century), "New England Coastal Landscape", oil on panel, signed lower left "E. Rendall", 36" x 47". Framed.
Estimate: 300 - 500 |
|
 |
|
|
|
| 1292 |
|
Ace (Asa Lynn) Powell (American/Taos, 1912-1978), "The Lookout", oil on canvas, signed lower left, with artist's "ace" card mark, 12" x 18". Framed.
Estimate: 2000 - 4000 |
|
 |
|
|
|
| 1295 |
|
American School (First or Second Quarter 20th Century), "The Red Blanket", oil on canvas, after Eanger Irving Couse (American, 1866-1936), unsigned, 15-1/4" x 18-1/4". Attractively framed.
Estimate: 1500 - 2500 |
|
 |
|
|
|
| 1307 |
|
Thomas Hudson Jones (American, 1892-1969), "The Ideal Head", 1921, bronze, on a columnar black marble plinth, overall h. 18", w. 8-1/4", d. 7-1/4". Thomas Hudson Jones, a sculptor of the Ulysses S. Grant medal, was a prolific artist and is best known for the "Tomb of the Unknown Soldier" in Arlington, Virginia. He studied at the Albright Art Gallery School of Art, Buffalo, New York (where he later taught), Carnegie Institute, Pittsburgh, Pennsylvania, and the Museum School of Art, Boston, Massachusetts. Jones was a member of the National Academy of Design and a Fellow of the American Academy in Rome. This sculpture was inspired by his time spent in Europe.
Estimate: 1500 - 2500 |
|
 |
|
|
|
| 1380 |
|
Larry Horowitz (American, b. 1956), "Flower Garden", oil on canvas, signed lower right "Horowitz", verso with a "Franklin Bowles Galleries" label, 23" x 17". Presented in a shadowbox frame.
Estimate: 500 - 800 |
|
 |
|
|
|
| 1381 |
|
Alan Gerson (American, Contemporary), "Tall Furniture", acrylic on board, initialed and dated lower right "AG 97", 16-3/4" x 21". Presented in a shadowbox frame. Provenance: LeMieux Galleries, New Orleans, Louisiana.
Estimate: 700 - 1000 |
|
 |
|
|
|
| 1382 |
|
Ciel Olsen Bergman (nee Cheryl Bowers, American, b. 1938), "Pacific Rim", 1982, oil on canvas, signed en verso of canvas, 48" x 108" (4' x 9'). Provenance: Kirk de Gooyer Gallery, Los Angeles, California.
Estimate: 2000 - 4000 |
|
 |
|
|
|
| 1384 |
|
Richard Johnson (American, b. 1942), "After Sparky", 1983, acrylic on canvas, signed, titled and dated en verso of canvas, 51" x 57". Framed. Provenance: Galerie Simone Stern, New Orleans, Louisiana.
Estimate: 3000 - 5000 |
|
 |
|
|
|
|
|
|