1 Manner of Jan Van Huysum (Dutch, 1682-1749) "Still Life of Flowers", oil on canvas, signed lower left "Van Huysum", 36-1/2" x 28". Presented in a late 19th-century molded giltwood and plaster frame.
Estimate: 900 - 1200
6 Attributed to Georgius Jacobus Johannes van Os (Dutch, 1782-1861) "A Pastoral Landscape with a Herder, Donkey and Sheep Grazing, a Woman and Child Working the Fields Beyond", oil on canvas, signed lower left "GJJ van Os", 28" x 36-1/4". Handsomely framed.
Estimate: 8000 - 12000
7 Nils Hans Christiansen (Danish, 1850-1922) "Bucolic Landscape of Figures Walking on a Riverside Path", oil on canvas, signed lower right, 24" x 30". Presented in a contemporary giltwood frame.
Estimate: 1400 - 1800
8 Frans van Leemputten (Belgian, 1850-1914) "View of a Country Road with a Herder and His Flock", oil on canvas, signed lower right "Frans van Leemputten", 12" x 16-1/4". Presented in its original carved frame.
Estimate: 1000 - 1500
9 Continental School (Early 20th Century), pair of oils on panel, the first depicting chickens in a barn setting, indistinctly signed lower right, presented in a molded and foliate- and laurel leaf-carved giltwood frame; the second depicting chickens and a rooster in a landscape, initialed lower right "R. K.", presented in a giltwood frame with egg-and-dart, acorn and oak leaf carving, both examples are 5-1/4" x 7". Provenance: Private collection, Sarasota, Florida.
Estimate: 1200 - 1800
10 Fabrice de Villeneuve and Studio (French/Contemporary), a trompe l'oeil canvas transfer print of a Dutch walnut cabinet facade filled with blue and white floral-decorated faience dinnerware, signed left center "F. de Villeneuve", 39-1/2" x 27-1/2". Unframed.
Estimate: 900 - 1200
11 Continental School (First Quarter 19th Century) "Half-Portrait of a Lady in a Blue Dress Adorned with Lavender Bows", oil on canvas, unsigned, 23-1/4" x 20-1/4". Presented in a late 19th-century giltwood frame.
Estimate: 600 - 900
12 Good Continental Cut-Paper Relief Picture, fourth quarter 18th century, depicting a moated castle with a drawbridge facing a tempietto on a hillock, the moat with a swimming cut-paper swan, the trees populated with elaborately cut exotic birds, with old ink inscription on the reverse "Miller fecit, of Mr. Greens company of (?) 1785", overall h. 13-3/8", w. 17-1/2". Shadowboxed and presented in a rope-twist marquetry mahogany-veneered frame.
Estimate: 450 - 700
26 Camillo Gioja Barbera (Italian, 19th Century) "Two Women and a Girl Seated in a Church Interior", oil on canvas, signed lower left, 22-1/2" x 17-1/4". Handsomely framed.
Estimate: 1500 - 2500
29 Victor Salmones (Mexican, 1937-1989) "Queen of Angels", number 10 of 10, a large patinated bronze figure of the ascendant Virgin, above the clouds and crescent moon and depicted in prayer, signed on the base "V. Salmones 10/10 M-42", h. 47-1/2", w. 13-1/4", d. 14". This bronze is being sold to benefit Friends of the Family in Los Angeles, a non-profit family resource center.
Estimate: 1800 - 2500
31 Circle of Barend Cornelis Koekkoek (Dutch, 1803-1862) "A Panoramic Mountainous River Landscape with Travelers on a Path", oil on canvas, unsigned, 104" x 48". Presented in a contemporary black-lacquered frame with gilt liner.
Estimate: 6000 - 9000
32 Continental School (19th Century) "Man with Bagpipe and Girl Holding a Hat", oil on tin, unsigned, 10" x 8-3/8". Presented in a contemporary giltwood frame.
Estimate: 125 - 250
33 Franz de Paula Ferg (Austrian, 1689 -1740), a pair of oils on panel, "Travelers Conversing in an Italianate Landscape", monogrammed lower right "FV" and "Travelers with a White Horse Resting on a Bluff Near Ruins", faintly signed lower left "PF", artist is identified on a gallery label on the reverse "Rayner MacConnal, Fine Art Dealers, 19 Duke Street, St. James, London", both are 7" x 8-5/8". Presented in matching giltwood frames with brass artist plaques.
Estimate: 4000 - 7000
34 Large Middle European Contemporary Decorative Panel, depicting an 18th-century town square with well-dressed denizens viewing a military drill, canvas transfer print mounted on panel, overall h. 54", w. 39". Presented in a good labeled Wayne Pratt and Company antiqued giltwood frame in the neoclassical style.
Estimate: 500 - 800
35 G. Gordon (Continental School, 19th Century) "A Gypsy Fortune Teller at a Roadside Inn", oil on canvas, signed lower left "G. Gordon", 30-1/2" x 50-1/2". Presented in a contemporary giltwood frame.
Estimate: 1000 - 1500
36 Wilhelm Velten (Russian, 1847-1929) "Orders for the Blacksmith", oil on panel, signed lower right "W. Velten", 10" x 13". Presented in a contemporary molded giltwood frame with leaf accents at the corners. Provenance: Christie's, New York, February 26, 1997, lot 258; Private collection, Sarasota, Florida.
Estimate: 5000 - 8000
37 Continental School (First Quarter 20th Century) "The Fruit Seller", oil on canvas, indistinctly signed lower right "Herman?", 6-1/4" x 9-1/2". Framed.
Estimate: 75 - 125
43 Italian School (Early 20th Century) "Lively View of Figures on a Promenade and Boats on a Canal", oil on canvas, indistinctly signed lower right, remnants of an exhibition label on the reverse "(?)EAL, (?)uvres, (S)ociete des (?)", with "L. Besnard, Paris" canvas stamp, 21-1/2" x 25-3/4". Presented in a period giltwood frame.
Estimate: 1400 - 1800
44 Laurits Sorensen (Danish, 1882-1968) "Ships at Sea", oil on canvas, signed lower right, 27" x 38-1/2". Framed.
Estimate: 600 - 900
45 Enrique Florido (Spanish, 1873-1929) "View of a Coastal Town with Ships at Harbor", oil on board, signed lower right "E. Florido", 6-1/2" x 10-3/4". Unframed.
Estimate: 300 - 500
61 Continental School (Contemporary) "Interior View of a Monastery", oil on canvas, unsigned, 44" x 33". Handsomely framed.
Estimate: 400 - 700
67 Manner of Baron Francois Pascal Simon Gerard (French, 1770-1837) "Empress Josephine", oil on canvas, unsigned, 83-1/2" x 48". Framed. Provenance: Christie's East, New York, September 26, 2000, lot 246. This painting was purportedly removed from the famed 24th floor Empire Room of the Woolworth Building, New York City.
Estimate: 10000 - 15000
93 Glen Keane (American/20th Century) "Classical Figure Study of a Seated Male", charcoal study on gray paper, signed lower right "G. Keane", sight 15-3/4" x 11-1/2". Glazed, handsomely matted and framed.
Estimate: 200 - 400
99 Pair of Large Colored Offset Lithographs, of, respectively, an ancient Greek white-ground lekythos, and a red-ground black-figure two-handled amphora, overall h. 35", w. 29". Presented in matching neutral wood molding frames in the neoclassical style and glazed.
Estimate: 1000 - 1500
156 French School (Second Quarter 20th Century) "Interior of the Cathedral St. Etienne" and "Interior of Chartres Cathedral", pair of hand-colored etchings, both examples are pencil signed "Ch. Maurice", sight 14-1/2" x 8-1/4". Glazed, matted and framed en suite.
Estimate: 100 - 200
158 Guillaume Lauters (Belgian, 19th/20th Century) and Franz Van Severdonck (Belgian, 1809-1889) "Farmer with Sheep and Goats Resting by a Boat-Filled Lake", 1885, oil on panel, double signed lower right "G. Lauters" and along bottom center "Les chevres moutons par F. Van Severdonck", with an inscription on the reverse "Je soussigne declare que le tableau ci contre est peint par moi sur l'ordre et pour compte de monsieur A. D. Huyvetter fils d'Anvers, G. Lauters, 1885", retains "Lasslow Art Galleries, 959 Madison Avenue, New York" label en verso, 12" x 17". Presented in a period gilt and gesso frame with artist plaque.
Estimate: 1500 - 2500
199 French School (Early 20th Century) "French Countryside View of a Village Church", oil on canvas, unsigned, 11-3/4" x 16". Framed.
Estimate: 350 - 500
281 After Sir Peter Lely (British, 1618-1680) "Henry Bennet, First Earl of Arlington", oil on canvas, unsigned, 30" x 25". Presented in a 19th-century carved giltwood and plaster frame.
Estimate: 1000 - 1500
282 Manner of Sir Godfrey Kneller (British, 1646-1723) "Portrait of a Lady in a Burgundy Dress Seated Before a Landscape", oil on canvas, unsigned, 50-1/4" x 40-3/4". Presented in a contemporary giltwood frame.
Estimate: 2500 - 4000
296 Pair of Lithographed Portraits, depicting, respectively, George I and George II of England, third quarter 19th century, each oval portrait presented in an elaborate cartouche surround with figural supporters and a secondary historical tondo, framed overall 25" x 20". Presented in triple black, gold and celadon mats within rectangular frames in black and gold in the Georgian style and glazed.
Estimate: 100 - 200
301 British School (Third Quarter 19th Century) "Portrait of Frances Horton", oil on canvas, extensively inscribed and with a partial signature on the reverse "Frances Horton, daughter of Mr. John Horton, of No. 25 Highbury Place; Islington, near London, in the 17th year of her age, after the original by an artist named Earle, forming one of twelve family portraits painted by him during the year 1792. Copied by me during the autumn of the year 1863. Annie (?)", 24" x 20". Presented in a contemporary giltwood frame.
Estimate: 350 - 500
306 British School (Third Quarter 19th Century) "Dover, from the Ramsgate Road", chromolithograph, after W. H. Bartlett, sight 6-1/2" x 8". Glazed, matted and framed.
Estimate: 40 - 70
312 G. Thompson (British, 19th Century) "Woodland Interior Scene with Herders Resting Near Their Flock", oil on canvas, signed lower left "G. Thompson", 20" x 26-1/2". Presented in a molded giltwood frame.
Estimate: 1200 - 1800
313 Octavius T. Clark (British, 1850-1921) "Rushing Stream Near a Country Farm"and "View of a Riverside Path in an Autumnal Wooded Landscape", pair of oils on canvas, the latter is dated lower right "1895", both examples are signed "OT Clark", 20" x 30-1/4". Presented in matching giltwood frames with shell corner accents. Reference: Benezit.
Estimate: 3000 - 5000
314 Circle of Benjamin Williams Leader (British, 1831-1923) "Extensive Mountainous Landscape with a Couple and Their Dog Resting on the Riverbank", oil on canvas, indistinctly signed and inscribed "B. W. Leader" lower left, 48" x 80". Presented in a handsome elaborate giltwood frame.
Estimate: 6000 - 9000
315 Frances S. Giles (British, fl. Fourth Quarter 19th Century) "Sunlit View of Figures Crossing a Woodland Bridge" and "Fisherman on a River Estuary, Early Morning", pair of oils on canvas, both examples are signed lower right "F. S. Giles", 20" x 30-1/2". Presented in matching giltwood frames with shell corner accents in the Louis XV style. Reference: J. Johnson and A. Greutzner, Dictionary of British Artists 1880-1940.
Estimate: 2500 - 4000
384 British School (Mid-18th Century) "Babraham" and "White Nose", pair of hand-colored mezzotint engravings of race horses, engraved by R. Houston, sight 11-5/8" and 13-5/8". Glazed, handsomely matted and framed en suite.
Estimate: 150 - 300
385 C. Ambrose (British, 19th Century) "Portrait of a Gentleman Wearing a Black Coat", 1846, oil on canvas, signed and dated on canvas verso, retains canvas stamp "Prepared by Charles Roberson, 51 Long Acre, London". Presented in a period giltwood frame. Reference: Benezit.
Estimate: 600 - 900
386 Francis S. Anderton (British, 1867-1909) "Portrait of a Young Scholar Seated Beneath an Armorial with the Motto Flectimus Nunquam", oil on canvas, signed and dated lower left "F. S. Anderton 99", 45-1/2" x 30". Presented in an elaborate Louis XV-style frame.
Estimate: 1400 - 1800
389 Circle of Charles Towne (British, 1763-1840) "Travelers with Cattle and Sheep on a Path by a Mountain Lake", oil on canvas, unsigned, 9-1/8" x 11-1/2". Presented in a later giltwood frame.
Estimate: 500 - 800
390 Arthur Joseph Meadows (British, 1843-1907) "Extensive View of a Riverside Village with Boats, Animals and Townsfolk on the Shore", oil on canvas, signed lower left "Arthur Meadows", 30" x 50". Presented in a contemporary molded giltwood frame. Provenance: Private collection, Sarasota, Florida.
Estimate: 6000 - 9000
391 Jack M. Ducker (British, fl. 1910-1930) "Sunset Over a Tranquil River Landscape", oil on canvas, signed lower left "J. Ducker", 24" x 32". Presented in a contemporary molded giltwood frame.
Estimate: 1400 - 1800
392 David Motley (British, fl. 1898) "Panoramic Autumnal View of a Cliffside Waterfall", oil on canvas, signed lower right "D. Motley", 50" x 30". Presented in a contemporary carved giltwood frame. Provenance: Private collection, Sarasota, Florida. Reference: J. Johnson and A. Greutzner, Dictionary of British Artists 1880-1940.
Estimate: 2500 - 4000
393 Joel Owen (British; Active 1892-1931) "Mountainous Landscape at Sunset with Sailboats on a Lake", oil on canvas, signed lower right "J. Owen", 16-1/4" x 24-1/4". Presented in a handsome giltwood frame.
Estimate: 1500 - 2500
394 British School (Second Quarter 19th Century) "Floral Studies", suite of three hand-colored lithographs, by Mrs. Badger, one example is sight 13" x 9-1/2", the other two are sight 15-1/2" x 11". Glazed, matted and framed en suite.
Estimate: 500 - 800
414 English Etching, Entitled "Two Noble Friends", depicting two Georgian dandies meeting and shaking hands, dated 1757, monogrammed in the plate lower left "JK" in entwined script, framed overall 11-1/2" x 9-1/2". Presented in a later brass-mounted giltwood frame in the neoclassical taste.
Estimate: 40 - 70
432 British School (Second Quarter 19th Century) "Botanical Studies", suite of eight hand-colored engravings, engraved by Watts, sight 9" x 5-1/2". Glazed, matted and framed en suite.
Estimate: 700 - 1000
433 British School (Second Quarter 19th Century) "Dahlia", "Rhododendrum", "Amaryllis" and "Peony", group of four hand-colored botanical lithographs, sight 13-1/2" x 9-1/2". Glazed, matted and framed en suite.
Estimate: 600 - 900
436 A Victorian Picture of Conway Castle, composed of carved cork and sand displayed against a watercolor wash sky, with a small plaque mounted to the mat inscribed "Conway Castle in 1750", overall h. 19-1/4", w. 23-1/4". Glazed and presented in a period bird's-eye maple frame.
Estimate: 100 - 200
558 Ethan Allen Greenwood (American/Massachusetts, 1779-1856) "Bust Portrait of a Young Gentleman in a Black Overcoat and an Elaborate Neckerchief ", 1817, oil on canvas laid down on panel, signed and dated lower right "Greenwood Pinx 1817", 26-1/4" x 20-1/4". Presented in a deep giltwood and plaster lemon-gilt frame in the neoclassical taste, fourth quarter 19th century. Provenance: Vose Galleries of Boston, purchased 1967; Sold in these rooms on February 2, 1997, lot 1032; Private collection, Sarasota, Florida. Reference: Groce and Wallace,p. 274, Mantle Fielding's Dictionary of American Painters, Sculptors and Engravers, p. 346. Greenwood studied under Edward Savage and later succeeded Savage as owner of the New England Museum, Boston. He is known to have painted over 800 portraits.
Estimate: 1800 - 2500
      
Contact Us Privacy Statement Site Created by Orleans Tech Copyright© 2007 New Orleans Auction Galleries, Inc.