7 Nils Hans Christiansen (Danish, 1850-1922) "Bucolic Landscape of Figures Walking on a Riverside Path", oil on canvas, signed lower right, 24" x 30". Presented in a contemporary giltwood frame.
Estimate: 1400 - 1800
156 French School (Second Quarter 20th Century) "Interior of the Cathedral St. Etienne" and "Interior of Chartres Cathedral", pair of hand-colored etchings, both examples are pencil signed "Ch. Maurice", sight 14-1/2" x 8-1/4". Glazed, matted and framed en suite.
Estimate: 100 - 200
281 After Sir Peter Lely (British, 1618-1680) "Henry Bennet, First Earl of Arlington", oil on canvas, unsigned, 30" x 25". Presented in a 19th-century carved giltwood and plaster frame.
Estimate: 1000 - 1500
282 Manner of Sir Godfrey Kneller (British, 1646-1723) "Portrait of a Lady in a Burgundy Dress Seated Before a Landscape", oil on canvas, unsigned, 50-1/4" x 40-3/4". Presented in a contemporary giltwood frame.
Estimate: 2500 - 4000
296 Pair of Lithographed Portraits, depicting, respectively, George I and George II of England, third quarter 19th century, each oval portrait presented in an elaborate cartouche surround with figural supporters and a secondary historical tondo, framed overall 25" x 20". Presented in triple black, gold and celadon mats within rectangular frames in black and gold in the Georgian style and glazed.
Estimate: 100 - 200
301 British School (Third Quarter 19th Century) "Portrait of Frances Horton", oil on canvas, extensively inscribed and with a partial signature on the reverse "Frances Horton, daughter of Mr. John Horton, of No. 25 Highbury Place; Islington, near London, in the 17th year of her age, after the original by an artist named Earle, forming one of twelve family portraits painted by him during the year 1792. Copied by me during the autumn of the year 1863. Annie (?)", 24" x 20". Presented in a contemporary giltwood frame.
Estimate: 350 - 500
306 British School (Third Quarter 19th Century) "Dover, from the Ramsgate Road", chromolithograph, after W. H. Bartlett, sight 6-1/2" x 8". Glazed, matted and framed.
Estimate: 40 - 70
312 G. Thompson (British, 19th Century) "Woodland Interior Scene with Herders Resting Near Their Flock", oil on canvas, signed lower left "G. Thompson", 20" x 26-1/2". Presented in a molded giltwood frame.
Estimate: 1200 - 1800
313 Octavius T. Clark (British, 1850-1921) "Rushing Stream Near a Country Farm"and "View of a Riverside Path in an Autumnal Wooded Landscape", pair of oils on canvas, the latter is dated lower right "1895", both examples are signed "OT Clark", 20" x 30-1/4". Presented in matching giltwood frames with shell corner accents. Reference: Benezit.
Estimate: 3000 - 5000
314 Circle of Benjamin Williams Leader (British, 1831-1923) "Extensive Mountainous Landscape with a Couple and Their Dog Resting on the Riverbank", oil on canvas, indistinctly signed and inscribed "B. W. Leader" lower left, 48" x 80". Presented in a handsome elaborate giltwood frame.
Estimate: 6000 - 9000
315 Frances S. Giles (British, fl. Fourth Quarter 19th Century) "Sunlit View of Figures Crossing a Woodland Bridge" and "Fisherman on a River Estuary, Early Morning", pair of oils on canvas, both examples are signed lower right "F. S. Giles", 20" x 30-1/2". Presented in matching giltwood frames with shell corner accents in the Louis XV style. Reference: J. Johnson and A. Greutzner, Dictionary of British Artists 1880-1940.
Estimate: 2500 - 4000
384 British School (Mid-18th Century) "Babraham" and "White Nose", pair of hand-colored mezzotint engravings of race horses, engraved by R. Houston, sight 11-5/8" and 13-5/8". Glazed, handsomely matted and framed en suite.
Estimate: 150 - 300
385 C. Ambrose (British, 19th Century) "Portrait of a Gentleman Wearing a Black Coat", 1846, oil on canvas, signed and dated on canvas verso, retains canvas stamp "Prepared by Charles Roberson, 51 Long Acre, London". Presented in a period giltwood frame. Reference: Benezit.
Estimate: 600 - 900
386 Francis S. Anderton (British, 1867-1909) "Portrait of a Young Scholar Seated Beneath an Armorial with the Motto Flectimus Nunquam", oil on canvas, signed and dated lower left "F. S. Anderton 99", 45-1/2" x 30". Presented in an elaborate Louis XV-style frame.
Estimate: 1400 - 1800
389 Circle of Charles Towne (British, 1763-1840) "Travelers with Cattle and Sheep on a Path by a Mountain Lake", oil on canvas, unsigned, 9-1/8" x 11-1/2". Presented in a later giltwood frame.
Estimate: 500 - 800
390 Arthur Joseph Meadows (British, 1843-1907) "Extensive View of a Riverside Village with Boats, Animals and Townsfolk on the Shore", oil on canvas, signed lower left "Arthur Meadows", 30" x 50". Presented in a contemporary molded giltwood frame. Provenance: Private collection, Sarasota, Florida.
Estimate: 6000 - 9000
391 Jack M. Ducker (British, fl. 1910-1930) "Sunset Over a Tranquil River Landscape", oil on canvas, signed lower left "J. Ducker", 24" x 32". Presented in a contemporary molded giltwood frame.
Estimate: 1400 - 1800
392 David Motley (British, fl. 1898) "Panoramic Autumnal View of a Cliffside Waterfall", oil on canvas, signed lower right "D. Motley", 50" x 30". Presented in a contemporary carved giltwood frame. Provenance: Private collection, Sarasota, Florida. Reference: J. Johnson and A. Greutzner, Dictionary of British Artists 1880-1940.
Estimate: 2500 - 4000
393 Joel Owen (British; Active 1892-1931) "Mountainous Landscape at Sunset with Sailboats on a Lake", oil on canvas, signed lower right "J. Owen", 16-1/4" x 24-1/4". Presented in a handsome giltwood frame.
Estimate: 1500 - 2500
394 British School (Second Quarter 19th Century) "Floral Studies", suite of three hand-colored lithographs, by Mrs. Badger, one example is sight 13" x 9-1/2", the other two are sight 15-1/2" x 11". Glazed, matted and framed en suite.
Estimate: 500 - 800
414 English Etching, Entitled "Two Noble Friends", depicting two Georgian dandies meeting and shaking hands, dated 1757, monogrammed in the plate lower left "JK" in entwined script, framed overall 11-1/2" x 9-1/2". Presented in a later brass-mounted giltwood frame in the neoclassical taste.
Estimate: 40 - 70
432 British School (Second Quarter 19th Century) "Botanical Studies", suite of eight hand-colored engravings, engraved by Watts, sight 9" x 5-1/2". Glazed, matted and framed en suite.
Estimate: 700 - 1000
433 British School (Second Quarter 19th Century) "Dahlia", "Rhododendrum", "Amaryllis" and "Peony", group of four hand-colored botanical lithographs, sight 13-1/2" x 9-1/2". Glazed, matted and framed en suite.
Estimate: 600 - 900
436 A Victorian Picture of Conway Castle, composed of carved cork and sand displayed against a watercolor wash sky, with a small plaque mounted to the mat inscribed "Conway Castle in 1750", overall h. 19-1/4", w. 23-1/4". Glazed and presented in a period bird's-eye maple frame.
Estimate: 100 - 200
945 Max Stentzer (Continental, 20th Century) "Still Life", oil on canvas, signed lower right "Max Stentzer", 19-1/2" x 16". Framed.
Estimate: 150 - 300
      
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