1 Manner of Jan Van Huysum (Dutch, 1682-1749) "Still Life of Flowers", oil on canvas, signed lower left "Van Huysum", 36-1/2" x 28". Presented in a late 19th-century molded giltwood and plaster frame. Estimate: 900 - 1200 2 Dutch Mahogany, Walnut and Marquetry Cabinet, mid-19th century, the shaped and domed molded cornice above a frieze centered by an inlaid portrait, over two doors, each inset with a shaped panel and with elaborate floral, foliate and avian inlays, opening to a shelved interior with two lower drawers, the bombe lower section fitted with three graduated long drawers, raised on scrolled feet, the whole with elaborate marquetry inlays, h. 86", w. 68", d. 20". Estimate: 2000 - 4000 3 Good Dutch Blown, Applied, Crimped and Engraved Glass Vase, first quarter 20th century, of inverted bell form in the late 18th-century style, h. 6-1/4", dia. 6-1/4". Estimate: 125 - 250 4 Dutch Mahogany and Marquetry Chest, fourth quarter 18th century, the rectangular top with projecting canted corners and with an elaborate floral-basket inlay, over a conforming case fitted with three graduated long drawers, all with scrolling foliate inlays, the sides inlaid en suite, raised on canted tapering square legs, h. 36", w. 36", d. 19". Provenance: Yellow House Antiques, Mobile, Alabama. Estimate: 600 - 900 5 Continental Walnut Cabinet, late 18th century and later, the domed and molded cornice above two conforming cabinet doors, each inset with a glazed panel, the lower section with a banded serpentine top above a conforming case fitted with three long banded drawers, raised on bun feet, h. 72", w. 45", d. 26". Estimate: 1800 - 2500 6 Attributed to Georgius Jacobus Johannes van Os (Dutch, 1782-1861) "A Pastoral Landscape with a Herder, Donkey and Sheep Grazing, a Woman and Child Working the Fields Beyond", oil on canvas, signed lower left "GJJ van Os", 28" x 36-1/4". Handsomely framed. Estimate: 8000 - 12000 7 Nils Hans Christiansen (Danish, 1850-1922) "Bucolic Landscape of Figures Walking on a Riverside Path", oil on canvas, signed lower right, 24" x 30". Presented in a contemporary giltwood frame. Estimate: 1400 - 1800 8 Frans van Leemputten (Belgian, 1850-1914) "View of a Country Road with a Herder and His Flock", oil on canvas, signed lower right "Frans van Leemputten", 12" x 16-1/4". Presented in its original carved frame. Estimate: 1000 - 1500 9 Continental School (Early 20th Century), pair of oils on panel, the first depicting chickens in a barn setting, indistinctly signed lower right, presented in a molded and foliate- and laurel leaf-carved giltwood frame; the second depicting chickens and a rooster in a landscape, initialed lower right "R. K.", presented in a giltwood frame with egg-and-dart, acorn and oak leaf carving, both examples are 5-1/4" x 7". Provenance: Private collection, Sarasota, Florida. Estimate: 1200 - 1800 10 Fabrice de Villeneuve and Studio (French/Contemporary), a trompe l'oeil canvas transfer print of a Dutch walnut cabinet facade filled with blue and white floral-decorated faience dinnerware, signed left center "F. de Villeneuve", 39-1/2" x 27-1/2". Unframed. Estimate: 900 - 1200 11 Continental School (First Quarter 19th Century) "Half-Portrait of a Lady in a Blue Dress Adorned with Lavender Bows", oil on canvas, unsigned, 23-1/4" x 20-1/4". Presented in a late 19th-century giltwood frame. Estimate: 600 - 900 12 Good Continental Cut-Paper Relief Picture, fourth quarter 18th century, depicting a moated castle with a drawbridge facing a tempietto on a hillock, the moat with a swimming cut-paper swan, the trees populated with elaborately cut exotic birds, with old ink inscription on the reverse "Miller fecit, of Mr. Greens company of (?) 1785", overall h. 13-3/8", w. 17-1/2". Shadowboxed and presented in a rope-twist marquetry mahogany-veneered frame. Estimate: 450 - 700 13 Pair of Bohemian Cranberry Glass Vases, first quarter 20th century, probably the Muhlhaus Glassworks, of footed pyriform and enameled in white and gold within strapwork reserves, h. 7-5/8", dia. 5-1/8". Estimate: 400 - 700 14 Fine Bohemian Cut Double-Overlay Glass Vase, third quarter 19th century, of baluster form, the casing of blue over white over clear and cut in an overall pattern of graduated quatrefoils and oculi, the lip "Van Dyck" cut and gilded, h. 13-1/4", dia. 4-3/4". Estimate: 500 - 800 15 Fine Imperial German Blown Glass Pokal, fourth quarter 19th century, probably the Heckert Glassworks (active 1866-1923, Warmbrun, Silesia) parcel-gilded and enameled in the late 17th-century style, the facade emblazoned with a gold and black crowned imperial German eagle, the domed cover with a prominent oviform finial, h. 17-3/4", dia. 5". Reference: R. & D. Truitt, Bohemian Glass, 1880-1940 (Kensington, MD: B. & D. Glass, 1995), p. 70-71. Estimate: 1000 - 1500 16 Franco-Bohemian Cut Double-Overlay Glass Vase, fourth quarter 19th century, of attenuated oviform, the parcel-gilt overlay in cobalt blue over white over clear and notch cut, with the center of each notch gilded, the neck and foot with parcel-gilt lappets cut to clear, h. 13-3/4", dia. 4-1/4". Estimate: 500 - 800 17 Good Pair of William IV Ruby Glass Sweetmeat Stands, second quarter 19th century, of petaled and footed form with gold bands, h. 4-3/4", dia. 8". Estimate: 400 - 700 18 Large Bohemian Ruby-Stained Glass Comport, fourth quarter 19th century, the flaring bowl boldly cut and engraved with rose blooms, buds and foliage, the circular foot reverse cut with a sixteen-point sunburst, h. 9-1/2", dia. 11". Estimate: 300 - 500 19 Italian Walnut and Fruitwood Bombe Commode, early 20th century, in the rococo taste, the shaped and banded top above a conforming bombe case fitted with two short drawers over two long drawers, all the drawers banded, raised on splayed molded legs, h. 33", w. 45", d. 20". Estimate: 600 - 900 20 Group of Three Italian Polychromed Terra Cotta Armorial Tiles, second quarter 20th century, each with a different full coat-of-arms, presented on a trio of matching custom white-painted wrought-iron stands, h. 11-3/4", w. 11-3/4". Estimate: 125 - 250 21 Florentine Carved and Painted Wooden Shield, the slate blue ground featuring a parcel-gilded bas-relief fleur-de-lys centered by a crown, h. 9", w. 7". Estimate: 60 - 90 22 Pair of Italian Mahogany Armchairs, early 20th century, the curved crest paneled and with carved foliate accents, joined to the padded seat by stretcher arms to lion's-head hand rests, raised on paneled and splayed square legs ending in paw feet, h. 30-3/4". Estimate: 1200 - 1800 23 Italian Flute-Carved and Parcel-Gilt Fruitwood Looking Glass, in the Directoire taste, the matte-gilded cresting modeled as an upright leaf spray mantled by leaf and pine cone sprays, the basal rail with gilded carved addorsed cornucopiae, h. 43", w. 22-1/2". Estimate: 150 - 300 24 Good German Stained, Enameled and Leaded Glass Panel, fourth quarter 19th century, in the late Gothic style featuring a pair of winged angels en face centering a stylized fan-form reserve in blue and colorless glass, presented in a narrow, naturally finished pine frame of later date, h. 21-1/2", w. 24-1/2". Estimate: 600 - 900 25 Large Italian Cast-Plaster Bracket Lamp, first quarter 20th century, in the form of a half-length winged angel holding flambeau in her outstretched hands, the basal element a large acanthine spray, the whole painted in patinated monochrome cafe-au-lait enamel, h. 58", w. 23". Estimate: 250 - 400 26 Camillo Gioja Barbera (Italian, 19th Century) "Two Women and a Girl Seated in a Church Interior", oil on canvas, signed lower left, 22-1/2" x 17-1/4". Handsomely framed. Estimate: 1500 - 2500 27 Italian Oak Chest, the banded rectangular top above a case fitted with four long drawers, all with inlaid banding, raised on ogee-molded bracket feet, h. 34", w. 49-1/4", d. 24-1/4". Estimate: 2500 - 4000 28 Attractive French Gilt-Brass and Filigree-Work Devotional Frame, first quarter 20th century, of lancet-arch form, with a filigree crest and flanked by a pair of filigree fleur-de-lys staffs, presented with a period French hand-colored lithograph of "Christ In Benediction" within a tiered rose fonce velvet mat and glazed, h. 7-3/4", w. 7-1/4". Estimate: 300 - 500 29 Victor Salmones (Mexican, 1937-1989) "Queen of Angels", number 10 of 10, a large patinated bronze figure of the ascendant Virgin, above the clouds and crescent moon and depicted in prayer, signed on the base "V. Salmones 10/10 M-42", h. 47-1/2", w. 13-1/4", d. 14". This bronze is being sold to benefit Friends of the Family in Los Angeles, a non-profit family resource center. Estimate: 1800 - 2500 30 Pair of German Baroque Carved Lindenwood Figures of Robed Angels, first quarter 18th century, depicted standing on clouds, originally polychromed and now stripped and waxed, fitted at the reverses for carved wings, now lacking, mounted on black lacquered bases with traces of gilding, now wired as table lamps. h. 33" Estimate: 800 - 1200 31 Circle of Barend Cornelis Koekkoek (Dutch, 1803-1862) "A Panoramic Mountainous River Landscape with Travelers on a Path", oil on canvas, unsigned, 104" x 48". Presented in a contemporary black-lacquered frame with gilt liner. Estimate: 6000 - 9000 32 Continental School (19th Century) "Man with Bagpipe and Girl Holding a Hat", oil on tin, unsigned, 10" x 8-3/8". Presented in a contemporary giltwood frame. Estimate: 125 - 250 33 Franz de Paula Ferg (Austrian, 1689 -1740), a pair of oils on panel, "Travelers Conversing in an Italianate Landscape", monogrammed lower right "FV" and "Travelers with a White Horse Resting on a Bluff Near Ruins", faintly signed lower left "PF", artist is identified on a gallery label on the reverse "Rayner MacConnal, Fine Art Dealers, 19 Duke Street, St. James, London", both are 7" x 8-5/8". Presented in matching giltwood frames with brass artist plaques. Estimate: 4000 - 7000 34 Large Middle European Contemporary Decorative Panel, depicting an 18th-century town square with well-dressed denizens viewing a military drill, canvas transfer print mounted on panel, overall h. 54", w. 39". Presented in a good labeled Wayne Pratt and Company antiqued giltwood frame in the neoclassical style. Estimate: 500 - 800 35 G. Gordon (Continental School, 19th Century) "A Gypsy Fortune Teller at a Roadside Inn", oil on canvas, signed lower left "G. Gordon", 30-1/2" x 50-1/2". Presented in a contemporary giltwood frame. Estimate: 1000 - 1500 36 Wilhelm Velten (Russian, 1847-1929) "Orders for the Blacksmith", oil on panel, signed lower right "W. Velten", 10" x 13". Presented in a contemporary molded giltwood frame with leaf accents at the corners. Provenance: Christie's, New York, February 26, 1997, lot 258; Private collection, Sarasota, Florida. Estimate: 5000 - 8000 37 Continental School (First Quarter 20th Century) "The Fruit Seller", oil on canvas, indistinctly signed lower right "Herman?", 6-1/4" x 9-1/2". Framed. Estimate: 75 - 125 38 Franz-Xavier Bergman (German, 1861-1936), a "Vienna Bronze" polychromed figure of a Turkish dancer standing on a square fringed oriental carpet, fourth quarter 19th century, the carpet touchmarked with the Bergman monogram, h. 6-3/4", w. 5-3/4", d. 5-3/4". Estimate: 800 - 1200 39 Good French Patinated Bronze Bust of an Algerian Girl, 20th century, modeled and polychromed in traditional costume, presented on a later broadly fluted mahogany and ebonized wooden pedestal of square section, h. 75". Estimate: 800 - 1200 40 Unusual Continental Carved, Polychromed and Parcel-Gilt Looking Glass, second quarter 19th century, of inverted tear form modeled as a pair of addorsed fruit-filled cornucopiae, the fruit, flowers and foliage polychromed, the cornucopiae gilded, retaining the attractively aged period plate, the reverse with the stenciled paper label of the movers C. T. Bainbridge's Sons, Brooklyn, and bearing the note "Careful! Rare Antique", h. 44", w. 37-1/2". Estimate: 800 - 1200 41 Cold-Painted "Vienna Bronze" Figure a Great Horned Owl, fourth quarter 19th century, h. 3-1/4", w. 1-1/2". Estimate: 300 - 500 42 "Vienna Bronze"-Style Polychromed Spelter Encrier, first quarter 20th century, in the form of a kneeling caparisoned camel, the saddle lifting to reveal the ink bottle compartment, h. 5-3/4", w. 4", l. 8-1/2". Estimate: 100 - 200 43 Italian School (Early 20th Century) "Lively View of Figures on a Promenade and Boats on a Canal", oil on canvas, indistinctly signed lower right, remnants of an exhibition label on the reverse "(?)EAL, (?)uvres, (S)ociete des (?)", with "L. Besnard, Paris" canvas stamp, 21-1/2" x 25-3/4". Presented in a period giltwood frame. Estimate: 1400 - 1800 44 Laurits Sorensen (Danish, 1882-1968) "Ships at Sea", oil on canvas, signed lower right, 27" x 38-1/2". Framed. Estimate: 600 - 900 45 Enrique Florido (Spanish, 1873-1929) "View of a Coastal Town with Ships at Harbor", oil on board, signed lower right "E. Florido", 6-1/2" x 10-3/4". Unframed. Estimate: 300 - 500 46 Italian Walnut Savonarola Chair, third quarter 19th century, the leather back joined to the like seat by downswept acanthine-carved arms, raised on a cross-over base ending in shaped planks to paw feet, h. 29". Estimate: 350 - 500 47 Continental Carved and Stained Oak Panel, depicting a seated female figure allegorical of "Abundance" in the 16th-century style, h. 8-3/4", w. 8-1/2". Estimate: 200 - 400 48 Restauration-Style Polychromed Four-Fold Screen, early 20th century, featuring classically robed figures and creatures within a like-patterned frieze, h. 48", w. 64". Estimate: 200 - 400 49 Unusual Scandinavian Looking Glass, second quarter 19th century, composed of reticulate-sawn and parcel-ebonized fruitwood, the bipartite plate lancet arched, the ebonized corner blocks centered with carved fleurettes, the lower plate broadly beveled throughout, h. 72-1/2", w. 29". Estimate: 1400 - 1800 50 Dutch Inlaid Mahogany Dry Sink, fourth quarter 18th century, in the neoclassical taste, the banded and canted rectangular top hinged and opening to an interior metal sink, fold-out leaves and a hinged shelf on the interior of the top, above a case fitted with a single central cupboard door, centered by an ebonized panel with polychromed avian accents in the chinoiserie manner, flanked to either side by like panels, the whole raised on canted, tapering square legs with banded accents and ending in brass ball feet, h. 37-1/2", w. 51", d. 22-1/2". Provenance: Private collection, Sarasota, Florida. Estimate: 7000 - 10000                 Contact Us Privacy Statement Site Created by Orleans Tech Copyright© 2007 New Orleans Auction Galleries, Inc.