920

Marc Chagall
(Russian/French, 1887-1985)

"Le Bouquet d'Amour"


gouache, crayon, pastel, oil and collage on paper laid down on canvas
signed lower left.
Framed.
23" x 17-3/4", framed 34-1/2" x 29-1/4"

Provenance: Private collection, Geneva, Switzerland; William A. Findlay, Chicago, Illinois; Sotheby's, New York, New York, May 9, 2007, lot 431; Shapiro Auction, New York, New York, September 26, 2015, lot 550.

Notes: "My painting represents not the dream of one people but of all humanity"….
~Marc Chagall

Marc Chagall, one of the most celebrated artists of the 20th century, touched thousands through his art, transforming the nostalgia of his childhood in Vitebsk, a tiny Jewish shtetl in Belarus (then part of the Russian Empire) into a wellspring of hope, creating whimsical scenes that border on the supernatural through their motley juxtaposition of color, scale and perspective that employ elements of cubism and fauvism. Though Chagall's native village was destroyed in two world wars and its Jewish population almost halved, its memory persists in recurring symbols and images that bear witness to the past in vignette-like psalms that sing of life: clowns and musicians (particularly fiddlers) defy gravity, dancing on diminutive rooftops and spiral through heavens of blue; and flowers bloom and lovers swoon ensconced in an embryo of their own. In an open letter to his city Vitebsk, at the height of the holocaust in 1944, Chagall writes: "Why? Why did I leave you many years ago? You [the City] thought: "I can see, I am etched in the boy's heart, but he is still 'flying,' he is still striving to take off, he has 'wind' in his head'.... I did not live with you, but I didn't have one single painting that didn't breathe with your spirit and reflection." At the time Chagall wrote his letter, he and his wife were living as war emigres in New York; shortly after his wife and the love of his life Bella Rosenfeld died suddenly of an infection that could not be treated due to a wartime shortage of penicillin. Art critic Jackie Wullschlager writes in her biography on Chagall that "as news poured in through 1945….Bella took her place in Chagall's mind with the millions of Jewish victims." Following her death, Chagall immortalized her in a lovers' embrace in a multitude of "Bouquets d'Amour", also known as "Amoureux au Bouquet", which he painted several times between the late 1940s and early 1960s.

This "Bouquet d' Amour" exemplifies the magical, humanity of the artist's work; the theme of love is universal. This painting, a veritable symphony in blue, is a testament to Bella, captured in two of the most enduring themes painted by the artist: lovers and the crowded rooftops of Vitebsk where Chagall met his bride. Bella was Chagall's endless muse and ultimate raison d'etre as an artist. She represented a purity of love that spilled forth in his paintings in a kaleidoscope of colors and forms. As Chagall states in his autobiography My Life: All I had to do was open my window and in streamed the blueness of the sky, love and flowers with her [Bella]. ….she has long been haunting my paintings, the great central image of my art." In each rendition of "Bouquet d' Amour", lovers, who resemble Chagall and Bella, embraced beneath an overwhelming plume or tree - the bouquet the flower of their love rooted in the courtship of their youth beneath the moonlit village.

References: Chagall, Marc. My Life. London: Peter Owen Publishers, 1965; Wullschlager, Jackie. Chagall: A Biography. New York: Knopf, 2008; Chagall, Marc. Marc Chagall on Art and Culture, edited Benjamin Harshav. Stanford: UP, 2003.


  • Condition: **In generally very good condition. Craquelure consistent with the gouache medium and subsequent very small losses (less than 1/8" each). All of the white areas fluoresce under UV light due to the chemical composition of the pigment.


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