Antiques, Collectables

1: William IV-Style Mahogany Writing Desk, the rounded, rectangular top with an inset gilt-tooled writing surface, above a frieze fitted with three drawers to either side, raised on turned, reeded, circular legs ending in brass caps and casters, h.

2: Victorian Mahogany and Upholstered Chaffeuse, mid-19th century, the padded, rectangular back above the saddle seat, raised on turned, circular legs ending in casters, now with Kilim upholstery, h. 32in. Illustrated

3: Regency Mahogany Bench, first quarter 19th century, the rectangular seat canted and with a molded edge, with a turned and rounded armrest to either end, raised on reeded, turned, tapering circular legs ending in toupie feet, h. 20-1/4in, w. 48in, d.

4: English Mahogany-Stained Beechwood Easy Stool, early 20th century, the interlaced leather top raised on tapering square legs joined by a box stretcher, bearing a Bakelite stamp reading "Arthur W. Simpson, the Handicrafts, Kendal" and with the incised

5: William IV-Style Mahogany Cupboard, the bowed top above a conforming case fitted with a single drawer over faux paneled cupboard doors, raised on slightly splayed feet, h. 27-1/2in, w. 23-1/2in, d. 17in.

6: William IV Mahogany Stool, mid-19th century, the padded rectangular top within a molded frame and raised on curving supports joined by a double stretcher and ending in inward scrolled feet, h. 15in, w. 31in d. 22-1/4in. Illustrated

7: William IV Mahogany Bedside Cupboard, mid-19th century, the rectangular top above a case fitted with two paneled cupboard doors with two long, graduated drawers below, raised on turned toupie feet, h. 29in, w. 23-1/2in, d. 19in.

8: William IV Leather-Upholstered Mahogany Nursing Chair, mid-19th century, the back-scrolled, padded and tufted back and padded seat raised on circular, turned legs ending in pegged toes, h. 33-1/2in. Illustrated

9: Regency Mahogany Bookcase, first quarter 19th century, the molded plinth cornice above two glazed doors with upper corner patera accents, the lower section fitted with two cupboard doors, each inset with two panels, the whole raised on a plinth base,

10: William IV Mahogany Tiered Server, mid-19th century, fitted with three rectangular tiers, all with molded edges, supported by turned and bulbous uprights, raised on exaggerated toupie feet ending in brass caps on casters, h. 43-1/4in, w. 47in, d.

11: Regency Mahogany Bench, first quarter 19th century, the padded, rectangular top set into a molded frame, raised on scrolling end supports joined by a heavily turned stretcher and ending in scrolled toes on casters, h. 17in, w. 33in, d. 20in. Estimate

12: Regency Rosewood Tripod Table, early 19th century, the tilting, rounded, rectangular top raised on a reeded, turned, bulbous standard to a tripartite base, raised on three splayed legs ending in bun feet h. 27in, w. 18-1/2in, d. 14-1/4in. Illustrated

13: Regency Mahogany Bowfront Chest, early 19th century, the bowed top double banded and above a case fitted with two short drawers over three long, graduated drawers, all with string inlay, raised on splayed bracket feet, h. 46in, w. 40in, d. 18-1/2in.

14: Pair of Edwardian Polychromed Armchairs, ca. 1900, in the Regency taste, each with a curved crest with a polychromed Greek-key pattern above an "X"-form splat, joined to the circular, caned seat by rounded arms over a spindled gallery, raised on

15: After Bertel Thorvaldsen (Danish, 1768-1844) Collection of Five Royal Copenhagen White Biscuit Porcelain Circular Plaques, depicting, respectively, "Venus Attended by Two Putti", "Dawn", "Young Marriage" "Old Marriage" and "Ruth and Boaz", each

16: Pair of French Art Moderne Brass Accent Lamps, in the form of tiered candlesticks and fitted with brass-framed linen demi-lune shades, modeled with a saucer knop above an octagonal disc plinth above a square base, h. 13in, w. 7in. Illustrated

17: French Brass-Mounted Matte Black Cast-Iron Table Lamp, second quarter 20th century, in the Art Moderne style, the circular disc- form base supported on a trio of short scroll feet, the center of the standard with a brass section, h. 15in. Illustrated

18: After Bertel Thorvaldsen (Danish, 1768-1844) Collection of Three Royal Copenhagen White Biscuit Porcelain Circular Relief Plaques, depicting, respectively, "Ruth and Boaz", "Venus Attended by Two Putti" and "Young Marriage", the last example

19: Good English Brass-Inlaid Mahogany Lap Desk, second quarter 19th century, the interior fitted with a green baize writing surface, an ink bottle compartment and three small pigeonholes, h. 8in, w. 22in, d. 12-1/4in.

20: Chinese Export Deux-Couleur-Gilded Black-Lacquer Jewel Cabinet, in "Mandarin's Garden" decor, second quarter 19th century, the facade doors opening to reveal a pair of transverse drawers over a pair of small drawers surmounting another transverse