59

Charles Dickens (1812-1870) A Christmas Carol, First American and Three Other Editions, including Philadelphia: Carey & Hart, 1844, first American edition, printed by C. Sherman & Son, Philadelphia, PA, 16mo., in black ribbed cloth,the boards with blind-stamped fillet and decoration, the spine with gilt lettering and "holly" decoration, 6-3/8" x 4-1/4". [Glancy: 54; Wilkins 82; Gimbel A80:2]; London: Chapman & Hall, 1845, 11th English edition, printed by Bradbury & Evans, London, 16mo., in green cloth, the boards with gilt fillet and interior and edge dentelle, with marbleized endpapers, the spine with red panels with gilt lettering and decoration, the edges cut and gilt, 6-1/2" x 4-1/4". [Gimbel A79:36]; East Aurora, NY: The Roycroft Shop, 1922, reprint of the 1902 edition, 8vo., in black quarter leather with green paper boards, the boards with gilt-stamped lettering, the leather with green-stamped decoration, the spine with gilt lettering and decoration en suite, the top edge cut and gilt, 9" x 6". [Pfaff #160-161]; and Mount Vernon, N.Y.: W. E. Rudge, 1930 complete in two volumes, 16mo., in full red leather, the boards with gilt-stamped decorative border and medallion, the spine with gilt lettering and ruled panels, presented in a green pasteboard slipcase, 6-3/4" x 4-3/8". Provenance: The Collection of William Pfaff, New Orleans, Louisiana. In addition to a very nice copy of the scarce first American edition (published in defiance of DickensAE plea that his works not be subject to unauthorized publication) and a handsomely bound copy of the eleventh English edition, this lot includes a very fine copy privately published in 1930 by noted printer William Edwin Rudge (1876-1931). It is significant not only for its classic and festive binding by the great book designer Frederic Warde (1894-1939), but as the first work printed in Linotype Baskerville, a hot type version of the classic Georgian font designed and cut by British typographer George William Jones (1860-1942). The original presentation card, signed in pencil by Rudge, accompanies this lot, which was presumably a gift to William Pfaff.


  • Condition: First American Edition: Corners bumped, extensive splitting to the cloth on the front joint, but no losses and hinge is secure. Tiny losses to lower spine extreme. 8mm x 12mm orange spot (dirt? wax?) on lower edge of rear board. Scattered spots of wear to the cloth, none significant. 70mm x 35mm triangular water stain beginning at the inner front flyleaf and extending through to about page 37. Two smaller triangular stains on the outer corners of the rear flyleaf and extending to about page 111. The gutter is cracked at the centermost point, with quire 7 held by a single stitch, the outer leaves tipped in. Scattered light foxing. Pencil mark on front board ("5.00"), page 27 (line) and inside rear board ("138", circled). Eleventh English Edition: Note that binding is green calf, not cloth. Light foxing throughout. Flaking in the front and rear joint extremes. Light scuffs on the boards. Roycroft 1922 Reprint: Flaking to the spine and joint extremes, with some minor losses to the lower spine extreme. Soiling on the front board corners. Light foxing, particularly on the first and last few (blank) pages and uncut edges. Rudge 1930 Private Edition: Very light wear and foxing, but otherwise fine, well-protected by its slipcase. Book plate of William Pfaff.

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March 20, 2015 1:00 PM CDT
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