155

After Sir Anthony van Dyck
(Antwerp, 1599-London, 1641)

"Portrait of Thomas Wentworth, 1st Earl of Strafford (1593-1641)"

oil on canvas
unsigned, inscribed lower right.
Presented in an antique giltwood and gesso frame.
85-1/2" x 47-1/2", framed 99" x 67"

Provenance: Deaccessioned from Friends University, Wichita, Kansas; gifted to the University by the Sam and Rie Bloomfield Foundation, Newport Beach, California.

Notes: Thomas Wentworth, a loyal supporter of King Charles I, was a powerful statesman, who believed in the absolute power of the monarchy as opposed to a constitutional one governed, in part, by Parliament. His great ambition to curb Parliament's power led to his untimely impeachment and execution, which was begrudgingly signed by the King, just eight years before the King himself was overthrown in the English Civil War. After Wentworth served as President of the Council of the North in 1628, he was appointed Lord Deputy of Ireland from 1632-1641. Though he was an efficient administrator, he was detested for his pro-English authoritarian rule, and made many enemies among the nobles.

To solidify his "sovereignty", Wentworth commissioned numerous portraits of himself, the majority of which were issued when he governed Ireland, and ordered copies of them in quantity to be sent throughout the Kingdom. According to the National Portrait Gallery in London, Anthony van Dyck painted Wentworth's portrait at least thirty-one times. The three oil paintings in the Gallery's collection are copies after 1633 portraits, including a smaller work of the portrait offered here with Wentworth's obedient Irish wolfhound gazing upward at him. This same painting, in yet three more different sizes (two of which are even larger than this one), were exhibited at the Royal Academy in 1875, 1883 and 1885 by landed gentry. Before this painting came to be part of the Bloomfield's private collection in the 1940s-1950s, it, too, probably graced the vast halls of an estate alongside the portrait of Wentworth's rival George Villiers, First Duke of Buckingham, presented in the same custom-made giltwood frame.


  • Condition: **In overall good condition. The painting exhibits a few campaigns of professional and conservative restoration that are commensurate with age and medium: it has been trimmed and relined (with what appears to be taped edges), and it has been revarnished several times, which makes it difficult for UV light to fully penetrate the surface. There are some tiny pinhead-sized losses scattered throughout and a small loss to the upper left corner. Light abrading is present on the proper left hand. Minor inpainting, which consists mostly of "retouching" and reinforcing of the contour lines, is present in the hair, right cheek, hands, some of the armor and to the background. The painting exhibits craquelure throughout, some mild surface soiling (mostly visible in the sky in the left background), and some small areas of blooming - whitish discoloration to the varnish layer(s).

    Please note that the height and width of the painting (stretchers) is 85-1/2" x 47-1/2", not 77-1/2" x 46" as previously stated.


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December 9, 2017 10:00 AM CST
New Orleans, LA, US

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Bid Increments
From: To: Increments:
$0 $49 $5
$50 $99 $10
$100 $499 $25
$500 $999 $50
$1,000 $1,999 $100
$2,000 $4,999 $200
$5,000 $9,999 $250
$10,000 $14,999 $500
$15,000 $19,999 $1,000
$20,000 $49,999 $2,000
$50,000 + $5,000