745

(Lydia) Amanda Brewster Sewell, ANA

(American, 1859-1926)

"Portrait of a Lady, Black Cat by Her Feet", 1911

oil on canvas
signed and dated lower right.
Framed.
79" x 38", framed 83" x 43"

  • Provenance: Private collection, New Orleans, Louisiana.

    A member of a wealthy and socially prominent family which could trace its ancestry back to William Brewster of Plymouth Colony, Amanda Brewster Sewell was afforded an enviably thorough academic art education. Her artistic inclinations were evident from a young age and at 17 she enrolled in classes at the National Academy of Design, where she studied the antique and figure drawing. She later attended classes at the Cooper Union and studied under William Merritt Chase at the Art Students League. Sewell eventually travelled to Paris, attending the Academie Julian under Tony Robert-Fleury and Adolph William Bouguereau and training with Charles Emil Carolus-Duran at his popular atelier. For three years, beginning in 1886, she exhibited grand historicizing mythological scenes at the Paris Salon, receiving critical and public acclaim.

    By the late 1880s she had wed fellow artist Robert Van Vorst Sewell and opened her own studio in New York City. She immediately gained a reputation and staunch following among New York society for her portraits, many of which are now in public collections. Sewell continued to exhibit her multi-figural mythological compositions and was consistently awarded medals, including at the World's Columbian Exposition and Chicago World's Fair, both 1893; The Pan-American Exposition, Buffalo in 1901; and the Louisiana Purchase Exposition, 1904. Most significantly, she was awarded the Thomas B. Clark Award for Figural Composition from the National Academy of Design in 1903, the first woman to receive such a major award. That same year she was named an Associate Academian.

    The portrait presented here reveals Sewell at her most adept with the loose brushwork of the foliage in the background juxtaposed with the painstakingly exact detailing of the facial features and the delicate rendering of the draping fabric. The National Academy of Design has three of her portraits in their collection.
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