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Andre Cottavoz

French, 1922-2012

Andre Cottavoz
(French, 1922-2012)

"Poivrons et Tomates", 1967

oil on board
signed lower right, and signed, titled and dated en verso.
Gallery frame.
9-1/2" x 16-1/4", framed 10-1/2" x 17-1/4"

Provenance: Galerie Renee LaPorte, Antibes, France, 1967; Estate of Thomas B. Lemann, New Orleans, Louisiana.

Notes: Andre Cottavoz was a "Sanzist" artist, a term used by its proponents to express their opposition to any labels. Favoring light above anything else, they made their debut in 1948 in Lyon, but it was the Ecole des Beaux Arts in Paris that became the movement's leading supporter.

Andre Cottavoz, inspired by Vincent Van Gogh, sculpted his paintings with a palette, layering, mixing and kneading the paints either with a tool or hand. It was ultimately Chaim Soutine that would have the most profound influence on the artist. As with Soutine, Cottavoz's dense paintings teeter on the edge of representation and abstraction. According to Carole Pinto Fine Art: "His seemingly chaotic brushstrokes create expressive pictorial surfaces that transform mundane subject matter into paintings that excite and provoke the eye."

oil on board
signed lower right, and signed, titled and dated en verso.
Gallery frame.
9-1/2" x 16-1/4", framed 10-1/2" x 17-1/4"

  • Provenance: Galerie Renee LaPorte, Antibes, France, 1967; Estate of Thomas B. Lemann, New Orleans, Louisiana.
  • Notes: Andre Cottavoz was a "Sanzist" artist, a term used by its proponents to express their opposition to any labels. Favoring light above anything else, they made their debut in 1948 in Lyon, but it was the Ecole des Beaux Arts in Paris that became the movement's leading supporter.

    Andre Cottavoz, inspired by Vincent Van Gogh, sculpted his paintings with a palette, layering, mixing and kneading the paints either with a tool or hand. It was ultimately Chaim Soutine that would have the most profound influence on the artist. As with Soutine, Cottavoz's dense paintings teeter on the edge of representation and abstraction. According to Carole Pinto Fine Art: "His seemingly chaotic brushstrokes create expressive pictorial surfaces that transform mundane subject matter into paintings that excite and provoke the eye."

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