205

British School
(First Quarter 19th Century),

"Portrait of Francis Spencer Hawkins, of H.M.'s Bengal Indian Army"

oil on canvas
unsigned.
Presented in an antique carved giltwood frame.
36-1/4" x 28", framed 43" x 35"

Notes: Francis Spencer Hawkins was born into an Anglo-Indian military family; his father was Colonel Thomas Hawkins of His Majesty's Bengal Indian Army. Following in his father's footsteps, Hawkins entered the Bengal Army as an Ensign in 1815 at the tender age of 17. The portrait offered here was likely completed a short time later to commemorate his commission into the army.

Hawkins proved a capable and diligent officer, and he steadily rose within the echelons of the army, eventually attaining the rank of Colonel. He was twice married; firstly to Maria Loveday in 1823, with whom he had one daughter, and secondly to Emily Kellet of County Cork, with whom he had two children including a son, Francis Kellet Hawkins, who also joined the Bengal Army (culminating his career as a Major-General).

The Bengal Indian Army, formed in 1765, was initially under the auspices of the powerful East India Company. In 1858, in part due to social and political upheavals between the military and the civilians, oversight of the army was transferred to the direct authority of the British Crown.

References: The Bengal and Agra Annual Guide and Gazetteer for 1841, p. 467.


  • Condition: **There is a repaired tear with inpainting to upper left of center (background and his hair) with corresponding patches en verso; paint loss and inpainting upper center (gold & black collar) with corresponding patch en verso; signs of damage and inpainting with corresponding patch en verso mid-left (blue background). Craquelure visible with inpainting to lower left (jacket, glove and sleeve). Bubbling of paint layer to lower right. Craquelure pattern visible throughout. Stretcher bar marks visible. Signs of inpainting lower right (background and sword); mid-right with paint loss; signs of inpainting along right edge: damage, repair, inpainting mid-left (button) with corresponding patch en verso. Small indentations upper/mid-left (background); two diagonal linear surface marks upper left (face to background). Not relined. Antique gilt frame with surface marks, nicks, losses and abrasions, all consistent with age and materials.


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