797

British School
(Fourth Quarter 19th Century)

"Death of Ahithophel"

oil on canvas
unsigned.
Framed.
40" x 53", framed 47" x 60"

Notes: In mid-19th century England there was a shift from the grand historicizing paintings extolled by the salons and academies towards more intimate scenes chosen specifically to engage the sentiments of viewers. Inspired in part by the somewhat radical attitude of the Pre-Raphaelite artists, these resulting works were meticulously and intricately detailed - though not necessarily historically accurate. Great attention is given to textures, patterns and design elements, and the scenes themselves were often instantly identifiable to the intended audience.
The work offered here is of the suicide of Ahithophel from 2 Samuel 15-17. Though this reference may seem somewhat obscure to contemporary viewers, it was a scene well known to artists of the day; the Pre-Raphaelite artist Edward Burn-Jones completed a related stained glass window. Ahithophel had been a close ally to King David before betraying him and joining forces with his sworn enemy Absalom. When Ahithophel discovers his counsel has been ignored, he returns to his home and hangs himself. The artist has chosen the moment when Absalom is confronted with the dead body of his councilor. This masterfully composed scene portrays Ahithophel's inert, pale body languidly draped atop the white bedclothes and is in intentional stark contrast to the deep, dark tones of the rest of the painting. The viewer's attention is instantly drawn to the young man's body, before taking in the various other elements; the figure grasping his head in despair, the gossiping couple beyond the doorframe to the right, the aide at left. It is a complex scene, with wonderfully detailed draperies and architectural elements.


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