1032

Camille Bombois (French, 1883-1970), "Le Couple Pecheur", ca. 1940, oil on canvas, signed lower left "Bombois Clle", verso with "David B. Findlay Inc., New York, N.Y." gallery label, 37-7/8" x 25-1/2". Presented in a giltwood frame. Provenance: David B. Findlay Inc., New York, N.Y.; The Flatt Collection. Camille Bombois, a peripatetic autodidact, has a background as colorful as his palette. He spent his early years living on a barge. At the age of twelve, he left school to become a farmer. Wrestling at the county fairs, however, landed him a new metier far away from the fields as a strongman for a traveling circus. In 1907, Bombois moved to Paris, finding work as a railroad laborer. It was during this time that he began exhibiting his paintings in sidewalk venues beside street performers in Montmartre. This early period of work was characterized by somber colors, awkwardly influenced by old master paintings. It was not until after World War I, after almost five years in the trenches as a soldier, that Bombois embraced his inner joie-de-vivre, allowing his compositions to be colored by the circus and the richness of his childhood on the canals of his native Burgundy. The vibrant still-lifes (lots 1036-1038), boldly defined through contrasting complimentary colors, have a theatricality redolent of the circus. Drawing upon his experiences, Bombois also favored landscapes with fishermen and forests. The influence of the Morvan woods and the famous waterways off the Yonne river are beautifully captured through the wondrous eye of a child in paintings like "Le Couple Pecheur", offered here, and "L'Arbre Abattu" (lot 1035). The crisp delineation of form and minute attention to detail down to the fishing pole strings and tree roots in these works exemplify Bombois at his finest.


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December 6, 2015 10:00 AM CST
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