26

Circle of Jacques-Louis David
(French, 1748-1825)

"Portrait of Jean-Pierre Georges Maubach (1788-1862) and His Son", ca. 1835-1840

oil on canvas
unsigned, partially titled in English on antique label en verso.
Framed.
39-1/2" x 32-1/4", framed 44" x 36-1/2"

Provenance: Sotheby's Arcade, New York, New York, Jan. 21, 2004, lot 141.

Literature: Biermann, Georg. "Ein wiedergefundenes Bild des Jacques Louis David". Der Cicerone. XXI (Dec. 23, 1929), pp. 667-669, illustrated as a work by David.

Notes: Following the Bourbon Restoration in 1814, Jacques-Louis David, the preeminent Neoclassical artist of France and "court painter" to Napoleon, sought exile in Brussels, Belgium with fellow revolutionaries and Bonapartists, who voted for the execution of King Louis XVI. In Brussels, David probablyencountered Jean-Pierre Maubach, a court of appeals attorney and proprietor of Le Vrai Republicain- a newspaper sympathetic to French refugees in exile that published the works of David's pupils in Brussels, including Sophie Fremiet, an ardent Bonapartist and wife of Francois Rude (sculptor of the Marseillaise facade on the Arc-de-Triomphe), and the Belgium born Francois-Joseph Navez. Given Maubach's age in the portrait, the painting was likely executed by one of David's pupils in the 1830s.


  • Condition: **The painting has a course, handwoven 19th-century relining. There is a very old repair (wax/adhesive?) to the lower right of the man's elbow with subsequent inpainting, which is probably why it was relined. The painting exhibits many campaigns of revarnishing to all but the faces, hands and book. Layers of varnish makes it difficult for UV light to penetrate and fully see all inpainting. There is some older inpainting to the left side of the man's face, and possibly to the green tablecloth. The more recent inpainting is equally conservative and scattered as "touch-ups" throughout. The boy's face appears to be untouched under UV light. There are tiny scattered losses along the top and left edges of the canvas, with the relined tape edge slightly exposed on the latter. Some abrading is present to the right edge. There are some accretions (white paint spatter specks), light surface soiling and craquelure scattered throughout. Condition is commensurate with age and medium. In overall good condition.

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