60

Derek Boshier

British/American, b. 1937

Derek Boshier
(British/American, b. 1937)

"Mexican Courtyard", 1985

oil on canvas
signed, titled and dated en verso.
Unframed.
88" x 138"

Provenance: Texas Gallery, Houston, Texas; Estate of Carol A. Straus, Houston, Texas.

Literature: Derek Boshier, The Texas Years, Houston, Contemporary Arts Museum, 1995, p. 16

Notes: Derek Boshier, a British-born artist and one of the proponents of late 1950s Pop Art, is an enigma, who has stymied art critics and historians alike for more than half a century. His work is versatile, boundless, and ever-more transformative, encompassing various media, genre and locales. Boshier studied at the Royal College of Art with David Hockney, Allen Jones and Peter Philips. His early works explored the terrain of popular mass culture, drawing upon mundane symbols and icons of everyday life that he explored not only in terms of Western kitsch, but also in terms of Indian culture and customs that he studied through a scholarship he received in 1962 sponsored by the Indian government and British Council. By the late 1960s and early 1970s, Boshier's work became progressively more abstract as he gave up painting and experimented with Op (optical) art in photography, film and 3D forms, creating ambulatory photographs and acrylic sculptures that explored illusion while simultaneously pairing movement and form down. Figurative works re-emerged in the 1970s as Boshier's work grew political and included anti-war and social commentaries in reductive posters, banners, and installation.

By 1980, Boshier metamorphosed yet again. Fascinated by American culture and early visits to New York and California in the 1960s, Boshier applied for a teaching position as a visiting printmaker at the University of Houston, in the heart of Western Cowboy country, or so he thought. Despite missing the application deadline by two months, the Art Department was so fascinated by Boshier, he was invited as a Visiting Professor/Artist in Residence with his own studio. As the catalogue for the 1995 exhibit the Texas Years states, it is not surprising that Boshier came, given his transient and restless nature, it is, however, surprising that he stayed for thirteen years.
With Texas came an astounding return to painting after a thirteen year hiatus. Canvases, big like the state, were full of color, movement and life - from naked cowboys framed by broad expansive Texan skies and roadways to verdant gardens laden with moss and exotic fauna, Boshier's bright saturated colors are narrative, celebrative and whimsical. The hot climate, proximity to Mexico and Louisiana, exposed him to tropical terrains, French Creole and Mexican rituals moored in voodoo and old Catholic traditions like the Day of the Dead, and Mardi Gras. Myth, icon and symbols - tenets of Boshier's early Pop Art work, bloomed during the Texas years in masterpieces like this: the "Mexican Courtyard"

oil on canvas
signed, titled and dated en verso.
Unframed.
88" x 138"

  • Provenance: Texas Gallery, Houston, Texas; Estate of Carol A. Straus, Houston, Texas.
  • Literature: Derek Boshier, The Texas Years, Houston, Contemporary Arts Museum, 1995, p. 16
  • Condition: **In generally very good condition. Minor scattered very small losses to some impasto areas.

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