339

Ferdinand du Puigaudeau (French, 1864-1930), "Meules de Foin et Champ de Coquelicots pres du Croisie", oil on wood panel, signed lower right, 7-1/4" x 9"; accompanied by a March 22, 1999 letter of authenticity from Antoine Laurentin. Presented in a giltwood and gesso frame with a linen liner. Provenance: Sotheby's, New York, September 30, 1999, Impressionist and Modern Art sale, lot 147; The Flatt Collection. Illustrated: To be included in the forthcoming catalogue raisonne by Antoine Laurentin. A painter in the Impressionistic style, Puigaudeau received a traditional education in his native Nantes before traveling to Italy and Tunisia. Upon his return to France he spent some time in the Breton city of Pont-Aven, becoming an integral part of the thriving artistic community and befriending fellow artists Paul Gauguin, Edgar Degas, Claude Monet, and Pierre-Auguste Renoir; these artists were to be forces behind the "Pont-Aven School", which emphasized the use of bold, light-infused colors. This approach is clearly seen in Puigaudeau's work which is known for its distinctive wide range of vivid colors and understanding of how light can shape landscapes and objects, creating a certain mood. The intimate painting here is a wonderful example of the artist's style: a village bathed in the mid-day sun, serenely combining the small, energetic brushstrokes of haystacks and poppies in the foreground we associate with the Impressionist style, together with the strong linear definition of the church steeple and rooftops beyond.


  • Condition: The painting has not been varnished or revarnished, and there are no signs of inpainting under UV light. There is a small 3/4" scratch to the top right center of the sky, and another 1/8" one to the far right just above the haystack. Pigment on the right edge of the panel is slightly abraded from framing.

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December 5, 2015 10:00 AM CST
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