1111

Follower of Perugino (Italian, b. ca. 1450-1523), "Madonna and Child", oil on wood panel, verso with a partial "William Young, Fine Art Collector, Dealer in Articles in Vertu, Belmont Street, Aberdeen" label, and two seals: one with the arms of Brown of Waterhaughs, Ayshire, the other of arms of Dennistoun impaling Murray for James Dennistoun (1803-1855) and his wife, Isabella-Katherine Murray (1805-1864), another printed label attributes the painting to Andrea Assisi (Italian, b. 1470), 21-1/4" x 16-1/2". Provenance: James Dennistoun (1803-1855) of Dennistoun Mains, Renfrewshire and Edinburgh; Mrs. Arthur Prasse, Camp Hill, Pennsylvania; Collection of Richard Vernon and Bettie Long Rickenbach, Ocala, Florida. James Dennistoun was a Scottish advocate, collector, antiquarian and historian. He was an ardent topographer and genealogist of his native Scotland which led to the publication of numerous articles on these subjects. The art and literature of Italy became an interest during his first tour of the Continent, during which he met his future wife. A year after his father's death, Dennistoun sold most of his family's estates and purchased a house in Edinburgh and Dennistoun Mains. The sale of the Colgrain estate afforded him prolonged stays in Italy where he devoted his time to the literary research of art. He published multiple articles in "Foreign Quarterly Review", amongst other journals, as well as the critically acclaimed "Memoirs of the Dukes of Urbino". He was also a collector of early Renaissance art and antiquities and most of his collection was sold on June 14, 1855 by Messrs. Christie, Manson & Woods, of King Street, St. James's Square, Edinburgh.


  • Condition: Generally good condition. Scattered nicks and areas of abrading. Evidence of past restoration; small scattered areas of inpainting, including two horizontal linear areas corresponding to old age fracture cracks in the upper 1/3 of panel. Craquelure with some separation across painting. Layer of soiling. En verso with numerous wormholes, all consistent with age and material.

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