229

Franklin Carmichael
(Ontario/Canada, 1890-1945)

"Port Coldwell, Lake Superior", 1928

oil on board
titled, dated "1928" and certified by hand by Ada L. Carmichael, and bearing Heffel Fine Art Auction House stamps.
Framed.
10" x 12", framed 16" x 18"

Provenance: Acquired directly from the estate of the artist by John Goldie Breckenridge, Toronto; Estate of Mary Breckenridge; Heffel Fine Art Auction House, Toronto, Ontario, Canada, November 25, 2010, lot 122; Private collection, New Orleans, Louisiana.

Literature: Megan Bice, Light & Shadow: The Work of Franklin Carmichael, 1990, p. 48.

Notes: Franklin Carmichael, a pioneering Canadian artist of the early 20th century, redefined the rugged Northwestern territories in a distinctly native and modern genre. Along with six other artists - A. Y. Jackson, Lawren Harris, Arthur Lismer, Frederick Varley, Frank Johnston and J. E. H. MacDonald, he formed the Group of Seven, an important brotherhood of Canadian landscape artists, who repudiated British and European models, seeking inspiration instead from outlier Scandinavian landscapes and popular North American theories concerning the spiritual (transcendentalism and theosophy). According to Harris, after painting in Europe "where everything was mellowed by time and human associations, [he] found it a problem to paint a country in outward appearance pretty much as it had been when Champlain passed through its thousands of rock islands three hundred years before." The sheer expanse of the rugged bluffs, falls and uncharted waters coupled with the extremities in lighting, northern lights and temperature were foremost felt; the experience cathartic and sublime with fear on exalting par with awe - fear of being stranded on a frozen lake or tundra miles from civilization. To truly capture that sensation was beyond representation as defined by the landscape traditions of the academies; Carmichael and the Group of Seven were avant-garde in their approach: they collapsed foreground and background. As seen here in this superb study of Port Coldwell, roiling skies and undulating hills, rendered through a tertiary and redactive palette, blur celestial and terrestrial boundaries, creating a hauntingly beautiful scene that is austere and yet disquieting in its arrested movement.

Port Coldwell was an epicenter for the Group of Seven, a wellspring of inspiration, much like Walden Pond was for their American cousins. Between 1920 and 1928, they frequented it often. Its remoteness spellbound them - a community of five homes centered around an ice house with no infrastructure or roads. The steep grade of the hills on the northern shore of Lake Superior made it impassable by rail. With much coercion from the artists, the conductor would slow the train to 25 mph so they could jump from the railcar. The painting offered exemplifies Carmichael's daring leap to push compositional boundaries in search of an art emblematic of the Northern Canadian territories.


  • Condition: **In overall good condition with no visible losses. Under UV light, a few small inpainted "touch-ups" to the rain and rain cloud were detected in the left background.

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