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Fritz Bultman

American/Louisiana, 1919-1985

Fritz Bultman
(American/Louisiana, 1919-1985)

"Untitled", Possibly "Homage to Azure II", 1957

oil on canvas
monogrammed lower right, signed and dated "Dec. 57" and inscribed "Top" en verso top.
Framed.
24" x 20", framed 25-1/8" x 21"

Provenance: Probably Martha Jackson Gallery, New York, New York; Private collection, Florida.

Notes: Bultman, a native New Orleanian, was as prolific as he was troubled. A member of the New York School and contentious Irascibles, who openly rejected the Metropolitan Museum of Art's exhibition "American Painting Today - 1950", Bultman was a pioneering member of the Abstract Expressionist Movement of the late 1940s and 1950s that renounced figurative representation in favor of an emotive or spiritual exploration of the psyche through symbols, signs, and push/pull spatial theories of color executed in broad brush strokes, often by happenstance or subconscious creation. The movement, which merged World War isolation, color theories and Jungian psychoanalysis - the belief that the shadow of societal mores could be stripped back to reveal a collective unconscious and thus greater selfhood - greatly appealed to the young artist, who struggled since youth with emotional outbursts and bouts of depression for which he sought lifetime treatment. The canvas for Bultman was a therapeutic skein. Built of complex threads he layered with bold strokes and heavy impasto, it was punctuated and punctured with circles and cruciform configurations that he often scrapped through to reveal under layers. The symbolic process was time again moored in Bultman's childhood memories of New Orleans, particularly of fire and water - two destructive and regenerative elements so central to astrology and the subtropical locale. The burning of the swamps in Louisiana he saw as a boy are etched in the symbolism and color of his canvases. When asked about it years ago, Bultman said: "What appears to be a sheet of water will be burning with very high flames against a blue sky - I don't know anything else that seems to me as beautiful as that…It's fire and water. You very seldom see them together in such close juxtaposition as you do when they are burning a swamp." In 1952 Bultman had a relapse and painted very little over the next four years as he underwent Freudian analysis. In 1957 he returned to painting with vigor and force, tempered by reflection. This work, born of fire and water, is a postscript to two other remarkably similar works from 1957 titled "Homage to Azure".

oil on canvas
monogrammed lower right, signed and dated "Dec. 57" and inscribed "Top" en verso top.
Framed.
24" x 20", framed 25-1/8" x 21"

  • Provenance: Probably Martha Jackson Gallery, New York, New York; Private collection, Florida.
  • Condition: **Surface dirt and small loss upper center and one in central area of painting. Frame with marks, nicks, abrasions and separation in corners. Please ask for additional images.

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