850

George Rodrigue (American/Louisiana, 1944-2013), "She Added Color to My Life", 1992, oil on canvas, signed lower right, signed, dated and titled en verso canvas, 40" x 30". Framed. Accompanied by a copy of George Rodrigue: A Cajun Artist, Lawrence S. Freundlich, Introduction by John Bradshaw, autographed by John Bradshaw. Provenance: Collection of John E. Bradshaw, Sr., Houston, Texas. Literature: Lawrence S. Freundlich, George Rodrigue: A Cajun Artist, 1996, illustrated p. 187. John Bradshaw, in his introduction to the "George Rodrigue: A Cajun Artist", (Penguin, 1996), reflects on his first encounter with George Rodrigue and the Blue Dog: "My first impression of George Rodrigue's paintings focused on the mere presence of the Blue Dog, which looked to me like it had been cut out and pasted like a stamp on an envelope. My first interpretation of Blue Dog was a friendly icon and symbol of death." He further explains that George's own conception of his iconic symbol was different: he is the spirit of the deceased dog Tiffany, wandering the earth in search of reunion, reconciliation, and a final resting place. "Where are we going? Where is our home? What is the meaning of love in the face of death? In Blue Dog, George seems to give us tentative answer." Perhaps it is no surprise that the artist who has found a spiritual outlet in this seemingly simple, yet hypnotic symbol of both death and life, would pay yearly pilgrimage to Santa Fe, New Mexico, a longtime place of refuge for artists in search of inspiration and healing. It was in Santa Fe that George Rodrigue was introduced to Evergreen Lake, by Rosalea Murphy, a colorful local character and artist. He photographed her in the span of one afternoon and used those images in dozens of paintings. According to Wendy Rodrigue, "She became for him another Evangeline or Jolie Blond and appears in his work not only as herself, a Native American woman, but also as a Cajun 'traiteur' or healer." In this rendition of Evergreen Lake, she is seated elegantly on a rustic Colonial trunk, dressed in a ghostly white gown, centrally poised between the Blue Dog in the foreground and the Native American blanket filling most of the background space. The depth achieved skillfully by using vibrant color and bold design, reminds us of the artist's training in graphic art at the Los Angeles Art Center. As with all of his "Blue Dog" paintings, the little dog's yellow eyes stare directly at us and we in turn are compelled to stare back, reflecting on the scene presented. We project onto the painting our own fears, memories and hopes, yet are able to enjoy this striking image for its own merit.


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May 18, 2014 10:00 AM CDT
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