279

Giuseppe Filippo Liborati Marchi (Italian/British, 1735-1808)/Workshop of Sir Joshua Reynolds (British, 1723-1792), "Portrait of a Member of the Jameson Family, County Cork, Ireland, Possibly William Jameson, Esq.", 1773, oil on canvas, signed and dated upper right "Marchi 1773/March 17", sitter holding letter inscribed "To Messrs. Hugh Jameson & Sons, Cork", one arm resting on book titled "Lex Mercatoria (Merchant Law)", 30-1/2" x 25-1/4". Framed. The Roman-born Marchi spent almost the entirety of his career in the studio of Sir Joshua Reynolds (1723-1792). The elder artist encountered the young man during a tour of Italy in 1850; impressed by the artistic skill and promise of the then-15-year-old boy, Reynolds encouraged Marchi to accompany him back to England. Under the sponsorship of Reynolds, Marchi studied at St. Martin's Lane Academy; founded in 1735 by William Hogarth (1697-1764), it was the precursor of the Royal Academy Schools. He then continued his studies with Reynolds, and is considered to be the first of Reynolds?ÇÖ pupils (a list which would include Sir Thomas Lawrence and Sir Henry Raeburn). Marchi eventually attained the status as the artist's chief assistant, responsible for much of the preparatory work including the priming of canvases and the painting of backgrounds and draperies. He was deemed so knowledgeable about Reynolds' technique and process that he was considered the only person capable of restoring and conserving the master's paintings. In addition to his studio work for Reynolds, Marchi was an accomplished copyist and was known for his exceedingly detailed and precise mezzotints, many of which were reproduced in the most prominent journals of the day. During his one break with his mentor, Marchi set up his own portrait studio in Swansea in 1768 ?Çô the endeavor lasted less than a year and he eventually returned to Reynolds' studio. Marchi exhibited portraits and engravings at the Society of Artists of Great Britain, of which he was a member, serving as Director in 1775. Few examples of Marchi's autonomous portraits are known to exist, and all share many of the same compositional elements of his employer's work. The date of the portrait offered here, 1773, reveals that it was completed not during Marchi's brief foray at running his own studio, but during a time when he was active in Reynolds studio. A portrait by Reynolds of Marchi is conserved in the Reynolds Room of the Royal Academy of Arts Collection. The sitter of this painting, familially identified by the salutation on the letter he is holding as a member of the Jameson family of Cork, is likely one of the two known sons of Hugh Jameson, William or Edward. The Council Book of the Corporation of the City of Cork has a notation dated February 13, 1769, requesting that firstly William Jameson and secondly Edward Jameson be admitted as freemen after having served out their apprenticeship with their father Hugh Jameson. Since it is customary for the eldest son to be listed first, and since it is known that Edward was born in 1752 ?Çô thus making him slightly too young to be the sitter ?Çô it is most likely that William is the sitter presented here. The Hugh Jameson & Sons Company was a prominent and successful importation and distribution company (probably of stone and other building materials based on notations and bills) working out of Morrison's Island, the thriving mercantile and commerce community located outside of the old walled city of Cork. The family and the business flourished for generations, and there are mentions of both in the city and business journals of the times. The ancestral vault is in the crypt of the Church of the Holy Trinity, Cork, and Hugh, William, and Edward Jameson were interred there. References: Waterhouse, Ellis. British 18th Century Painters. Suffolk: Antique Collector?ÇÖs Club, 1981.; Hubbard, Elbert. Little Journeys to the Homes of the Great. Volume IV. Library of Alexandria, 1916.; Caulfield, Richard. The Council Book of the Corporation of the City of Cork: From 1609-1643 and 1690-1800. Surrey: J. Billing & Sons, 1876.; Lucas, Richard. The Cork Directory for the Year 1787. Cork: J. Cronin.


  • Condition: In overall very good condition. Evidence of past restoration: small areas of inpainting at proper right forehead, left ear and area below, edge of letter, diagonal area extending from upper right corner. Stretcher creases along all four edges. Craquelure.

Accepted Forms of Payment:

American Express, Discover, MasterCard, Money Order / Cashiers Check, Personal Check, Visa, Wire Transfer

Shipping

New Orleans Auction Galleries does not provide shipping. A list of local shippers whom our clients have used and found to be reliable is available on request.

May 21, 2016 10:00 AM CDT
New Orleans, LA, US

New Orleans Auction Galleries

You agree to pay a buyer's premium of up to 25% and any applicable taxes and shipping.

View full terms and conditions

Bid Increments
From: To: Increments:
$0 $49 $5
$50 $99 $10
$100 $499 $25
$500 $999 $50
$1,000 $1,999 $100
$2,000 $4,999 $200
$5,000 $9,999 $250
$10,000 $14,999 $500
$15,000 $19,999 $1,000
$20,000 $49,999 $2,000
$50,000 + $5,000