652

Grigory Gluckmann
(Russian/California, 1898-1973)

"Debut"

oil on canvas
signed lower right, titled on"Dalzell Hatfield Galleries, Los Angeles" label on stretcher, frame backing with labels from Palm Springs Desert Museum, Christie's, New York, and New York shipper.
Framed.
30-1/2" x 36-1/4", framed 41-1/2" x 47-1/4"

Provenance: "Art for the Executive and for the Museum", exhibition and sale, Dalzell Hatfield Galleries, Los Angeles, California, 1957; Private collection, California; Sotheby's, New York, October 6, 1998, lot 225; Christie's, New York, April 24, 2009, lot 225.

Exhibited: Art for the Executive Museum. April-June 1957, Dalzell Hatfield Galleries, Los Angeles, California; Grigory Gluckmann - Contemporary Classicist. Nov. 3-Dec. 3, 1972, Palm Springs Desert Museum, Palm Springs, California.

Literature: Illustrated on front page, Los Angeles Times, Sun., April 28, 1957, and listed in accompanying article "Art for Executive Offices". Listed and illustrated in exhibition catalogue, Grigory Gluckmann - Contemporary Classicist, November 3-December 3, 1972. Palm Springs: Palm Springs Desert Museum, 1972.

Notes: In the introduction to the catalogue the Palm Springs Desert Museum produced for their Grigory Gluckmann exhibit, in which the present lot was shown, Ruth Dalzell Hatfield described the artist's bravura for capturing movement and feminine beauty as a dance of "multitudinous shades, tones, and nuances" that enabled him to produce "evocative poetic tones beyond the reality of the figure itself.

Though Gluckmann painted a variety of subjects, from the almost obligatory atmospheric Parisian street scenes, to coy nudes and voluptuous still lives, it was his luminous, glowing depictions of ballerinas which captured the attention and admiration of critics and collectors alike.

Employing the laborious technique espoused at the Moscow School of Art, Gluckmann used numerous layers of paint - allowing each layer to dry completely before the application of the next. This resulted in works with an intense depth of color. The success of this technique is evident in these two lots, where the various textures of the fabrics - the layers of tulle of the skirt, the satin of the shoes, the silk of the ribbons - are clearly delineated.

An emigre several times over, Gluckmann was born in Vitebsk, Belarus (then part of Russia), a contemporary of that town's most famous son, Marc Chagall. He enrolled at the Moscow School of Painting, Sculpture and Architecture, studying for several years under Abram Arkhipov (1862-1930), before fleeing to Berlin during the Russian Revolution. He soon made his way to Paris, where he began to exhibit in earnest - at the Galerie Druet, Galerie Charpentier, Salon d'Automne, amongst numerous others. In 1941 he fled once again, this time to New York to escape the Nazis. He eventually permanently settled in Los Angeles.


  • Condition: **In overall very good condition. No visible losses, repairs or inpainting were detected under white or UV lights. The painting has been relined. Faint craquelure is scattered throughout surface. The painting exhibits some slight variations to varnish layer to the lower right area - right of the ballerina's left leg.

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