274

Harold Barling Town

Canadian, 1924-1990

Harold Barling Town
(Canadian, 1924-1990)

"The Druid Stump", 1957-1958

oil on masonite
signed, titled and dated en verso, affixed with "Ingram Gallery, Toronto, Canada" label.
Framed.
25" x 24", framed 29" x 29"

Provenance: Ingram Gallery, Toronto, Canada; Private collection of Libba and Mike Gaither, Charlotte, North Carolina.

Literature: Moray, Gerta, Harold Town Life and Work, Toronto: Art Canada institute, 2014.

Notes: Painting is now a universal language; what in us is provincial will provide the color and the accent; the grammar, however, is part of the world.
Harold Town
As the poet and art critic Gary Michael Dault once mused about Town, "In order to think realistically about his art, you have to steer through his obsessive radio-active energy, his brilliant though sometimes hysterical writing, his memorable talk, his Byronic glamour, his defensiveness, and his Faustian belief in himself." In other words, his truly larger-than-life personality could at times hinder the general perception of his art. Avant-garde, bon vivant, bohemian, man-about-town were all phrases used to describe Harold Town, but so were ambitious, hard-working, inspired and determined. The breadth and depth of his prodigious talent - across myriad styles and media and over decades - was never in dispute.

Though he attended the Ontario College of Art, he felt unstimulated by his instructors and would instead spend hours studying the old masters, producing works in their style. He, like countless other young artists of the time, began his career in commercial illustration, before befriending a group of like-minded artists and forming "Painters Eleven", which espoused Abstract Expressionism and was central to the movement gaining popularity in Canada. The group had their first joint exhibition in 1954 at Roberts Gallery, Toronto and Town soon realized a level of International acclaim no other Canadian artist had experienced.

The 1950s were considered the height of Town's creativity and popularity, and the paintings he produced during this time are rendered in a color palette of acid greens and yellows, with slashes of vivid colors of red and orange, often juxtaposed with blocks or swathes of black all applied in a confident application of layers of dense pigment. While there is an ultimate composition in mind, Town allowed the accidental drips and blots to be incorporated into the finished work. The work offered here is a prime example of the artist at his most accomplished.

oil on masonite
signed, titled and dated en verso, affixed with "Ingram Gallery, Toronto, Canada" label.
Framed.
25" x 24", framed 29" x 29"

  • Provenance: Ingram Gallery, Toronto, Canada; Private collection of Libba and Mike Gaither, Charlotte, North Carolina.
  • Literature: Moray, Gerta, Harold Town Life and Work, Toronto: Art Canada institute, 2014.
  • Notes: Painting is now a universal language; what in us is provincial will provide the color and the accent; the grammar, however, is part of the world.
    Harold Town
    As the poet and art critic Gary Michael Dault once mused about Town, "In order to think realistically about his art, you have to steer through his obsessive radio-active energy, his brilliant though sometimes hysterical writing, his memorable talk, his Byronic glamour, his defensiveness, and his Faustian belief in himself." In other words, his truly larger-than-life personality could at times hinder the general perception of his art. Avant-garde, bon vivant, bohemian, man-about-town were all phrases used to describe Harold Town, but so were ambitious, hard-working, inspired and determined. The breadth and depth of his prodigious talent - across myriad styles and media and over decades - was never in dispute.

    Though he attended the Ontario College of Art, he felt unstimulated by his instructors and would instead spend hours studying the old masters, producing works in their style. He, like countless other young artists of the time, began his career in commercial illustration, before befriending a group of like-minded artists and forming "Painters Eleven", which espoused Abstract Expressionism and was central to the movement gaining popularity in Canada. The group had their first joint exhibition in 1954 at Roberts Gallery, Toronto and Town soon realized a level of International acclaim no other Canadian artist had experienced.

    The 1950s were considered the height of Town's creativity and popularity, and the paintings he produced during this time are rendered in a color palette of acid greens and yellows, with slashes of vivid colors of red and orange, often juxtaposed with blocks or swathes of black all applied in a confident application of layers of dense pigment. While there is an ultimate composition in mind, Town allowed the accidental drips and blots to be incorporated into the finished work. The work offered here is a prime example of the artist at his most accomplished.

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