924

Harry Marinsky (American/New York, 1909-2008), "Woman with a Parasol", patinated bronze, cast signature, marked "1M10", and with a "Fonderia Luigi Tommasi Pietrasanta" mark along back edge of self-base, on a custom-made swivel-top base, sculpture, h. 36-1/2", w. 17", d. 12", base, h. 38-1/2", overall, h. 75". Marinsky studied at the Rhode Island School of Design, Providence, and the Pratt Institute, New York, before working as an illustrator and art editor for several national homes and gardens magazines, positions he obtained immediately upon graduation. As a young man, he had experimented with molding and casting while attending the Technical High School in Providence, and he soon found himself moving away from illustrative work and towards sculpture. In 1940, his work was included in the prestigious "30 American Artists" exhibition at the Montrose Gallery in New York. His first solo exhibition was at the Eggleston Gallery, New York in 1951. Marinsky's long association with the Fonderia Luigi Tommasi (after 1985, absorbed into the Fonderia d'Arte Massimo del Chiaro) in Pietresanta, Italy began in 1968. By 1972, Marinsky had settled in the area, where he was to spend the remainder of his life. His slightly abstracted but solid figures reveal an acute knowledge of the human body - likely a remnant of his intensive drawing training - and an understanding of its relationship and interaction with the space it occupies. In this way he is reminiscent of the great Mexican sculptor Francisco Zuniga. Marinsky was a Fellow of the National Sculptor Society and his work - illustrations and sculptures - are in numerous private and public collections, including a number of paintings conserved at the Hunt Botanical Library at Carnegie-Mellon University in Pittsburgh.


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October 16, 2016 10:00 AM CDT
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