169

Jean-Baptiste-Camille Corot

French, 1796-1875

Jean-Baptiste-Camille Corot
(French, 1796-1875)

"Les Ruins du Chateau de Pierrefonds"

oil on cradled wood panel
signed lower left, several inventory/sales numbers en verso.
Framed.

10-1/2" x 19-3/4", framed 18-5/8" x 27-7/8"

Provenance: M. Defoer; Georges Petit, Paris, 22 Mai 1886, collection Defoer; M. Criot; Mary Helen Tandy Morrison (1880-1972), Tulsa, Oklahoma and San Antonio, Texas; to her son Lucian Leeds Morrison (1906-1986), San Antonio, Texas; to his son Lucian Leeds Morrison III (1937-2014), Houston, Texas; Estate of Nancy Reed Morrison (1936-2021), Houston, Texas.

Literature: A. Robaut, L'Oeuvre de Corot: Catalogue raisonne et illustre, Paris, 1905, vol. II, pp. 298-299, no. 965 (illustrated).

Notes: The ruins of the Chateau de Pierrefonds on the edge of the Foret de Compiegne in the (then) Picardy region of France were depicted in several works by Jean-Baptiste Corot between the years of 1834-1866. The most well-known version is in the permanent collection of the Cincinnati Art Museum, Ohio, while a study is conserved at the Musee des Beaux Arts, Quimper. The painting offered here is a third, documented version.
The once grand chateau was built in 1400 under the auspices of Louis, Duc de Orleans, the brother of King Charles VI, on the grounds of a 12th-century castle. It was intentionally destroyed by Louis XIII, who feared its strategic location posed a potential military threat to his power. By the mid-19th century, the ruins were a visual juxtaposition of the glory of medium aevum, romantic nationalism, and the inevitable ravages of time; they were viewed by most with nostalgia for what was perceived as a simpler time. Corot - with his deft straddling of Neoclassical and Romantic styles - unsurprisingly approached the ruins as simply a part of the landscape, presenting them in an unidealized manner. In the work offered here, painted en plein air, the cream-hued ruins are flanked by the verdant greens of the encroaching, lush foliage and set against the grayish blue of the sky.
The ruins were purchased by Napoleon in 1813, named a monument historique by the French Ministry of Culture in 1848, and renovated by Napoleon III in 1862. They are presently managed by the Centre des Monuments Nationaux.

oil on cradled wood panel
signed lower left, several inventory/sales numbers en verso.
Framed.
10-1/2" x 19-3/4", framed 18-5/8" x 27-7/8"

  • Provenance: M. Defoer; Georges Petit, Paris, 22 Mai 1886, collection Defoer; M. Criot; Mary Helen Tandy Morrison (1880-1972), Tulsa, Oklahoma and San Antonio, Texas; to her son Lucian Leeds Morrison (1906-1986), San Antonio, Texas; to his son Lucian Leeds Morrison III (1937-2014), Houston, Texas; Estate of Nancy Reed Morrison (1936-2021), Houston, Texas.
  • Literature: A. Robaut, L'Oeuvre de Corot: Catalogue raisonne et illustre, Paris, 1905, vol. II, pp. 298-299, no. 965 (illustrated).
  • Notes: The ruins of the Chateau de Pierrefonds on the edge of the Foret de Compiegne in the (then) Picardy region of France were depicted in several works by Jean-Baptiste Corot between the years of 1834-1866. The most well-known version is in the permanent collection of the Cincinnati Art Museum, Ohio, while a study is conserved at the Musee des Beaux Arts, Quimper. The painting offered here is a third, documented version.
    The once grand chateau was built in 1400 under the auspices of Louis, Duc de Orleans, the brother of King Charles VI, on the grounds of a 12th-century castle. It was intentionally destroyed by Louis XIII, who feared its strategic location posed a potential military threat to his power. By the mid-19th century, the ruins were a visual juxtaposition of the glory of medium aevum, romantic nationalism, and the inevitable ravages of time; they were viewed by most with nostalgia for what was perceived as a simpler time. Corot - with his deft straddling of Neoclassical and Romantic styles - unsurprisingly approached the ruins as simply a part of the landscape, presenting them in an unidealized manner. In the work offered here, painted en plein air, the cream-hued ruins are flanked by the verdant greens of the encroaching, lush foliage and set against the grayish blue of the sky.
    The ruins were purchased by Napoleon in 1813, named a monument historique by the French Ministry of Culture in 1848, and renovated by Napoleon III in 1862. They are presently managed by the Centre des Monuments Nationaux.
  • Condition: **Wood panel has been cradled en verso. Signs of inpainting upper mid-left; horizontal areas through trees; small areas of inpainting lower left edge and scattered mid-right; area of inpainting upper mid-right by edge (tree). Frame with surface marks, nicks, abrasions and losses in corners.
    Additional images available upon request.

Accepted Forms of Payment:

American Express, Discover, MasterCard, Money Order / Cashiers Check, Personal Check, Visa, Wire Transfer

Shipping

New Orleans Auction Galleries does not provide shipping. A list of local shippers whom our clients have used and found to be reliable is available on request.

March 26, 2022 10:00 AM CDT
New Orleans, LA, US

New Orleans Auction Galleries

You agree to pay a buyer's premium of up to 25% and any applicable taxes and shipping.

View full terms and conditions

Bid Increments
From: To: Increments:
$0 $49 $5
$50 $99 $10
$100 $499 $25
$500 $999 $50
$1,000 $1,999 $100
$2,000 $4,999 $200
$5,000 $9,999 $250
$10,000 $14,999 $500
$15,000 $19,999 $1,000
$20,000 $49,999 $2,000
$50,000 + $5,000