832

Lino Tagliapietra
(Italian/Washington, b. 1934)

"Untitled", 1991

blown glass
basket-form vessel, stripes of bold red and green, yellow and black, incised signature and date at interior edge.

h. 9", w. 15", d. 8"

Notes: Glass is a wonderful material....Because the glass is alive. Even when it is cool, it is still moving. It is connected with fire, it is connected with water, it is so natural. Glass is my life.
Lino Tagliapietra

One of the most accomplished glass artists working today, Lino Tagliapietra was an apprentice (garzonetto) in the Murano glass-blowing studio of Archimede Seguso (1909-1999) at the age of 11. Initially serving as an assistant to the various artisans, he was slowly introduced to the myriad techniques of glasswork. By the extraordinarily young age of 21, he was honored with the title of maestro.
Inspired not only by the rich, centuries old, history of Murano, but also by the contemporary artists that he saw at the Venice Biennales, especially Mark Rothko and Ellsworth Kelly, Tagliapietra began a life-long fascination with the relationship of shape and color. His works, as evidenced by the piece offered here, are explorations of the correlation of color and form, and how the deft join of the two creates a suggestion of movement and vitality. To maintain complete control, and to ensure the highest quality, he creates all of his own colors - one of the few glass artists to do so.
In 1979, Talgliapietra travelled to the Pilchuck Glass School in Seattle, Washington, to share with the students the until then carefully guarded Murano glass techniques such as buttato, filigrano and incalmo. It was there that he was exposed to the techniques of caning and carving and where he began his decades long association with the glass artist Dale Chihuly (in 1971, one of the founders of Pilchuck). Tagliepietra now splits his time between Murano and Seattle, with active studios in both cities.
At work, the maestro appears to be engaged in an elegant dance with the glass, blowing and twisting the harsh, unforgiving material into the seemingly impossible complex, yet delicate forms for which he is so rightfully acclaimed.
His works are conserved in virtually every major museum and collection including; the Metropolitan Museum of Art, Tokyo National Modern Art Museum, Musee des Arts Decoratifs (both Paris and Lausanne), Victoria and Albert Museum, and the Corning Museum of Art. In 2004, there was a retrospective exhibition that travelled across the United States, and in 2018 a major show was held in Shanghai, China.


  • Condition: **In overall very good condition. A few very small scattered glass anomalies innate to process.

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December 8, 2019 10:00 AM CST
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