249

Louis Gabriel-Eugene Isabey

French, 1803-1886

Louis Gabriel-Eugene Isabey
(French, 1803-1886)

"Matelots Saulant le Christ en Sortant du Port de St. Valery-en-Caux", 1867

oil on canvas
signed and dated lower left, old handwritten sale/inventory labels en verso, two "Kurt E. Schon, Ltd./New Orleans, Louisiana" gallery labels en verso, artist plaque at front.
Framed.
64-7/8" x 94-1/2", framed 75" x 106-1/2"

Provenance: French Government; Kurt E. Schon Galleries, New Orleans, Louisiana; Private collection, Houston, Texas.

Exhibited: Paris Salon of 1867 as #778

Notes: The impressive painting offered here was exhibited to much acclaim at the Paris Salon of 1867, lot 778. According to documents, including photographs, held at the Archives Nationale, Paris, it was acquired by the French government that same year. Several earlier, smaller preliminary studies with less complex compositions exist, including "La Tempete", 1863, sold at DROUOT, Paris sale of 7 Avril 2000, lot 265 and later sold with the revised title of "Le Depart des Barques de Peche", at Hotel Marcel Dassault, Paris sale of 14 Mars 2006, lot 154; the slightly larger "Sailors Saluting Christ at the Port of St. Valery", 1863, sold at Sotheby's London, sale of 4 October 2005, lot 42; and the "Matelots Sortant du Port de Saint-Valery" which is conserved by the Musee des Beaux-Arts de Caen. Variations aside, each of these works have the same sense of dramatic energy conveyed by the brisk, thick brushstrokes of the roiling waves and tumultuous clouds, intentionally limited but rich color palette, and the masterful interplay of shadow and light.
One of the most accomplished maritime artists of his time, surprisingly little is known of Isabey's personal life. He received his artistic training from his father, the miniaturist Jean-Baptiste Isabey, who was himself a student of Jacques-Louis David and under the patronage of first the Court of Versailles and later under Napoleon Bonaparte. The younger Isabey, therefore, had opportunities rarely afforded to aspiring young artists; most notably he accompanied Charles Nodier and Alphonse de Cailleux on an excursion to Normandy which resulted in a series of etchings published in one of his father's books. In 1824, at the age of 20, he was awarded the First Class medal at the Paris Salon, a feat he was to repeat in 1827 and 1855. He would continue to exhibit at the Salon consistently and with public and critical success until 1878. The recipient of numerous accolades and awards in his lifetime, Isabey was made a Chevalier of the Legion d'Honneur in 1832 and named an Officier in 1852.

oil on canvas
signed and dated lower left, old handwritten sale/inventory labels en verso, two "Kurt E. Schon, Ltd./New Orleans, Louisiana" gallery labels en verso, artist plaque at front.
Framed.
64-7/8" x 94-1/2", framed 75" x 106-1/2"

  • Provenance: French Government; Kurt E. Schon Galleries, New Orleans, Louisiana; Private collection, Houston, Texas.
  • Exhibited: Paris Salon of 1867 as #778
  • Notes: The impressive painting offered here was exhibited to much acclaim at the Paris Salon of 1867, lot 778. According to documents, including photographs, held at the Archives Nationale, Paris, it was acquired by the French government that same year. Several earlier, smaller preliminary studies with less complex compositions exist, including "La Tempete", 1863, sold at DROUOT, Paris sale of 7 Avril 2000, lot 265 and later sold with the revised title of "Le Depart des Barques de Peche", at Hotel Marcel Dassault, Paris sale of 14 Mars 2006, lot 154; the slightly larger "Sailors Saluting Christ at the Port of St. Valery", 1863, sold at Sotheby's London, sale of 4 October 2005, lot 42; and the "Matelots Sortant du Port de Saint-Valery" which is conserved by the Musee des Beaux-Arts de Caen. Variations aside, each of these works have the same sense of dramatic energy conveyed by the brisk, thick brushstrokes of the roiling waves and tumultuous clouds, intentionally limited but rich color palette, and the masterful interplay of shadow and light.
    One of the most accomplished maritime artists of his time, surprisingly little is known of Isabey's personal life. He received his artistic training from his father, the miniaturist Jean-Baptiste Isabey, who was himself a student of Jacques-Louis David and under the patronage of first the Court of Versailles and later under Napoleon Bonaparte. The younger Isabey, therefore, had opportunities rarely afforded to aspiring young artists; most notably he accompanied Charles Nodier and Alphonse de Cailleux on an excursion to Normandy which resulted in a series of etchings published in one of his father's books. In 1824, at the age of 20, he was awarded the First Class medal at the Paris Salon, a feat he was to repeat in 1827 and 1855. He would continue to exhibit at the Salon consistently and with public and critical success until 1878. The recipient of numerous accolades and awards in his lifetime, Isabey was made a Chevalier of the Legion d'Honneur in 1832 and named an Officier in 1852.
  • Condition: **Previously professionally restored and relined. Surface abrasions along edges from contact with frame. Craquelure pattern visible. Several small areas of paint loss along craquelure pattern. Darker colors tend to fluoresce under UV light but appear to be inherent to paint and hand of the artist. Signs of inpainting along top edge, several areas of inpainting mid right (boats) and upper third (sky).
    Frame with surface abrasions, marks and small losses along edges.

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