191

Marie Cerminova (Toyen)

Czech/French, 1902-1980

Marie Cerminova (Toyen)
(Czech/French, 1902-1980)

"Untitled, Surrealist Composition", 1937

ink and watercolor on paper
signed and dated lower left.
Matted, glazed and framed.
sight 8" x 5-1/2", framed 16-1/2" x 13-1/2"

Literature: Iveta Jusova, ed., Czech Feminisms: Perspectives on Gender in East Central Europe, Bloomington: Indiana University Press, 2016; Dmitrieva, Marina, "Transcending Gender: Cross-Dressing as a Performative Practice of Women Artists of the Avant-Garde", Marianne Werefkin and the Women Artists in Her Circle, ed. Tanja Malycheva and Isabel Wunsche, The Netherlands: Brill, 2017, pp 123-133

Notes: One of the leading Czech Surrealists, little is know of Toyen's childhood though it is believed she was from a working class family. Born Marie Cerminova, she worked briefly in a factory before leaving home permanently at 16 and entering the Academy of Art, Architecture and Design (UMPRUM) in Prague. It was at the Academy that she first became aware of the Czech avant garde and, along with several of her fellow students including Jindrich Styrsky formed the Devetsil, an artistic group that included painters, poets and writers and which stressed the connection between art and poetic expression . It was around this time that she adopted the gender neutral pseudonym she was to use for the remainder of her life.

Toyen frequently dressed in masculine clothing and often used masculine signifiers when speaking. Not surprisingly, much of her work explored gender norms and sexuality and while early in her career it was of an extremely erotic nature, it became less so over the years. Her work has often been referred to as lyrical or dreamlike, and reveals a deft melding of the real and unreal.

ink and watercolor on paper
signed and dated lower left.
Matted, glazed and framed.
sight 8" x 5-1/2", framed 16-1/2" x 13-1/2"

  • Literature: Iveta Jusova, ed., Czech Feminisms: Perspectives on Gender in East Central Europe, Bloomington: Indiana University Press, 2016; Dmitrieva, Marina, "Transcending Gender: Cross-Dressing as a Performative Practice of Women Artists of the Avant-Garde", Marianne Werefkin and the Women Artists in Her Circle, ed. Tanja Malycheva and Isabel Wunsche, The Netherlands: Brill, 2017, pp 123-133
  • Notes: One of the leading Czech Surrealists, little is know of Toyen's childhood though it is believed she was from a working class family. Born Marie Cerminova, she worked briefly in a factory before leaving home permanently at 16 and entering the Academy of Art, Architecture and Design (UMPRUM) in Prague. It was at the Academy that she first became aware of the Czech avant garde and, along with several of her fellow students including Jindrich Styrsky formed the Devetsil, an artistic group that included painters, poets and writers and which stressed the connection between art and poetic expression . It was around this time that she adopted the gender neutral pseudonym she was to use for the remainder of her life.

    Toyen frequently dressed in masculine clothing and often used masculine signifiers when speaking. Not surprisingly, much of her work explored gender norms and sexuality and while early in her career it was of an extremely erotic nature, it became less so over the years. Her work has often been referred to as lyrical or dreamlike, and reveals a deft melding of the real and unreal.
  • Condition: **Removed from frame for condition report. No signs of past restorations. Toning of paper support, good colors, bleeding of colors along lower and left edges, staining along top and right edges; two hinges along top edge en verso. Sheet size: 9" x 6".
    Frame with minor surface marks and abrasions.

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