577

Max Nonnenbruch (German, 1857-1922), "Christian in Prayer/Christin im Gebet", oil on canvas, signed, 42-3/8" x 25-3/8", verso with an exhibition label and numerous inscriptions on stretcher. Presented in a period giltwood and gesso frame. Exhibited: In the 1894 "Jahresausstellung von Kunstwerken aller Nationen (Annual Exhibition of works of art of all nations)" held in Munich, Germany as number 754, illustrated on p. 29 of the exhibition catalogue. Nonnenbruch was one of the most widely exhibited and popular painters of fin de siecle Germany; his work was frequently reproduced in woodcut or photogravure and appeared in the great journals and newspapers of the day. A member of the Munich School, the name given to a group of artists who studied at the Royal Academy of Fine Arts in Munich during its most influential period, Nonnenbruch originally concentrated on history and genre painting, the specialty of Wilhelm Lindenshmit the Younger (1829-1895), his professor at the Academy. He was soon inspired by the less constricting tenets of the Symbolist movement, then becoming more prevalent in Europe, and began to move away from the grand historicizing scenes favored by the Academy. Nonnenbruch started to create seemingly simple, yet carefully planned, compositions of idealized feminine forms, employing a striking use of light and shadow, a clear rich color palette, and precise, carefully controlled brush strokes. His figures are often in classically inspired costume which helps to create a sense of timelessness. Nonnenbruch exhibited regularly including at the Royal Academy of Art Shows in Berlin, the Munich Annual Exhibitions, the International Art Exhibitions in Berlin, and the Exposition des Beaux-Arts, among others. He was named an officer of the Order of St. Michael by the Bavarian government.


  • Condition: In generally very good, professionally restored condition. Abrading around the edges of canvas where it meets the frame. Inverted dimple on the lower edge of the canvas with accompanying abrading. Old repair to a small tear on the bottom edge. Dimple to the mid left of the canvas. Some inpainting touch-ups in the hair, proper left shoulder, along the edge, and upper right of the canvas. Small pinprick losses of paint in the background.

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May 30, 2015 10:00 AM CDT
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