205

Nam June Paik

(Korean, 1932-2006)

"Beuys & Shaman", 1992

Spanish Revival metal chandelier with galleon, ca. 1920, twelve lights, five Sony FD-10 Pocket Watchmans, Porter Cable storage case, now repurposed to store electrical equipment, Zealous Video Sender, two channel color video, Magno Sound & Video laser disk, and laser disk player, now digitized to DVD
titled and dated on original laser disk.
dimensions variable

  • Provenance: Holly Solomon Gallery, New York, New York.

    New Orleans Auction Galleries would like to specially thank Sebastian Figueroa and Sara Storm for their assistance in the set-up and installation of this work.

    A pioneer of video art since the 1960s, Nam June Paik consistently explored the intersection of art and technology. He began his artistic career in Germany, where he joined the experimental, Dada-inspired Fluxus movement and created increasingly elaborate sculptural installations dominated by screens. His early predictions of expansive, global telecommunications networks shaping modern life earned him a reputation as a visionary, and he is often regarded as the "father of video art."

    While in Germany, Paik formed significant relationships with fellow artists, including John Cage, Sharon Grace, and, most notably, Joseph Beuys. Beuys was an influential and unconventional figure whose practice broadened the definition of art, encompassing performance, installation, and social activism. Central to his work was the notion of the artist as shaman, an idea he adhered to in response to what he perceived as a modern disconnection from emotional, creative, and spiritual energetic forces. Although the concept of the artist as shaman predates Beuys, he adopted the role with particular intensity, attempting to produce works that might heal collective psychic wounds.

    Paik was both intrigued by and receptive to Beuys's engagement with shamanism, especially given his own Korean heritage, though he was raised in a largely Westernized environment. Their shared interests fostered an experimental intellectual and artistic exchange, leading to collaboration on a series of artistic and social projects, which they called EURASIA. Through this dialogue, each artist's work was shaped by the other's ideas, particularly in their mutual concern with communication, spirituality, and global interconnectedness.

    Following Beuys's death in 1986, Paik created several works in tribute to his friend and collaborator, including Beuys Vox and the present lot, Beuys & Shaman. Beuys & Shaman features a video of Paik and Beuys performing Coyote III With Pianovariation 1984, a simultaneous musical collaboration in which Paik plays the piano while Beuys sings. The performance was recorded at the Seibu Museum of Art (Sogetsu Hall), Tokyo, Japan, on June 2, 1984.

    Lasting approximately forty seconds, the video is likely unique, incorporating footage from the original recording that Paik manipulated using electromagnets and overlaid with psychedelic imagery. The material is cut, edited, colorized, and accelerated, producing a dynamic and layered visual experience. Both the video and the sculpture as a whole encapsulate Paik's admiration for Beuys while simultaneously invoking Beuys's self-fashioned identity as a shaman. In this way, Paik not only commemorates Beuys but also reflects on the broader spiritual and cultural dimensions that shaped their artistic dialogue.
  • Condition: **In very good, working condition. The wiring appears fine throughout, without any fraying or burns. There is no indication of any issues or modifications.

    New Orleans Auction Galleries is pleased to issue an opinion of any lot; the absence of a condition report does not indicate that a lot is in perfect condition or free from damage and/or wear.  Please understand that New Orleans Auction Galleries employs no professional conservators. All statements in any condition report, or statements taken verbally, are purely our best opinions, and not blanket statements of fact issued by this auction house.  Prospective buyers should examine each lot so as to satisfy themselves concerning condition, genuineness, importance, age, etc. Regardless of any statements made in writing or verbally, all lots are sold strictly "As Is" in accordance with section 2 of our Conditions of Sale.  No returns will be accepted on the basis of condition.

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