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Nan Goldin

American, b. 1953

Nan Goldin
(American, b. 1953)

"Clemens at Lunch at Le Cafe de Sade, Lacoste, France", 1999 (printed 2001)

Chromogenic (C-print)
signed, stamped and numbered en verso "Nan Goldin / Clemens at lunch at Cafe de Sade, / Lacoste, France, 1999 / Special Benefit Edition / for Whitechapel Art Gallery, / produced on occasion of / Nan Goldin: Devil's Playground / 26 January - 31 March 2002 / Not for Resale / No. 323 of 500".
Matted, glazed and framed.
14" x 11", framed 19" x 14"

Provenance: Whitechapel Art Gallery, London, 2001.

Literature: Stephen Westfall, "Nan Goldin", BOMB, Issue 37, Fall 1991; Sean O'Hagen, "Nan Goldin - Interview", The Observer, March 22, 2014; Brooke McCord, "Your Ultimate Guide to Nan Goldin", DAZED, january 2017. Emily Dinsdale, "Life Lessons We Can Take From Nan Goldin's Seminal Photography", DAZED, November, 2019.

Notes: Nowadays people forget how radical my work was when it first appeared. Nobody else was doing what I did.
Nan Goldin

One of the most accomplished photographers of her generation, Goldin documents those on the fringes of society, the marginalized communities of drag queens, AIDS sufferers, addicts, the abused and neglected. Most of her subjects are also her friends, the family she chose after running away from her own at the age of 15. With her stark, often unsettling images she explores societal norms and sexuality in a sympathetic manner.

Chromogenic (C-print)
signed, stamped and numbered en verso "Nan Goldin / Clemens at lunch at Cafe de Sade, / Lacoste, France, 1999 / Special Benefit Edition / for Whitechapel Art Gallery, / produced on occasion of / Nan Goldin: Devil's Playground / 26 January - 31 March 2002 / Not for Resale / No. 323 of 500".
Matted, glazed and framed.
14" x 11", framed 19" x 14"

  • Provenance: Whitechapel Art Gallery, London, 2001.
  • Literature: Stephen Westfall, "Nan Goldin", BOMB, Issue 37, Fall 1991; Sean O'Hagen, "Nan Goldin - Interview", The Observer, March 22, 2014; Brooke McCord, "Your Ultimate Guide to Nan Goldin", DAZED, january 2017. Emily Dinsdale, "Life Lessons We Can Take From Nan Goldin's Seminal Photography", DAZED, November, 2019.
  • Notes: Nowadays people forget how radical my work was when it first appeared. Nobody else was doing what I did.
    Nan Goldin

    One of the most accomplished photographers of her generation, Goldin documents those on the fringes of society, the marginalized communities of drag queens, AIDS sufferers, addicts, the abused and neglected. Most of her subjects are also her friends, the family she chose after running away from her own at the age of 15. With her stark, often unsettling images she explores societal norms and sexuality in a sympathetic manner.
  • Condition: **Removed from frame for condition report. No signs of past restorations. Mylar corner - no hinges attached to photograph. Some irregularities in the emulsion by top and bottom edges.
    Frame with small surface marks and abrasions.

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