71

Nancy Graves

American, 1940-1995

Nancy Graves
(American, 1940-1995)

"Dead Reckoning II-21-89", 1989

iron, aluminum, bronze with enamel and polychrome
signed, dated and titled along bottom of central element.
h. 42", w. 36", d. 12"

Provenance: Knoedler & Company, New York, New York; Collection of Polly and Ed Renwick, New Orleans, Louisiana.

Literature: Cathleen McGuigan, "Forms of Fantasy", The New York Times, December 6, 1987, Section 6, p. 63.; Roberta Smith, "Obituary", The New York Times, October 24, 1995, Section B, p. 8.

Notes: Color is another way to confound the eye
Nancy Graves

In the 80s Graves began a series of large colorful assemblages of welded bronze and found objects cast in bronze. It was a difficult, time-consuming and tedious process that required a vast work space and numerous assistants; the risk of failure was high. While she had a general composition in mind, she would spontaneously choose objects from a stockpile of random cast pieces. The resultant sculptures relied on the interplay of the intentionally "empty" space and the solidness of the bronze - the strategic addition of bright colors added a whimsical sense of exuberance to the pieces. While Graves would work within a theme, she never produced numbered editions, preferring each sculpture to be distinct.

iron, aluminum, bronze with enamel and polychrome
signed, dated and titled along bottom of central element.
h. 42", w. 36", d. 12"

  • Provenance: Knoedler & Company, New York, New York; Collection of Polly and Ed Renwick, New Orleans, Louisiana.
  • Literature: Cathleen McGuigan, "Forms of Fantasy", The New York Times, December 6, 1987, Section 6, p. 63.; Roberta Smith, "Obituary", The New York Times, October 24, 1995, Section B, p. 8.
  • Notes: Color is another way to confound the eye
    Nancy Graves

    In the 80s Graves began a series of large colorful assemblages of welded bronze and found objects cast in bronze. It was a difficult, time-consuming and tedious process that required a vast work space and numerous assistants; the risk of failure was high. While she had a general composition in mind, she would spontaneously choose objects from a stockpile of random cast pieces. The resultant sculptures relied on the interplay of the intentionally "empty" space and the solidness of the bronze - the strategic addition of bright colors added a whimsical sense of exuberance to the pieces. While Graves would work within a theme, she never produced numbered editions, preferring each sculpture to be distinct.
  • Condition: **In overall good condition. A few small areas of flaking paint and losses. All consistent with age, material and usage.

Accepted Forms of Payment:

American Express, Discover, MasterCard, Money Order / Cashiers Check, Personal Check, Visa, Wire Transfer

Shipping

New Orleans Auction Galleries does not provide shipping. A list of local shippers whom our clients have used and found to be reliable is available on request.

April 22, 2023 10:00 AM CDT
New Orleans, LA, US

New Orleans Auction Galleries

You agree to pay a buyer's premium of up to 25% and any applicable taxes and shipping.

View full terms and conditions

Bid Increments
From: To: Increments:
$0 $49 $5
$50 $99 $10
$100 $499 $25
$500 $999 $50
$1,000 $1,999 $100
$2,000 $4,999 $200
$5,000 $9,999 $250
$10,000 $14,999 $500
$15,000 $19,999 $1,000
$20,000 $49,999 $2,000
$50,000 $99,999 $2,500
$100,000 $149,999 $5,000
$150,000 $199,999 $10,000
$200,000 $499,999 $20,000
$500,000 $999,999 $25,000
$1,000,000 + $50,000