647

Noel Rockmore

American/Louisiana, 1928-1995

Noel Rockmore
(American/Louisiana, 1928-1995)

"Coney Island Audience, #1", 1955

oil on masonite
signed "Rockmore" and dated upper left, and titled and "Harry Salpeter Gallery Inc., New York" label en verso.
Framed.
16" x 11", framed 16-1/2" x 21-1/2"

Provenance: Harry Salpeter Gallery Inc., New York. The Estate of Betty T. Brooks, New Orleans, Louisiana.

Notes: Noel Rockmore was born into a family of artists in New York City. His father, Floyd Davis, was a celebrated illustrator, and his mother, Gladys Rockmore Davis, was an accomplished pastel artist. While living in the Hotel des Artists, the family socialized with cultural luminaries including Ernest Hemingway, George Gershwin and Leonard Bernstein. Noel's natural creativity in both art and music became apparent as a child. In 1951, he settled down, married Elizabeth Hunter, developed a working relationship with the Harry Salpeter Gallery and earned critical acclaim for his art.
Despite his mother's and gallery owner Harry Salpeter's vocal protests, Noel contemplated changing his name from Davis to his mother's maiden name of Rockmore. Noel reasoned that there were too many artists with the last name of Davis working in New York City. Evidently, Noel alternated signing his paintings as either Davis or Rockmore, until 1959 when he petitioned the court to legally change his name to Rockmore.
The lively atmosphere of Coney Island, which attracted thousands of middle-class visitors to the amusements, rides and boardwalk during the summer months, intrigued the artist. In the painting "Coney Island Audience, #1", Noel focused on the seated audience in front of a stage, watching a performance, and in the background a tent with "SHOW" printed on it and the railings of the boardwalk. While working on his Preservation Hall series in New Orleans, Rockmore painted similar scenes of audiences as they listened to the musicians.

oil on masonite
signed "Rockmore" and dated upper left, and titled and "Harry Salpeter Gallery Inc., New York" label en verso.
Framed.
16" x 11", framed 16-1/2" x 21-1/2"

  • Provenance: Harry Salpeter Gallery Inc., New York. The Estate of Betty T. Brooks, New Orleans, Louisiana.
  • Notes: Noel Rockmore was born into a family of artists in New York City. His father, Floyd Davis, was a celebrated illustrator, and his mother, Gladys Rockmore Davis, was an accomplished pastel artist. While living in the Hotel des Artists, the family socialized with cultural luminaries including Ernest Hemingway, George Gershwin and Leonard Bernstein. Noel's natural creativity in both art and music became apparent as a child. In 1951, he settled down, married Elizabeth Hunter, developed a working relationship with the Harry Salpeter Gallery and earned critical acclaim for his art.
    Despite his mother's and gallery owner Harry Salpeter's vocal protests, Noel contemplated changing his name from Davis to his mother's maiden name of Rockmore. Noel reasoned that there were too many artists with the last name of Davis working in New York City. Evidently, Noel alternated signing his paintings as either Davis or Rockmore, until 1959 when he petitioned the court to legally change his name to Rockmore.
    The lively atmosphere of Coney Island, which attracted thousands of middle-class visitors to the amusements, rides and boardwalk during the summer months, intrigued the artist. In the painting "Coney Island Audience, #1", Noel focused on the seated audience in front of a stage, watching a performance, and in the background a tent with "SHOW" printed on it and the railings of the boardwalk. While working on his Preservation Hall series in New Orleans, Rockmore painted similar scenes of audiences as they listened to the musicians.

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