1130

Philip de Laszlo
(Hungarian/British, 1869-1937)

"Portrait of Madame Lydia Eustis Loudon (1871-1957)", 1920

oil on canvas
signed, dated, localized and inscribed "Blankenburgh/ IX" lower right.
Presented in its original giltwood frame that matches the pendant portrait of her husband, Jonkheer John Loudon (1866-1955).
32-5/8" x 22-1/8"

Provenance: The sitter, Blankenburgh, Waasensaar, Holland, 1920-1957; her niece Lydia Edith Eustis Rogers, Birmingham, Alabama, 1958-1991; her great-nephew, the actor William "Wayne" McMillian Rogers, III (1933-2015), affectionately known as Dr. John "Trapper" McIntyre from the CBS series "M*A*S*H", Destin, Florida.

Exhibited: Literature: This portrait which will be included in the Philip de Laszlo catalogue raisonne, currently presented in progress online: www.delaszlocatalogueraisonne.com

Literature: "The Catalogue". De Laslo Archive Trust. 2016. Web. 6 June 2017; Grever, Tonko and Annemieke Heuft (Sandra de Laszlo, British ed.). De Laszlo in Holland: Dutch Masterpieces by Philip Alexius de Laszlo (1869-1937), Paul Holberton publishing: London, 2006, pp. 8, 10, 61, 73.

Notes: Two illustrious families from two diverse cosmopolitan worlds collide in one rare portrait, executed by one of the most accomplished portraitist of the time. Lydia E. Eustis Loudon was born of privilege and fame; her family, the Marigny de Mandevilles and the Eustises were two of the contributing founders of New Orleans. Her great-grandfather on her mother's side, Bernard de Marigny, developed the Marigny Faubourg and Northshore of the city after serving as President of the Louisiana State Senate, and her grandfather on her father's side, George Eustis Sr., was a benefactor of the University of Louisiana (now Tulane University) and founder of the Pontchartrain Railroad. Her father Allain, served as the Honorary Vice Consul to Brazil and his brother, James B. Eustis was a judge advocate during the Civil War and Chief Justice of the Louisiana Supreme Court, serving for many year in U.S. Congress and as Ambassador to Paris. The young Lydia Eustis' youth was spent in Paris and in New Orleans, surrounded by diplomats that she and her cousin Celestine often entertained at her uncle's mansion on Coliseum Street (built in 1876 by renowned architect William Alfred Freret). Fluent in three languages, Lydia embarked on her own career in her early twenties as an accomplished soprano, after studying for years with Madame Trelat at the Paris Conservatory. She performed at premier theaters across Europe and the U.S., where she met her husband, Jonkheer John Loudon, who served as a Dutch diplomat to Peking, London, Tokyo and Paris from 1901-1913. Loudon and Eustis were married in 1906 at her uncle's Paris estate, before returning to D.C. where they lived until the beginning of World War I when Loudon was appointed Minister of Foreign Affairs in the Hague.

Loudon was also from a prominent family. His father, a knighted member of the Dutch crown, served as the King's Commissioner in South Holland, the Minister of Colonial Affairs and Governor-General of the Dutch East Indies. In the early fall of 1920, before the Loudons moved to Paris where they lived until 1940 with John Loudon serving as Dutch Ambassador, the couple returned to the family Estate in Voorlinden in Wassenaar near the Hague to have their portraits painted. De Laszlo had previously painted several members of the Loudon family, including John's mother and brother in 1908 and 1909. John Loudon's sister Adriana van Riemsdijk was one of the artist's most loyal friends and patrons. After his bank accounts in Vienna were frozen during the war, van Riemsdijk enlisted the aid of Loudon to intercede on the artist's behalf, helping de Laszlo get funds and letters to his family in Hungary. De Laszlo repaid the family in kind. According the de Laszlo Archive Trust, he painted seventeen portraits of the Loudon relatives, including Furstin and Duchess von Pless and the Honorable Mrs. Charles Rothschild.

De Laszlo, born of an impoverished Jewish Hungarian tailor, rose to prestige through the bravura of his brushwork. Perfecting portraits of European aristocrats and elites with painterly backgrounds and crisp alla prima modelled faces in pastels that import a sense of immediacy and comportment of the sitter. By 1900, he was one of the top paid portraitists in Budapest, Vienna, and Munich; he was featured in the magazine the Studio and built a grand home. In 1907, he moved to London to better accommodate the growing demand for portrait commissions. De Laszlo produced more than 4,000 works in his life, many of which are conserved in museums worldwide. He was awarded numerous medals and honors, including the Royal Victorian Order of MVO by King Edward XVII of the United Kingdom in 1909 and knighthood by King Franz Joseph of Hungary in 1912. The painting offered here belongs to this great canon of work, touching as many countries and culture as did the artist's hand.

We are grateful to the De Laszlo Archive Trust for their expert assistance. The Hon. Mrs de Laszlo and a team of editors are compiling the catalogue raisonnĂ© of the artist's entire oeuvre. Katherine Field is the Senior Editor. Please see www.delaszloarchivetrust.com or contact [email protected] for more information or to offer any contribution.


  • Condition: **Minor "touch-up" inpainting was detected under UV light to the upper left corner and upper right corner and edge. There is a pinhead-sized loss to pigment in the upper left corner. There are 3-4 white specks (accretions/possibly losses) present to the center bottom edge, and there are a few minute specks of reddish accretions to the bosom. Faint craquelure is beginning near the left center edge (by the sitter's right shoulder). In overall very good condition.


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