391

The Important Delmas-Massion French Neo-Renaissance Walnut Buffet a Deux Corps

1880, Nantes, France, with a maker's engraved brass plaque reading "Alfred Delmas 1880", the upper section with a broken-arch pediment centered by a cartouche with a carved masque of Silenus, over a pair of glazed doors flanked by figural carved Heraclean atlantes, supporting the bracketed cornice, the cabinet over figural carved back panels of mythological scenes (a young Dionysus, Triton and his entourage, and a Maenad and young satyr), the sideboard base with curved ends and a drawer over a large paneled door, the door carved depicting a historical scene of Francis I at Fontainebleau presenting a painting of the Holy Family to his court, flanked by doors with medallion-carved panels with the busts of Rafael and da Vinci, the cabinet carved throughout in historical revival and renaissance motifs.
h. 133", w. 101", d. 30"

Literature: Revue de Bretagne et Vendee (Nantes: Bureaux de Redaction, 1881), 5th series, volume IX, pp. 83-84.
Catalogue des Meubles Anciens, Tapisseries de Bruxelles, etc.: Collection de feu M. Gustave Massion, Sale Catalogues, A. Normand, Nantes, March 14, 1892, lot 244.


Notes: The 1881 first semester edition of Revue de Bretagne et Vendee, a journal of arts and culture in historic Brittany, contained an article on the emerging art movement in the region, and singled out the wood sculpture of Alfred Delmas. It noted that several Parisian journals had taken note of the artist, among them the prestigious Monde Illustre, many of which had published his designs. (The July 28, 1878 Monde Illustre, for instance, illustrated three panels of Valois-Angouleme courts carved by Delmas after the manuscripts of Bernard de Montfaucon which were shown at the 1878 Exposition Universelle.)

The article mentions several important pieces of furniture by Delmas in the Renaissance and Louis XIII style - an armoire, several bibliotheques, a credenza - and "un magnifique buffet Renaissance, que possede M. Massion".

"Ce meuble est a deux corps, avec fronton. Dans le bas, trois panneaux; celui du milieu represent Francois Ie montrant a son cour le tableau de la Sainte-Famille; les deux autres, les portrais de Leonard de Vinci et de Raphael. Au-dessus, trois bas reliefs d'un travail tres soigne. Le haut du buffet est flanque de dex colosses sculptes largement".

This is unquestionably the present lot: "in two parts, with a pediment . . . at the bottom, three panels; the one in the middle representing Francois I presenting a painting of the Holy Family to his court; the other two, portraits of Leonardo da Vinci and Raphael . . . above, three bas reliefs . . . flanked by two extensively sculpted colossi".

"M. Massion", the original owner of the buffet, was Nantaise industrialist and sugar refiner Gustave Massion (1832-1891). In 1874, Massion built the hotel Massion at no. 2 place Launay in Nantes: a grand 2,800 square-foot neoclassical mansion after an 1828 design of Etienne Blon and Louis Amouroux, created to house his large collection of paintings, antiques and, most importantly, significant Belgian tapestries. Delmas' buffet was showcased among these treasures. (The building and street are now renamed the Hotel de la Marine, place General-Mellinet, and is currently the headquarters of the Akeneo software company.)
After Massion's death in 1891, his collection was auctioned by A. Normand at the hotel Massion on March 14, 1892. The sale catalogue lists the buffet as lot 244: "Grand Meuble de salle a manger . . . une grande composition: Francois Ier, a Fontainebleau . . . signe: Delmas". (The subsequent lot - a Renaissance-style credenza - was also by Delmas.) The first semester edition of "L'Art et L'Idee" reports that the buffet brought 2500 francs: a princely sum, equivalent to about $13,500 today. The purchaser is not known, nor is any subsequent history of the buffet until its appearance a century later and a continent away in a 2001 auction in North Hills, California.
Given his talent and appeal, it is surprising then that virtually nothing is known of Delmas himself. His name appears in art journals through the mid-1880s (the 1884/85 Revue des Arts Decoratifs said of his carved floral medallion which received a bronze medal at the 8th Exposition des Industries d'Art: "it is difficult to understand that it is possible to carve wood with a similar perfection"), but thereafter disappears. The Delmas family was in Nantes since at least the early 18th century, but a thorough search of the vital records, censuses and poll registers shows no Alfred Delmas that might be the sculptor. The likeliest candidate is the Alfred Isaac Constant Delmas born in Nantes on September 9, 1850, the son of merchant Louis Auguste Delmas and his wife Victoire Genie. The Revue de Bretagne article noted that Delmas was "not yet 40" in 1881, and he is the only Alfred Delmas born in Nantes of the right age; moreover, his brother, Georges Aime Delmas, was a "menuisier" - a carpenter or joiner - suggesting his possible association with transforming Delmas' sculpture into furniture.
This magnificent buffet - well-recorded and handsomely placed in its time - is spectacular evidence of Delmas' talent, and its re-discovery merits further research into the life and identity of Alfred Delmas so that he might be restored to his position of one of the great wood carvers of La Belle Epoque.

1880, Nantes, France, with a maker's engraved brass plaque reading "Alfred Delmas 1880", the upper section with a broken-arch pediment centered by a cartouche with a carved masque of Silenus, over a pair of glazed doors flanked by figural carved Heraclean atlantes, supporting the bracketed cornice, the cabinet over figural carved back panels of mythological scenes (a young Dionysus, Triton and his entourage, and a Maenad and young satyr), the sideboard base with curved ends and a drawer over a large paneled door, the door carved depicting a historical scene of Francis I at Fontainebleau presenting a painting of the Holy Family to his court, flanked by doors with medallion-carved panels with the busts of Rafael and da Vinci, the cabinet carved throughout in historical revival and renaissance motifs.
h. 133", w. 101", d. 30"

  • Literature: Revue de Bretagne et Vendee (Nantes: Bureaux de Redaction, 1881), 5th series, volume IX, pp. 83-84.
    Catalogue des Meubles Anciens, Tapisseries de Bruxelles, etc.: Collection de feu M. Gustave Massion, Sale Catalogues, A. Normand, Nantes, March 14, 1892, lot 244.
  • Notes: The 1881 first semester edition of Revue de Bretagne et Vendee, a journal of arts and culture in historic Brittany, contained an article on the emerging art movement in the region, and singled out the wood sculpture of Alfred Delmas. It noted that several Parisian journals had taken note of the artist, among them the prestigious Monde Illustre, many of which had published his designs. (The July 28, 1878 Monde Illustre, for instance, illustrated three panels of Valois-Angouleme courts carved by Delmas after the manuscripts of Bernard de Montfaucon which were shown at the 1878 Exposition Universelle.)

    The article mentions several important pieces of furniture by Delmas in the Renaissance and Louis XIII style - an armoire, several bibliotheques, a credenza - and "un magnifique buffet Renaissance, que possede M. Massion".

    "Ce meuble est a deux corps, avec fronton. Dans le bas, trois panneaux; celui du milieu represent Francois Ie montrant a son cour le tableau de la Sainte-Famille; les deux autres, les portrais de Leonard de Vinci et de Raphael. Au-dessus, trois bas reliefs d'un travail tres soigne. Le haut du buffet est flanque de dex colosses sculptes largement".

    This is unquestionably the present lot: "in two parts, with a pediment . . . at the bottom, three panels; the one in the middle representing Francois I presenting a painting of the Holy Family to his court; the other two, portraits of Leonardo da Vinci and Raphael . . . above, three bas reliefs . . . flanked by two extensively sculpted colossi".

    "M. Massion", the original owner of the buffet, was Nantaise industrialist and sugar refiner Gustave Massion (1832-1891). In 1874, Massion built the hotel Massion at no. 2 place Launay in Nantes: a grand 2,800 square-foot neoclassical mansion after an 1828 design of Etienne Blon and Louis Amouroux, created to house his large collection of paintings, antiques and, most importantly, significant Belgian tapestries. Delmas' buffet was showcased among these treasures. (The building and street are now renamed the Hotel de la Marine, place General-Mellinet, and is currently the headquarters of the Akeneo software company.)
    After Massion's death in 1891, his collection was auctioned by A. Normand at the hotel Massion on March 14, 1892. The sale catalogue lists the buffet as lot 244: "Grand Meuble de salle a manger . . . une grande composition: Francois Ier, a Fontainebleau . . . signe: Delmas". (The subsequent lot - a Renaissance-style credenza - was also by Delmas.) The first semester edition of "L'Art et L'Idee" reports that the buffet brought 2500 francs: a princely sum, equivalent to about $13,500 today. The purchaser is not known, nor is any subsequent history of the buffet until its appearance a century later and a continent away in a 2001 auction in North Hills, California.
    Given his talent and appeal, it is surprising then that virtually nothing is known of Delmas himself. His name appears in art journals through the mid-1880s (the 1884/85 Revue des Arts Decoratifs said of his carved floral medallion which received a bronze medal at the 8th Exposition des Industries d'Art: "it is difficult to understand that it is possible to carve wood with a similar perfection"), but thereafter disappears. The Delmas family was in Nantes since at least the early 18th century, but a thorough search of the vital records, censuses and poll registers shows no Alfred Delmas that might be the sculptor. The likeliest candidate is the Alfred Isaac Constant Delmas born in Nantes on September 9, 1850, the son of merchant Louis Auguste Delmas and his wife Victoire Genie. The Revue de Bretagne article noted that Delmas was "not yet 40" in 1881, and he is the only Alfred Delmas born in Nantes of the right age; moreover, his brother, Georges Aime Delmas, was a "menuisier" - a carpenter or joiner - suggesting his possible association with transforming Delmas' sculpture into furniture.
    This magnificent buffet - well-recorded and handsomely placed in its time - is spectacular evidence of Delmas' talent, and its re-discovery merits further research into the life and identity of Alfred Delmas so that he might be restored to his position of one of the great wood carvers of La Belle Epoque.
  • Condition: **In good "as found" condition. The left back corner of the deck has some shrinkage cracks and separations to the wood. The swing-out curved panel below this area needs some attention to the hinge pin (as the panel does not stay engaged when opened - due to the shrinkage cracks to the deck above). There are open shrinkage cracks to the mitered corners of the lower carved moldings along the base. Other scattered shrinkage cracks consistent with age. No sign of significant losses or damage. Old glued repair to a curl at the left side just above the shelf return. Minor other scattered imperfections. Appears to retain its original rich finish with an old waxed surface. The scenic panels are incredibly well carved. Comes apart in five sections.

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