606

Thomas Clement Thompson, R.H.A.

British, 1778-1857

Thomas Clement Thompson, R.H.A.
(British, 1778-1857)

"Portrait of William Grant, Esq. of Carrs Bank"

oil on canvas
unsigned, titled on letter in sitter's hand, an old handwritten label en verso frame with artist and sitter, an "Agnew & Zanetti/Manufacturers/Manchester" label en verso frame, inventory label reading "Owner/Sir P. Grant Lawson/June 2, 1930" en verso.
In an impressive period or earlier giltwood and gesso frame with later black paint.
51-7/8" x 40-1/2", framed 69-1/2" x 58"

Provenance: With sitter; Sir Peter Grant Lawson, 2nd Baronet of Knavesmire Lodge; thence by descent; private collection.

Notes: The sitter of this portrait, Sir William Grant, was the last male heir of the mercantile Grant brothers of Manchester, England. The family was of Scottish Highland origin and relocated to England in the 1780s after several disastrous fires decimated the family farmland. Sir William was the son of John Grant of Nuttall Hall, and the nephew of Daniel and William Grant, who were famously memorialized as the charitable "Cheeryble Brothers" in Charles Dickens' Nicholas Nickleby. The family was known for their business acumen and philanthropic spirit, members having served as justices, religious leaders, and founders of various institutes and foundations. This portrait descended in the family of William's sister Isabella, first to his nephew Sir John Grant Lawson, the 1st Baronet of Knavesmire Lodge, and then to his great-nephew Sir Peter Grant Lawson, the 2nd Baronet, whose name appears on an inventory label en verso this painting.

The nomenclature and design of the "Agnew & Zanetti" label on the frame was only employed by the firm during the years of 1828-1837, thus dating the frame to that short period.

References: Prentice, Archibald. Historical Sketches and Personal Recollections of Manchester. Manchester: J. T. Parles, 1851.; Elliot, Rev. W. Hume. The Story of the Cheeryble Grants. Manchester: Sherkatt and Hughes, 1906.

oil on canvas
unsigned, titled on letter in sitter's hand, an old handwritten label en verso frame with artist and sitter, an "Agnew & Zanetti/Manufacturers/Manchester" label en verso frame, inventory label reading "Owner/Sir P. Grant Lawson/June 2, 1930" en verso.
In an impressive period or earlier giltwood and gesso frame with later black paint.
51-7/8" x 40-1/2", framed 69-1/2" x 58"

  • Provenance: With sitter; Sir Peter Grant Lawson, 2nd Baronet of Knavesmire Lodge; thence by descent; private collection.
  • Notes: The sitter of this portrait, Sir William Grant, was the last male heir of the mercantile Grant brothers of Manchester, England. The family was of Scottish Highland origin and relocated to England in the 1780s after several disastrous fires decimated the family farmland. Sir William was the son of John Grant of Nuttall Hall, and the nephew of Daniel and William Grant, who were famously memorialized as the charitable "Cheeryble Brothers" in Charles Dickens' Nicholas Nickleby. The family was known for their business acumen and philanthropic spirit, members having served as justices, religious leaders, and founders of various institutes and foundations. This portrait descended in the family of William's sister Isabella, first to his nephew Sir John Grant Lawson, the 1st Baronet of Knavesmire Lodge, and then to his great-nephew Sir Peter Grant Lawson, the 2nd Baronet, whose name appears on an inventory label en verso this painting.

    The nomenclature and design of the "Agnew & Zanetti" label on the frame was only employed by the firm during the years of 1828-1837, thus dating the frame to that short period.

    References: Prentice, Archibald. Historical Sketches and Personal Recollections of Manchester. Manchester: J. T. Parles, 1851.; Elliot, Rev. W. Hume. The Story of the Cheeryble Grants. Manchester: Sherkatt and Hughes, 1906.
  • Condition: **Previously cleaned, restored and relined. Under UV light, it appears that his hand and face were recently cleaned. Small areas of inpainting, upper center (edges of face on left and into the collar), mid-right (top of shoulder), along top edge, upper mid-right (background), and lower left (around letter/hand). Small area of loss, lower center (rail of chair). Accretion lower mid-left (between chair and his waist). Small surface marks lower fourth of painting. Visual signs of past restoration and inpainting, lower mid-center (vest). Small areas of inpainting, upper mid-left and lower left (background).

    Frame with surface marks, nicks and abrasions. Gilt shows signs of wear and losses.

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