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Two Early Eighteenth-Century English Translations of Interesting French Works including Francois, Duc de la Rochefoucauld (1613-1680), Moral Reflections and Maxims, London: D. Leach, 1706, "1st English" [sic], edition, 16mo, in full brown leather, the spine with raised bands, 6" x 3-1/2". [Hutt p. 122], and Melchisedech Thevenot (ca 1620-1692) [sic: Everard Digby], The Art of Swimming, With Advice For Bathing, London: John Lever, 1764, the 2nd English edition thus, 16mo, in brown half leather with marbleized boards and endpapers, the spine with raised bands and black labels with gilt lettering, the top edges cut and gilt, 6-1/4" x 3-7/8". [Thomas, p.184] Although the Rouchefoucauld claims to be the first English edition, it is very probably the fourth. See A. Granger Hutt, "La Rochefoucauld and his English Translators", in the November 1882 issue of The Bibliographer, p. 167. As for the The Art of Swimming, the complete history of this charming small book may be found in Ralph Thomas' 1904 bibliography Swimming. The book - with original Latin text - was written by Everard Digby (ca. 1578-1606) and published by Thomas Dawson in England in 1587. Although there were two English translations (in 1595 and 1658), it was the 1696 French translation by scientist, cartographer and diplomat Melchisedech Thevenot that would become the most well-known, going through six French and three English editions. By the time of this second English translation of Thevenot, his French text was so popular that he was assumed to be the author and Digby forgotten. Equally interesting is the history of the illustrations, as noted in Thomas: ôThevenot's artist copied Digby's plates as he saw them, so that when printed they came out reversed. The English copyist in 1699 did the same from Thevenot, so that they came out reversed again, being in the same position as Digby's. Then the copyist for the 1764 edition did the same, so that they came out once more reversed.ö


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