891

William Henry Buck (Norwegian/New Orleans, 1840-1888), "Bayou Scene: Probably the Footbridge at Indian Bayou in the Atchafalaya River Basin", 1880, oil on canvas, signed and dated lower right, 18" x 30". Presented in a period giltwood frame. Provenance: Estate of A. Hays Town, Baton Rouge, Louisiana. On April 22, 1883 The Times-Democrat published a four-page article "appealing to those living in the city of New Orleans of the beauty and charm of Attakapas or Acadian lands" - a favored destination of William Henry Buck. In the opening page, the article boasts that with a short train ride or two-hour gallop on horseback, one can arrive in a sublime glade redolent of the Buck offered here: "Near to the bank on the river over-shadowed by oaks, from whose branches garlands of Spanish moss and of mystic mistletoe flaunted". The article, which largely romanticizes the Attakapas herdsmen as Western novel cowboys, concludes with a poignant description of Indian Bayou in Vermilion Parish as a body of water that opens up into an expansive waterway in the direction of the Gulf fifty yards out from its center. The enticing description, written for the allure of city folk mesmerized by the promise of virgin frontiers, is a visual treasure map for discerning the landscape in this painting. From this viewpoint, the bayou, lined with iconic cypress trees laden in Spanish moss, expands just past a wooden plank footbridge into a vast estuary with a schooner in the distance. Similarly, Indian Bayou is situated in the Morganza Floodway system of the Atchafalaya basin shortly before it converges with the Gulf of Mexico. In 1884, a few months after the Times-Democrat published its ode to Acadia, Buck painted a landscape of Indian Bayou at the mouth of the river basin, which was sold in these rooms on September 22, 2001, as lot 1225. Painted from the opposite side and to the right of the center foreground in the landscape offered here, Buck's 1884 painting of Indian Bayou depicts the same hydrography, and the same flora, notably the two cypress trees along an arched plank footbridge. Though wooden footbridges commonly appear in Buck's landscapes, they are typically level, not arched architrave single-suspension ones. Only one other known suspension bridge, which is a two-part one is known in his extant oeuvre ("Bayou Farm", 1884). Whether the Times-Democrat's review was influenced by Buck's quiescent landscape of Acadia, ethereally lit from behind in the plein-air-style of the Barbizon School, or the painterly review influenced Buck to travel there by rail car will never be known.


  • Condition: In generally good condition. There is evidence of past professional restoration; the canvas has been relined, and there are scattered areas of inpainting in the sky, cypress trees and grass. Faint craquelure and light surface soiling is present throughout. Some light abrading is visible along the canvas edges where the canvas touches the frame.

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March 13, 2016 10:00 AM CDT
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