264

William Melton Halsey

American, South Carolina, 1915-1999

William Melton Halsey
(American, South Carolina, 1915-1999)

"Inscription", 1979, amended 1994

incised oil on masonite
signed, titled and dated en verso, affixed with "Eva Carter Gallery, Charleston, South Carolina" label.
Integral artist frame.
31" x 13", framed 32" x 13-1/2"

Provenance: Eva Carter Gallery, Charleston, South Carolina; Private collection of Libba and Mike Gaither, Charlotte, North Carolina.

Notes: William Halsey was one of South Carolina's foremost twentieth-century modernists, known for his vibrant paintings, collages and sculptures. Born and raised in Charleston, he received early instruction from Elizabeth O'Neill Verner, one of the leading artists of The Charleston Renaissance movement. He later trained at the University of South Carolina, but it was while attending the School of the Museum of Fine Arts, Boston that his style started to take shape. He was awarded The James William Paige Fellowship which afforded him to study abroad. Originally scheduled to travel to Europe with his new wife, the onset of World War II changed their plans and they headed for Mexico instead. In Mexico City, Halsey absorbed the culture, color and texture of the country and studied works by the great Mexican muralists such as Diego Rivera.

The couple eventually settled in Charleston, where they taught at the Gibbes Museum of Art, and later opened their own school. Although Halsey loved to travel and his abstract expressionist canvases were often influenced by the places he visited, Charleston and its decaying stucco buildings remained the central theme in his works. He experimented with various mediums, building his canvases with gesso, sand, marble dust, found objects, and fabric, immersing himself in the physical act of painting.

His works were exhibited at the Museum of Modern Art, the Whitney Museum of American Art, the Art Institute of Chicago, and the Metropolitan Museum of Art, to note a few. The Halsey Institute of Contemporary Art at the College of Charleston was named in honor of William Halsey.

incised oil on masonite
signed, titled and dated en verso, affixed with "Eva Carter Gallery, Charleston, South Carolina" label.
Integral artist frame.
31" x 13", framed 32" x 13-1/2"

  • Provenance: Eva Carter Gallery, Charleston, South Carolina; Private collection of Libba and Mike Gaither, Charlotte, North Carolina.
  • Notes: William Halsey was one of South Carolina's foremost twentieth-century modernists, known for his vibrant paintings, collages and sculptures. Born and raised in Charleston, he received early instruction from Elizabeth O'Neill Verner, one of the leading artists of The Charleston Renaissance movement. He later trained at the University of South Carolina, but it was while attending the School of the Museum of Fine Arts, Boston that his style started to take shape. He was awarded The James William Paige Fellowship which afforded him to study abroad. Originally scheduled to travel to Europe with his new wife, the onset of World War II changed their plans and they headed for Mexico instead. In Mexico City, Halsey absorbed the culture, color and texture of the country and studied works by the great Mexican muralists such as Diego Rivera.

    The couple eventually settled in Charleston, where they taught at the Gibbes Museum of Art, and later opened their own school. Although Halsey loved to travel and his abstract expressionist canvases were often influenced by the places he visited, Charleston and its decaying stucco buildings remained the central theme in his works. He experimented with various mediums, building his canvases with gesso, sand, marble dust, found objects, and fabric, immersing himself in the physical act of painting.

    His works were exhibited at the Museum of Modern Art, the Whitney Museum of American Art, the Art Institute of Chicago, and the Metropolitan Museum of Art, to note a few. The Halsey Institute of Contemporary Art at the College of Charleston was named in honor of William Halsey.
  • Condition: **In overall good condition with some surface soiling. Any anomalies innate to material and technique, and appear hand of the artist.

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