976

William Zorach
(Lithuanian/American, 1887-1966)

"Sculptural Sketch of a Woman", ca. 1939

patinated bronze
cast signature and numbered "1/6" along proper right edge of self-base, an old partial gallery label at bottom.
h. 7", w. 3", d. 2"

Notes: The Lithuanian born and Ohio raised Zorach was one of the first proponents of the American Modernist movement. He attended the Cleveland School of Art and the National Academy of Design in New York before enrolling in 1910 at the post-impressionist avant-garde Academie de la Palette in Paris. While at la Palette, Zorach met the fauvist artist Marguerite Thompson; the two would eventually marry and collaborate on numerous projects. Captivated by the thriving art community and by his fellow students and artists, Zorach began to experiment with various stylistic approaches to his work. His earliest works were colorful, vibrant landscapes with broad brushstrokes and in the bright palette most associated with the fauvists. He soon began to create paintings in a Cubist style and this led to his first experimentation with sculpture. These resulting figures are frequently explorations of the abstracted human form, as is evidenced by the example offered here. Eventually, Zorach would abandon painting - with the exception of watercolors - in favor of the more time-consuming and labor intensive discipline of sculpture. As he once commented on the distinction between the two media in terms of the difference in the creative approach; "There are things one does for the pure love of form and color, in the easy abandonment to the moods and the fancies of the moment….then there are the visions imprisoned in the rock and the visions deep in one's soul…this is my sculpture"

Zorach exhibited widely during his lifetime and had two works included in the influential and now legendary 1913 Armory Show in New York.


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