37

Yozo Hamaguchi

Japanese, 1909-2000

Yozo Hamaguchi
(Japanese, 1909-2000)

"Grapes and Pear", 1959

mezzotint
pencil-signed lower right, numbered "14/50" lower left, printed by Pace Editions, New York, New York.
Matted, glazed and framed.
sight 9-3/4" x 21-3/4", framed 22" x 31-1/2"

Provenance: Marjorie Kauffman Graphics, Houston, Texas; Collection of Polly and Ed Renwick, New Orleans, Louisiana.

Literature: https://www.yamasa.com/musee/en/info/

Notes: Hamaguchi was the first Japanese artist to attempt and excel at the painstaking, time-consuming and difficult technique of mezzotint print-making, a decidedly Western medium that reached its height of popularity in the 17th and early 18th centuries. A native of Tokyo, Hamaguchi was born into a financially secure business family that included numerous artist and collectors. He initially enrolled in the Tokyo Art School (now Tokyo University of the Arts) to study sculpture before leaving for France where he studied various Western art techniques in Paris. At the encouragement of his friend the poet e.e. cummings, who gifted him the tools, he began to produce mezzotint prints. Hamaguchi's compositions of fruits and vegetables, set front and center against a dark, velvety background, worked well with the tonality and texture inherent in the medium. Equally popular in Japan and Europe, he is considered the driving force behind the mid-century resurgence of the mezzotint. The recipient of numerous awards, honors and accolades, Hamaguchi was a member of the Salon d'Automne, the Japanese representative at the 1960 Venice Biennale, received the Grand Prize in printmaking at the Sao Paulo Biennial in 1957, and is one of the few artists to have a museum named in his honor - the Musee Hamaguchi Yozo in Tokyo.

mezzotint
pencil-signed lower right, numbered "14/50" lower left, printed by Pace Editions, New York, New York.
Matted, glazed and framed.
sight 9-3/4" x 21-3/4", framed 22" x 31-1/2"

  • Provenance: Marjorie Kauffman Graphics, Houston, Texas; Collection of Polly and Ed Renwick, New Orleans, Louisiana.
  • Literature: https://www.yamasa.com/musee/en/info/
  • Notes: Hamaguchi was the first Japanese artist to attempt and excel at the painstaking, time-consuming and difficult technique of mezzotint print-making, a decidedly Western medium that reached its height of popularity in the 17th and early 18th centuries. A native of Tokyo, Hamaguchi was born into a financially secure business family that included numerous artist and collectors. He initially enrolled in the Tokyo Art School (now Tokyo University of the Arts) to study sculpture before leaving for France where he studied various Western art techniques in Paris. At the encouragement of his friend the poet e.e. cummings, who gifted him the tools, he began to produce mezzotint prints. Hamaguchi's compositions of fruits and vegetables, set front and center against a dark, velvety background, worked well with the tonality and texture inherent in the medium. Equally popular in Japan and Europe, he is considered the driving force behind the mid-century resurgence of the mezzotint. The recipient of numerous awards, honors and accolades, Hamaguchi was a member of the Salon d'Automne, the Japanese representative at the 1960 Venice Biennale, received the Grand Prize in printmaking at the Sao Paulo Biennial in 1957, and is one of the few artists to have a museum named in his honor - the Musee Hamaguchi Yozo in Tokyo.

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