1126: Pair Of French Empire-Style Brass Candlesticks, each with a tapering shaft, having a patterned waxpan, knop and circular base, h. 10.5in.

1128: Empire Mahogany Console Table, first quarter 19th century, the rectangular tan and gray marble top above a frieze drawer centered by a classical mount, raised on a pair of doric columns with ormolu capital and bases, and a pair of pilasters resting

1130: Biedermeier Mahogany Bookcase and CABinet, second quarter 19th century, the pediment centered by an ormolu mount, the glazed doors divided by an ebonized panel mounted with a brass band depicting cherubs at play, the lower case fitted with a long

1131: Restauration Mahogany Bergere first quarter 19th century, the curved padded back joined by downswept arms to the cushioned seat, raised on slightly saber legs, repairs, h. 43in. Illustrated

1132: Continental Patinated Bronze Figural Group, of a nymph riding on the back of a satyr, after a model by Claude Michel Clodion, French 1738-1814, the nude maiden whips the grimacing satyr with a branch, mounted on a circular base and sienna marble

1133: Charles X Three-piece Patinated Marble Clock in the neoclassical taste, second quarter 19 th century, the monument-form case mounted with the seated figure of Orphee, her lute at rest, upon the rectangular base applied with a central rosette and

1135: Empire-Style Gilt and Black Patinated Six- Light Chandelier the central bowl, with flame finial issuing scrolling floral cornucopia arms, and suspending a berried finial, hung from three patinated and gilt rosette cast-link chains, joined to an

1136: Restauration Mahogany Gueridon first quarter 19th century, the dish-shaped tilt-top above a columnar standard raised on an ormolu ring, the triangular plinth on bun feet, h. 29.5in, dia. 31.25in. Illustrated

1139: Pair Of Paris Porcelain Vases, first quarter 19th century, of ovoid form, each with an everted rim and inverted gilt neck, the shoulders joined by swan handles decorated with a band of gilt flowers and vines and vertical striping, on a gilt waist,

1140: Paris Porcelain Bateau-form Corbeille, second quarter 19th century, the gilded wickerwork basket raised on an elliptical stem and rectangular foot, h. 11 w. 14.5in, d. 7.5in. Illustrated

1142: Fine Pair Of Paris Porcelain Jardinieres first quarter 19th century decorated by Legros D'Anisy their stenciled mark on underside, each everted gilt-banded rim internally bordered by a branch draped with fruit and externally ornamented by panels of

1143: Small Paris Porcelain Vase, first quarter 19th century, of ovoid form with twin gilt handles, the reserves depicting an elderly couple and a landscape, on a narrow waist, gilt-striped socle, and square plinth, h. 6.75in.

1145: Large Paris Porcelain Tout Blanc Corbeille second quarter 19th century, the oval pierced basket centered by cartouches, joined by twin loop handles on twig-form feet, h. 6.75in, w. 10.5in, l. 21in

1150: French Brass Three-Light Bouillotte Lamp, having a dished base, adjustable shaft and green tole shade,, h. 19.5in.

1157: Pair Of Charles X Gilt and Patinated Bronze Chenets second quarter 19th century, each rectangular pedestal surmounted by a recumbent lion, modeled after Canova, and fronted by a large foliate mount, on an ogee- molded plinth, h. 13in, w. 15in, d.

1167: Pair Of Continental Brown-Patinated and Gilt- Bronze Tazzas, fourth quarter 19th century, each having the bowl applied with twig-form loop handles, on a flaring base, chips to the marble, h. 9.5in, dia. 8in. Illustrated

1169: Dutch Marquetry-inlaid Portico second quarter 19th century, with yoke-form pediment, inlaid with a pale floral arrangement, upon vine-inlaid columns and complimentary base, time and strike movement, h. 17.75in, w. 10.5in. Illustrated

1172: North German Neoclassical Mahogany Pier Mirror second quarter 19th century, the pediment centered by a brass rosette above a rectangular two-part mirror and frame mounted with ormolu, h. 39.5in, w. 16in. Illustrated

1176: Pair Of Russian Neoclassical-Style Mahogany Ormolu-mounted Looking Glasses, each cresting with a classical parian plaque flanked by split pairs of marble columns, the rectangular mirror plate within gilt-brass moldings and colored glass panels, the

1177: Victorian Tole Tray, late 19th century, decorated in the Empire taste depicting Napoleon and his troops on a mint green ground, mounted as a low table on a conforming faux- bamboo base, h. 21in, w. 24.5in, d. 19in. Illustrated