238: Two Framed Assemblages Of Italian Grand Tour Neoclassical Plaster Intaglio Medallions, second quarter 19th century, including seven plaques within ornate moldings, one 10in x 6in, the other 9.875in x 9 875in. 200/400

239: Fine Pair Of Napoleon 111 Gilt-Bronze Grand Tour Egyptian figure candlesticks, third quarter 19th century, each in the form of a standing Pharaoh, holding the symbols of his position across the chest, a pillar of hieroglyphs balanced upon his feet,

240: Pair Of Russian Napoleonic Blue and White Plaster Of Paris Octagonal Allegorical Relief Plaques, dated 1812 and 1814, each having a tondo center, depicting events of the Russian campaign against Napoleon, with cyrillic legends at the bottom, framed

241: Pair Of Russian Napoleonic Blue and White Plaster Of Paws Octagonal Allegorical Relief Plaques, dated 1812 and 1813, each having a tondo center, depicting events of the Russian campaign against Napoleon, with cyrillic legends at the bottom, frames in

242: Pair Of Continental Neoclassical Gilt-Bronze two-Light candleabra first quarter 19th century, each with a beehive standard and tapered stem issuing scroll branches with engine-turned drip pans and nozzles the circular pedestal set with classical

243: Group Of Three Rock Crystal Obelisks, of typical architectural form, beautifully polished, two restored, two h. 16in, one h. 17in. 1000/2000 Illustrated

244: Pair Of Crystal Obelisks, of tapering form on low pedestals, h. 12. 75in. 300/500

245: Pair Of Fine Continental Patinated Bronze Allegoiucal figure, depicting Mathematics and Astronomy, fourth quarter 19th century, unmarked, each cast in the form of a robed Greek scholar, seated upon a pedestal, holding the instruments of his science,

246: Italian Patinated Bronze Grand Tour oil painting second quarter 19th century, modeled after the Antique, the oil vessel joined by a dragon handle, the cover surmounted by a gilt salamander, on a leaf-cast stem and oval marble plinth, h. 8.875in w. 11

246a: Pair Of Napoleon III Engine-Turned and Gilt- Brass Candlesticks, in the Charles X style, third quarter 19th century, h. 10in. 600/900

247: Beautifully Preserved Wood-Cased Set Of Three Hundred Thirty-Six Plaster Relief Medallions, depicting European historical, literary and scientific luminaries, mid- 19th century, the case with seven trays, each containing forty-eight plaques, the

248: Pair Of English Grecian-S Terra Cotta and White Frosted glass Vases, second quarter 19th century, each decorated with robed classical figures with exotic beasts, mounted as table lamps, top of finial h. 27- in. 1200/1800 Illustrated

249: pair of minton terra cotta ground Porcelain Vases, in the neoclassical taste, third quarter 19th century, mounted as table lamps, each of amphora form with darker biscuit neck, base and handles, each with a side painted en grisaille with the figures

250: Louis Xvi-Sme Bronzie-mounted marble Coupe, C. 1900, with a shallow krater-form bowl upon cast entwined dolphins, on a low pedestal, h. 8in, dia. 7in. 2500/4000 Illustrated

251: Pair Of Grecian form Parcel-Black glazed Cotta Ewers, third quarter 19th century, each decorated with raised classical female figures, anthemion and having leafy shoulders, upturned lip and loop handle, h 12- ..75in. 700/1000 Illustrated

252: English High-Glazed terra cotta Ewer, in the neoclassical taste, third quarter 19th century, baluster form with gilt borders, decorated with terra cotta figures of amazon warriors, h. 13in. 200/400 Illustrated

253: Pair Of Copenhagen Terra Cotta relief Plaques, second quarter 19th century, L. Hjorth, his name impressed on obverse, each finely modeled, retaining their original frames bearing the label of F. Ahrends and Co., 165 Piccadilly, a London retailer

254: Pair Of Copenhagen Biscuit Relief Plaques, third quarter 19th century, Bing and Grondahl, their initials impressed on obverse, each delicately modeled, with a pale blue background, mounted in their original frames and bearing the label of F. Ahrends

255: Two Pairs Of Italian Neoclassical-Style Biscuit Porcelain Relief Plaques, by Richard Ginori, each pair mounted in blue and gilt frames depicting classical women at their daily pursuits, h. 5.875in w. 11. 75in. 900/1200

256: Pair Of Paws porcelain Vases, first quarter 19th century, each with an everted rim painted with black and terra cotta stylized anthemions the shoulders jarmed by loop gilt handles, the body displaying classical figures on a circular foot ornamented