1: George III Mahogany Chest, early 19th century, the rosewood-banded rectangular top above a case fitted with a concealed frieze drawer over two short drawers and three long drawers, the whole raised on splayed bracket feet, h. 41-3/4", w. 44-1/2", d.
2: Fine R. J. Hopgood, London, Oak and Brass "Mark V" Tripodal Table Telescope, dated 1916, the oak and brass tripodal stand fully touchmarked, h. 16-1/4", w. 27-1/4".
3: George III Mahogany Pembroke Table, early 19th century, the rectangular top banded with two rounded drop leaves above a frieze fitted with two end drawers, raised on tapering square legs headed by fluted inlay and ending in brass caps on casters, h.
4: George III Mahogany Chest-on-Chest, early 19th century, the molded cornice with decorative inlaid banding above a case fitted with two short drawers over three long, graduated drawers, flanked to either side by engaged inlaid pilasters, the lower
5: English Rosewood and Marquetry Desk Box, third quarter 19th century, in the Sorrento style, the marquetry in the form of addorsed foliate scrolls and palmettes on the lid and facade, the interior lined at the sides and bottom in charcoal felt,
6: George III-Style Mahogany Dining Table, the "D"-ended top banded and raised on two pedestals, each with a turned vasiform standard to three splayed legs ending in brass paws on casters, h. 30-1/4", l. 80", w. 39".
7: George III Mahogany Bowfront Chest, late 18th century and later, the bowed top with satinwood banding above a conforming case fitted with two short drawers over three long, graduated drawers, all banded en suite, raised on bracket feet, h. 40-3/4",
8: Georgian Satinwood Tea Caddy, first quarter 19th century, in the style of Robert Adam (1728-1791), of oval form, decorated in floral marquetry in the form of sprays and garlands, the facade centered with an inlaid bone escutcheon of navette form, l.
9: Georgian Burlwood and Marquetry Double-Compartment Tea Box, in the manner of Thomas Sheraton, first quarter 19th century, the interior covers also of burlwood and having turned bone grips, the compartments retaining their period paktong linings, the
10: English Brass-Inlaid Rosewood Tea Box, first quarter 19th century, the interior fitted with a pair of rectangular covers centered with turned bone grips, the whole supported on four brass ball feet, retaining the period steel key, l. 7-1/4", w.
11: British School (First Quarter 18th Century) "British Country House Architectural Facades", suite of six black-and-white copper engravings sight 12" x 20", by Colin Campbell, published in 1725, London. Glazed matted and framed en suite. Estimate -
12: Collection of Seven Pieces of Late Georgian Porcelain, including a good Derby fluted, circular, melon-bordered sweetmeat dish in the neoclassical taste, dia. 7-5/8", and a vieux rose-bordered Derby porcelain coffee cup, dia. 2-1/2", both
13: Large Derby Porcelain Lobed, Ovoid Fruit Bowl, in the neoclassical taste, ca. 1770-1782, the cavetto centered with a polychromed spray of summer flowers, signed on the reverse in overglaze pale blue, w. 9 3/4", l. 12-3/4".
14: George III-Style Mahogany Chest, 19th century and later, the rectangular top banded and with inlaid decorative stringing above a case fitted with two short drawers over three long, graduated drawers all with like stringing, raised on splayed bracket
15: British School (Third Quarter 18th Century) "Landscape Views of Historic Castles", suite of four hand-colored engravings, sight 8- 1/2" x 15-1/2", by Samuel and Nathaniel Buck. Glazed, matted and framed en suite.
16: George III-Style Mahogany Dining Table, the rounded rectangular top with satinwood banding, raised on two pedestals, each with a foliate- carved vasiform standard to three splayed and reeded legs, ending in brass caps on casters with two 21-1/2"
17: Good Georgian Brass-Mounted and Inlaid Mahogany and Penwork Desk Box, first quarter 19th century, the center of the lid with a figural reserve of Ulysses and Penelope, the interior fitted with four compartments of varying size, h. 5-1/2", w. 14-1/4",
18: Pair of English Weighted Paktong and Glass Cricklites, in the Georgian taste, first quarter 20th century, each modeled as an "old ivory" candlestick on a stepped pedestal base and fitted with a diamond-pressed glass bobOche of saucer form, an
19: Georgian Marquetry and Penwork Mahogany Oval Tea Caddy, ca. 1800, in "Floral Sprays" decor, the interior retaining most of the original lacquered paktong linings, the facade centered with an inlaid escutcheon of inverted teardrop form, h. 5", w.
20: English "Tunbridge"-Marquetry Table Box, second quarter 19th century, of square section, the interior lined in marbled, taupe, linen- grained papers, h. 4-3/4".