Antiques, Collectables

1: English Rosewood and Marquetry Desk Box, third quarter 19th century, in the Sorrento style, the marquetry in the form of addorsed foliate scrolls and palmettes on the lid and facade, the interior lined at the sides and bottom in charcoal felt,

2: Late Georgian Inlaid Pen-Worked and Polychromed Rosewood Desk Box, first quarter 19th century, in the neoclassical style, the center of the lid with a gilt-framed oval reserve of an ancient warrior in a ram-drawn chariot attended by a flying putto,

3: Interesting Six-Piece Collection of Silhouette Portraits, consisting of a good circular silhouette of a Georgian lady in a bonnet, first quarter 19th century, an oval cut-paper silhouette of a Georgian gentleman, fourth quarter 18th century, an oval

4: Pair of English Glass-Banded Oval Looking Glasses, in the Georgian style, the gilt-smoked mirrored glass edgings reverse engraved throughout with small, equidistant rondels and bearing beveled edges, the outer edges and backplates in satin

5: George III-Style Oak Tripod Table, early 20th century, the tilting, circular top with a pie-crust edge above a birdcage support on a turned, vasiform standard, to three splayed, cabriole legs headed by foliate carving and ending in ball-and-claw

6: Fine and Rare Four-Piece Derby Porcelain Set of "The Continents", third quarter 18th century, by the Derby Porcelain Works (active ca. 1750-1848), each female continent (America, Europe, Asia and Africa) accompanied by an appropriate animal,

7: Annamese Blue-and-White Porcelain Plate, third quarter 18th century, in floral decor, repaired with rivets and fitted with a later wrought tin suspension frame, dia. 10.75in.

8: Pair of Coalport White-and-Gold Bone Porcelain Garniture Vases, third quarter 20th century, of rhyton form in the Restauration style, each example with a gilded stylized dolphin masque as its lower terminus, fully marked on the bases in blue

9: Attractive English Mahogany Silver Table, third quarter 19th century in the manner of Thomas Chippendale, the rectangular top with pierced gallery above a faux blind fretwork frieze, the whole supported on four Marlborough legs, h. 28.5in, w. 30in,

10: Attractive Georgian Brass-Mounted Mahogany Tea Caddy, first quarter 19th century, of sarcophagus form, the interior fitted with a pair of lift-out tea canisters with hinged lift covers flanking a central well containing a period pressed glass mixing

11: After John Hoppner (English, 1758-1810) Pair of miniature pastel portraits of, respectively, Lady Beatrice Fitz James and Lady Catherine Howard, second quarter 19th century, each portrait identified with an old handwritten paper label on the reverse,

12: George III Mahogany Secretary-Bookcase, late 18th century and later, the pierced and broken swan's-neck pediment above a banded frieze with two astragal-glazed doors below, the lower section fitted with a shell-inlaid slant front opening to a

13: Chinese Export Porcelain Armorial Shallow Bowl, 19th century, the lipped bowl decorated in famille rose enamels with a central medallion with the arms of Carter, the rim decorated with a "cash" border and an outer border of peonies, dia. 13.5in.

14: Georgian Inlaid Mahogany Dome-Lidded Desk Box, first quarter 19th century, in the style of Thomas Sheraton, the facade fitted with an inlaid mother-of-pearl escutcheon of lozenge form, the interior lined in later plum, white, royal-blue and

15: Intriguing Georgian Inlaid and Banded Mahogany "Puzzle" Jewel Box, first quarter 19th century, in the neoclassical taste, the "secret" push opening a segmented jewel drawer and revealing above a smaller shallow jewels drawer, l. 7.25in, w. 3.25in.

16: Georgian Satinwood Tea Caddy, first quarter 19th century, in the style of Robert Adam (1728-1791), of oval form, decorated in floral marquetry in the form of sprays and garlands, the facade centered with an inlaid bone escutcheon of navette form, l.

17: George III-Style Inlaid Mahogany Dining Table, the circular top with reeded edge and cardioform- and foliate-inlaid banding, raised on a cylindrical standard to four splayed and reeded legs ending in brass paws on casters, h. 37in, dia. 77in.

18: Suite of Ten George III-Style Mahogany Dining Chairs, consisting of two armchairs and eight sidechairs, each with a shaped, foliate- carved crest above a pierced, interlacing, vasiform splat, the padded seat raised on blind-fret-carved legs joined by

19: British School (19th Century) "Portrait of a Seated Woman Wearing a Striped Dress with Lace Collar", oil on canvas, 18in x 14.25in, unsigned. Presented in a contemporary giltwood frame. Illustrated

20: Attractive Pair of Edwardian Elaborately Carved Giltwood Looking Glasses, ca.1900, in the 18th-century English rococo style of Thomas Johnson (1714-1778), each looking glass crested with the figure of a stylized phoenix perched on a balustrade, the