Antiques, Collectables

467: Elaborate Belleck Porcelain Elliptical Footed Basket, with applied polychromed flowerheads, 1891-1926, signed with an applied ribbon: "Belleck Co. Fernanagh Ireland", h. 5in, w. 12.25in. Illustrated

468: Good Small Derby, Duesbury Period, Porcelain Sweetmeats Dish, fourth quarter 18th century, the rich gilding in excellent condition, red crown mark, underglaze, dia. 5.375in.

469: Copeland and Garrett "New Blanche" Earthenware Pitcher, second quarter 19th century, printed mark on underside, the octagonal form with serpent handle ornamented in the Etruscan taste with shades of terra cotta and black, h. 6.75in.

470: Good Pair of Coalbrookdale Porcelain Two-Handled Garniture Vases, with applied porcelain flowerheads surrounding landscape reserves, third quarter 19th century, h. 11in. A similar pair of Coalbrookdale garniture vases is in the collection of the New

471: Rare and Important George III Mahogany Wardrobe, attributed to Chippendale the Younger, third quarter 18th century, and similar to the well-known cabinet preserved at Croome Court, executed by Chippendale the Younger to the design of Robert Adam

472: William IV Mahogany Drop-Leaf Table, second quarter 19th century, the top with molded edge with two ovoid leaves, above a plain frieze, raised on turned and fluted legs ending in toupie feet on casters, h. 28in, w. 45.5in, d. 22.5in, extended l.

473: George III Carved Giltwood Looking Glass, in the Robert Adam taste, fourth quarter 18th century, retains the period plate, h. 54.5in, w. 31.5in. Illustrated

474: Regency Satinwood Firescreen, first quarter 19th century, the serpentine frame fitted with a floral needlepoint panel, raised on a paneled, baluster-turned pedestal with three banded cabriole legs ending in toupie feet, h. 49in, w. 15in.

475: George III Mahogany Bowfront Sideboard, fourth quarter 18th century, the projecting top outlined in boxwood, the frieze drawer over an arch, the quarter-round bottle drawer and cupboard door raised on square tapered legs, h. 36in, w. 57.75in, d.

476: George III Mahogany Demi-lune Table, fourth quarter 18th century, the projecting semi-circular top over a conforming frieze, raised on tapering square legs, h. 28in, w. 45in, d. 22.5in.

477: Pair of George III Mahogany Side Tables, fourth quarter 18th century each with a "D"-shaped top over a banded and centrally carved frieze one with a concealed drawer, raised on tapering square legs, h. 29in w. 48in, d. 23in. Illustrated

478: English Brass-Trimmed Mahogany Four-Step Library Ladder, in the Georgian style, the upper terminals scrolled to fit over a library shelf, h. 48in, w. 18.25in.

479: George III Satinwood Pembroke Table, fourth quarter 18th century, in the style of Robert Adam, the top centered by a foliate medallion, and with two rounded drop leaves, the whole banded with a polychromed swag and foliate band above a frieze fitted

480: George III Mahogany Pembroke Table, fourth quarter 18th century, the rectangular top with two drop leaves, above a frieze fitted with one end drawer, raised on fluted tapering square legs, h. 28.5in, w. 40in d. 21.25in.

481: William IV Carved Giltwood "Trafalgar" Oval Overmantel Mirror, second quarter 19th century, the cresting and lower spandrels modeled as scrolling and coiled ropes, retains the period plate, h. 40.75in, w. 52.25in. Illustrated

482: Dutch Neoclassical Mahogany Linen Press, early 19th century, the molded and chamfered cornice with center pedestal surmounted and flanked by urn finials, the pair of doors paneled with ellipses, the lower case containing three drawers, on fluted and

483: Queen Anne-Style Lacquered Cabinet, partially constructed from antique elements, first quarter 19th century, the two cabinet doors featuring an elaborate gilt oriental landscape and finely pierced brass hardware, opening to an arrangement of nine

484: George III Chinoiserie Tallcase Clock, fourth quarter 18th century, along with works engraved: "Thomas Reynolds", and having a second hand and date dial, the case with an arched pediment surmounted by giltwood finials, the polychromy on a black

485: Louis Philippe Bronze Argente and Antimony Three-Light Colza Chandelier, second quarter 19th century, each arm with a matching silvered shade, electrified, the blown-glass chimneys removed in the conversion, h. 17in, dia. 21in. Illustrated

486: Georgian Rectangular Black-and-Gold Japanned Looking Glass, in the Chinese taste, fourth quarter 18th century, fitted with a later antique beveled glass plate, h. 29in, w. 16.5in. Illustrated