Antiques, Collectables

1181: William IV Sheffield Silverplate Photophor, second quarter 19th century, the tapered glass shade raised upon a foliate standard and concave rectangular plinth, h. 19.25in, w. 5in, d. 5in. Illustrated

1182: Pair of American Pressed Glass Hurricane Candlesticks, in the "Colonial" style, second quarter 20th century, the petaled bobeches dressed with facet-cut spears, h. 17.5in.

1183: English Cut- and Etched Glass Compote, late 19th century, the bowl with sawtooth edge and etched leaf side, the bottom cut with a blaze star, h. 8.25in, dia. 9in.

1184: Set of Fifteen Victorian Blown- and Panel-Cut-Glass Saucer Champagne Goblets, third quarter 19th century, the panel-cut stems hollow, h. 5 125in. Illustrated

1185: Victorian Blown- and Panel-Cut-Glass Tallneck Carafe, third quarter 19th century, h. 9.25in. Illustrated

1186: Set of Seven French Panel-Cut-Glass Champagne Flutes, third quarter 19th century, h. 6.5in. Illustrated

1187: Set of Seven French Panel-Cut- and Ring-Banded Glass Champagne Flutes, third quarter 19th century, h. 6.875in. Illustrated

1188: Set of Five Georgian Panel-Cut-Glass Double-Lipped Rinsers, first quarter 19th century, h. 3.75in, dia. 5.5in.

1189: Set of Six Continental Olive Green-Tinted Blown-Glass Goblets, third quarter 19th century, each tapered vessel raised on a bulbous stem and circular foot, h. 6.75in, dia. 3.75in. Illustrated

1190: Large Anglo-Irish Emerald Cut-and Blown-Glass Goblet, the faceted waist and stem raised on a circular foot cut with a blaze star, h. 6. 25in, dia. 4in. Illustrated

1191: Set of Four Anglo-Irish Emerald Cut-and Blown-Glass Wine Goblets, each of urn form raised on a tapered stein and circular foot, h. 5. 25in, dia. 2.75in. Illustrated

1192: Pair of Anglo-Irish Deep Emerald-Tinted Wine Glasses, second quarter 19th century, each panel cut, the faceted stem on a circular foot, h. 5.5in. Illustrated

1193: Victorian Mahogany Piano Stool, third quarter 19th century, in the Chinese Chippendale taste, the padded needlework top opening to a storage space, above a blind-fret decorated frieze, raised on square legs decorated en suite, joined by a pierced

1194: Irish George III Mahogany Corner Cabinet, in the manner of Thomas Chippendale, fourth quarter 18th century, surmounted by two pierced swan's-neck pediments over a fluted and blind-fret carved frieze with canted corners above a conforming case fitted

1195: Chippendale-Style Mahogany Armchair, third quarter 19th century, the serpentine top over a ribbon- and tassel-pierced and carved back, joined to the padded seat by acanthine-carved arms, raised on cabriole legs, headed by bellflower and scrolling

1195a: Regency Mahogany Window Bench, first quarter 19th century, the shaped, padded back joined to the like seat by closed arms, raised on tapering, fluted legs, ending in toupie feet, upholstered in dusk lilac velvet, h. 33.5in, w. 44in, d. 25.5in.

1196: George III-Style Mahogany Dining Table, late 19th century, the rounded rectangular top with reeded edge and raised on two pedestals, each with a cylindrical standard to three splayed legs ending in brass caps on casters, with one 22.5in leaf, h.

1197: Fine Camponova, Summer's Town, Oxfordshire, Mahogany Regency Barometer, of banjo form, first quarter 19th century, fitted with four dials and one diminutive circular looking glass retaining the period plate, the primary weather dial with a convex

1198: George III Mahogany Bookcase/Cupboard, fourth quarter 18th century, the overhanging cornice above two astragal-glazed doors, the lower section fitted with two cupboard doors, faced as two drawers over two paneled cupboard doors, raised on a plinth

1199: George III-Style Mahogany Partner's Desk, late 19th century, the rectangular top with an inset gilt-tooled leather writing surface above three frieze drawers to either side, raised on two pedestals, both fitted with three long graduated drawers to