1: Regency Polychromed Sidechair, first quarter 19th century, the backswept, caned back with a painted palmetto lower panel, the caned seat raised on square legs with shaped knees, ending in toupie feet, the whole with painted foliate and palmetto
2: Good Regency Carved Giltwood and Parcel-Ebonized Convex, or Bull's- Eye, "Prince of Wales Feathers" Looking Glass, first quarter 19th century, the cresting modeled as the traditional Prince of Wales feathers emerging from a coronet, the inner molding
3: Fine Set of Eight Aynsley Richly Gilt and Cobalt Blue-Bordered Porcelain Dessert Plates, each featuring a different English abbey, fourth quarter 19th-first quarter 20th century, the abbey scenes signed by R. J. Keeling, a leading Aynsley painter,
4: Regency Faux-Bois Tripod Table, early 19th century, the canted, rectangular top with a gilt-stenciled border, raised on a circular standard with turned gilt accents, to three splayed legs ending in turreted feet, h. 27.75in. w. 16.75in. d. 12in.
5: English Highly Figured Tortoiseshell Block-Front, Double-Compartment Tea Caddy, third quarter 19th century, the pair of conforming interior covers of matching tortoiseshell with turned bone grips, the whole supported on four silvered brass feet, h.
6: Regency Maple Stool, mid-19th century, the cushioned top raised on a cross-over, curule-form base ending in patera-mounted, rounded toes, h. 18in. w. 20in. d. 20in. Illustrated
7: Diminutive Pair of Regency Gilt-Lacquered Brass Figural "Hope" Candlesticks, first quarter 19th century, each standard modeled as a neoclassical maiden allegorical of Hope resting on an anchor, the circular weighted bases stepped, each dressed with
8: Late Regency Rosewood Games Table, first quarter 19th century, the rounded, rectangular top hinged and opening to a lined interior, raised on a reeded columnar standard to a concave base to bun feet on casters, h. 28.75in. w. 36in. d. 17.75in.
9: Pair of Chinese Peking Glass Vases, 19th century, each with a spherical body and elongated neck, the metal of an even raspberry color, the base with a plain turned foot, h. 6.5in. Illustrated
10: Pair of Chinese Export Porcelain Dishes, late 18th-early 19th century, decorated in famille rose enamels depicting a partially open hand scroll of flowers and an elaborate floral and scrollwork border on the flattened rim, dia. 9in. Illustrated
11: Pair of Chinese Export Porcelain Vases, 19th century, each modeled with "Chicken Skin" body with floral decoration and reserve panel decorations in the "Mandarin" palate of figures in domestic scenes, h 11in. Illustrated
12: Chinese Export Porcelain Octagonal Serving Platter, of rectangular form with cantered corners, decorated in famille rose enamels with a central stylized floral medallion and a scrolling border with floral clusters at the rim, w. 14.25in. l. 17.5in.
13: Large Chinese Porcelain Punchbowl, decorated in puce and famille rose enamels with reserve panel decoration of European scenes of fox hunting and 18th-century-style borders, dia. 14in. Illustrated
14: Regency-Style Mahogany Bowfront Chest, late 19th century, the highly figured bowed top with shaped edge above a conforming case fitted with two short drawers over three long graduated drawers, raised on splayed bracket feet, h. 43.75in. w. 36in. d.
15: English Gilt-Stenciled and Polychromed Oval Tole Tray, in the Chinese taste, second quarter 19th century, the central oval reserve featuring a pipe-smoking Mandarin and a yoked water boy, w. 24in. d. 19in. Illustrated
16: William IV Brass-Mounted Rosewood Bombe Gentleman's Stud Box, second quarter 19th century, the interior lined in gray, blue and vieux rose marbled Florentine papers, the whole supported on brass paw feet below an ebonized wooden edge, h. 5.25in. w.
17: Regency Mahogany Bench, first quarter 19th century, the padded, rectangular top set into a molded frame, raised on scrolling end supports joined by a heavily turned stretcher and ending in scrolled toes on casters, h. 17in. w. 33in. d. 20in.
18: Pair of William IV Mahogany Sidechairs, mid-19th century, the plain curved cornice held by two reeded and turned uprights, the padded seat raised on reeded and turned legs ending in toupie feet, h. 33in. Illustrated
19: Attractive Edwardian Silver Wire-Inlaid and Patinated Carved Bone- Mounted Fluted, Octagonal, Double-Compartment Tea Box, in the George IV style, first quarter 20th century, the center of the spoke-fluted lid and the escutcheon of inlaid
20: Tall English Silver Wire- and Mother-of-Pearl-Inlaid Chocolate Tortoiseshell Double-Compartment Tea Box, third quarter 19th century, the interior covers also of chocolate tortoiseshell and having turned and polished bone grips of inverted pyriform,
