Antiques, Collectables

784: Italian Marble Pedestal, fourth quarter 19th century, the Doric formcomposed of various colored stones, h. 43in, w. 8in, d. 8in.

785: Pair of Regence-Style Oak Wall Brackets, c. 1900, each with a semi- circular shelf, over the acanthine-carved base, h. 7.5in, w. 9.5in.

786: Pair of English D-Form Side Tables, composed of three bronze-mountedRegency cast-iron balusters, first quarter 19th century, the aprons and footrings in bronze, the former centered with Bacchic masks, conforming polished ribboned campan marble tops,

787: Large Pair of Square Bronze-Patinated Reticulated Cast-Iron Tree Tubs, in the Beaux-Arts style, c. 1900, each fitted with a conforminggreen-enameled metal liner, h. 23.5in, w. 23in, d. 23in. Illustrated

788: Large Exuberantly Carved Florentine Baroque Giltwood Looking Glass, first quarter 18th century, scattered minor losses in the gilding, h.48in, w. 42in. Illustrated

789: Louis Philippe Patinated Bronze Mythological Group, in the manner ofFranÎois Rude (1784-1855), second quarter 19th century, h. 14.75in. Illustrated

790: Italian Rococo Revival Marble-Top Center Table, third quarter 19th century, the oval Siena marble top over an 18th-century acanthine- and shell-carved frieze, raised on an exuberantly carved pedestal, raised on cabriole legs headed by semi-nude

791: Pair of Italian Carved, Painted and Parcel-Gilt Pole Finials, in theneoclassical taste, third quarter 19th century, now mounted as accentlamps with custom gold fabric shades, h. to top of shade 13.5in.

792: French School (First Quarter 18th Century) "Wall Decorations in the Galerie d'Apollon at the Louvre and in the King's Apartment at the Palais des Tuilleries", designed by J. Berain, suite of nine hand colored engravings, each overall size 12in x

793: German School (Fourth Quarter 19th Century) "Neapolitan Wall Decoration Designs", engraving, sight 9in x 12in. Nicely matted and framed.

794: French School (Second Quarter 18th Century) "Assorted Fables of La Fontaine", after Jean Baptiste Oudry, suite of nine hand colored engravings, each sight 12in x 9in. Matted and framed. Illustrated

795: French School (Fourth Quarter 18th Century) "Revolution on the Square of a City", black and white etching, sight 5in x 8in. Nicely matted and framed.

796: Italian Oak Savonarola Chair, third quarter 19th century, the rectangular back with paneled and ebonized accents, joined to the wooden seat by acanthine scrolling arms, raised on a crossover base with imbricate carving, ending in block feet, h.

797: Italian Carved Oak Miniature Credenza, in the 16th-century Tuscan style, c. 1900, the faÎade fitted as a swinging door modeled as a pair of blind drawers over two blind doors, h. 11.375in, 17in, 7.5in.E125/250

798: Provincial Flemish Oak Coffer, early 18th century, the hinged top opening to a storage space fitted with small drawers to one end, the front with paneled geometric moldings, raised on block feet, h. 27in,w. 44in, d. 21.5in. Illustrated

799: Italian Walnut Armchair, in the Baroque taste, third quarter 19th century, the leather-upholstered padded back surmounted by shell and floral carving and with mask finials, joined to the like-upholstered seat by arms ending in mask handrests, raised

800: Spanish Turned Walnut Desk-on-Stand, of vargueÏo form, fourth quarter 18th century and later, the interior fitted with eight graduated drawers faced in 18th-century floral-embroidered silk, the fall-front writing surface en suite in antique silk, h.

801: Pair of Italian Carved Giltwood Vasiform Garnitures, second quarter 19th century, scattered losses in the gilding, now with lamp rods, h.14.25in, w. 9.5in. Illustrated

802: Pair of Monumental Italian Gilt-Wrought-Iron and Glass Wall Lanterns in the 18th-century Venetian Rococo style, fitted with three interior "candles" and a polished tin reflector of cartouche form, electrified, w. 24in, l. 31in.

803: Pair of Monumental French Provincial Oak Corner Cabinets, in the Gothic taste, second quarter 19th century, of paneled bowfront form, each with a superstructure fitted with three glazed panels surmountedby fleur-de-lys finials, the central one