Antiques

1: Stylish Georgian Brass-Bound Mahogany Kindling Bucket, fourth quarter 18th century, fitted with a later conforming and removable brass liner to form a cachep"t, retains the period tubular brass swing handle, h. 13in, w. 14.75in. Illustrated

2: William IV Cut-Brass-Inlaid Jewel Casket, second quarter 19th century, the sides each with a mahogany ring handle, h. 5.5in, w. 9. 5in, l. 7in. Illustrated

3: Smith's, London, Brass and Convex Glass Spherical Table Clock, in the form of a magnum pocket watch, the reverse convex glass cut at an angle to form a support for the piece, h. 4.25in, dia. 5in. Illustrated

4: Unusual Georgian Brass-Mounted Mahogany Tea Caddy, fourth quarter 18th century, fitted with a cylindrical blown-glass mixing bowl at one side and a mahogany-covered tea compartment at the other, the whole supported on four turned mahogany bun feet,

5: Georgian-Style Mahogany Kneehole Desk, early 20th century, having one long drawer across the top and a small shaped drawer above the kneehole opening, a bank of three drawers flanking the kneehole on each side, and a central blind door, raised on

6: Queen Anne-Style Mahogany Stool, mid-19th century, the padded needlework top raised on cabriole legs headed by stylized shell carving and ending in pad feet, h. 19in, w. 18in, d. 14.5in.

7: Suite of Twelve George II-Style Walnut Dining Chairs, consisting of two armchairs and ten sidechairs, each with a shaped crest over a vasiform splat to the slip-in saddle seat, raised on cabriole legs headed by foliate carving and ending in

8: George II-Style Mahogany Stool, mid-19th century, the padded rectangular top raised on cabriole legs headed by shell carving and ending in ball-and-claw feet, h. 18in, w. 19.5in, d. 14in. Illustrated

9: George III Mahogany Tripod Table, fourth quarter 18th century, the circular top raised on a turned bulbous standard to three splayed cabriole legs ending in pad feet, h. 28in, dia. 33in. Illustrated

10: Queen Anne-Style Mahogany Stool, late 19th century, the inset padded rectangular top raised on cabriole legs headed by shell carving and ending in pad feet, h. 18.5in, w. 19in, d. 13.5in. Illustrated

11: Attractive Georgian North Country Mahogany and Marquetry Tallcase Clock, fourth quarter 18th century, the square dial polychromed in the Adam style and signed: "James Coates, Wigan", the pediment with vasiform finials flanking swan-neck scrolls above

12: Queen Anne-Style Walnut Chest, mid-19th century and later, the top banded and quarter veneered and with inlaid circular patterns, above a case fitted with two short drawers over three long graduated drawers, all banded and with oyster veneers, the

13: Early George III-Style Walnut Secretary, partially composed of antique elements, the molded cornice over two doors, each inset with an arched mirrored panel, the lower section consisting of a slant front opening to an inset leather writing surface

14: Queen Anne-Style Walnut Chest, partially composed of antique elements, the top banded and quarter veneered, above a case fitted with three short drawers and three long graduated drawers, all banded, raised on bun feet, h. 37.5in, w. 37.5in, d. 21in.

15: Sheraton Inlaid Mahogany Work Table, fourth quarter 18th century, the circular mixed wood parquetry top opening to reveal a storage space, over a satinwood-banded frieze, raised on three tapering serpentine legs joined by a triangular stretcher, h.

16: Sheraton Inlaid Mahogany Pembroke Table, first quarter 19th century, the rectangular banded top with two drop leaves with curved corners over a frieze, one end fitted with a faux-drawer, one with a drawer, raised on tapering square legs, ending in

17: Large English Beaded Mahogany Breakfront/Secretary, in the style of Thomas Sheraton, fourth quarter 19th century, the lower element of the projecting center element fitted with a fall-front desk containing a gilt-tooled leather writing surface and

18: Edwardian Turned and Carved Mahogany Oblong Pier Bench, in the manner of Thomas Sheraton, c. 1900, upholstered in rose and celadon striped damask in the Louis XVI style, the roll ends embellished with turned giltwood bosses, h. 21in, w. 38in, d.

19: English Brass-Mounted Mahogany Four-Slot Canterbury, in the style of Thomas Sheraton, the faÎades with "X"-bars, the basal edge fitted with a single shallow transverse drawer, h. 25in, w. 19in, d. 15in.

20: Diminutive English Beaded Mahogany Sideboard, in the taste of Thomas Sheraton, third quarter 19th century, modeled with a deep apron, having a pair of square drawers flanking a transverse shallow drawer, the shield-form escutcheons of bone, the brass